Real-life crying Disney princesses with an indie-pop-soul music twist

Brianna Moles has her cinematic singing alter-ego named Brea Ferrar.

Aretha Franklin, Whitney Houston and Mariah Carey are just some of the greatest and most influential figures in both pop culture and music for using soulful vocal techniques.

Mamie Smith, Ma Rainey, Bessie Smith and Mahalia Jackson are some of the notably influential icons paving the way for Aretha Franklin, Whitney Houston and Mariah Carey.

For Brianna Moles (Brea Ferrar), her choked-back, soulful and emotive singing vocals are inspired by Mariah Carey, whose peer Whitney Houston is an honorary aunt of Aretha Franklin.

Plus, the singing voice involving Brianna Moles (Brea Ferrar) is sexy and sultry.

The Walt Disney Company is one of the involvements for Brianna Moles (Brea Ferrar).

Likewise, the Walt Disney Company also roots Britney Spears, who has influenced the 1990's teen pop music sound and has inspired future singing girls, like Brianna Moles (Brea Ferrar).

Having been inside the Disney ecosystem, Brianna Moles (Brea Ferrar) is described as a crying Disney princess, but with a indie-soul twist.

Aretha Franklin, Whitney Houston, Mariah Carey, Xtina and Brianna Moles (Brea Ferrar) are crying Disney princesses, but with a modern pop/rhythm & blues/soul twist.

Plus, Brianna Moles (Brea Ferrar) is a modern Annette Funicello, but with a soulful twist.

In fact, Marilyn Monroe, Aretha Franklin and Annette Funicello have all smiles for Madonna, Mariah Carey, Britney Spears, Xtina, Beyoncé and Brianna Moles (Brea Ferrar).

Marilyn Monroe attended University High School (Uni) from February to June 1942, just a few months before Annette Funicello's October 1942 birth.

For Brianna Moles (Brea Ferrar), she is known as Britney Spears with an indie-soul music twist.

Brianna Moles (Brea Ferrar) is also Aretha Franklin and Mariah Carey with an indie music twist.

July 12, 1984 is when Brianna Moles (Brea Ferrar) was born.

The middle name for Brianna Moles (Brea Ferrar) is Kailey.

One of the educational institutions for Brianna Moles (Brea Ferrar) is TCNJ, which started to attend in September 2002.

In the Northern Hemisphere, summer uses high heat and extended daylight, which rings true to Brianna Moles (Brea Ferrar) as a summer girl.

Representing summer is the heat of the fire, which fits Brianna Moles (Brea Ferrar) in her birth and her summer girl persona.

As a summer girl, Brianna Moles (Brea Ferrar) has a sexy and high-energy summer vibe.

Besides, the Fire element also represents Brianna Moles (Brea Ferrar) in her energy, charisma and raw emotion.

The Rat and Cancer zodiacs, both using a watery nature, represent Brianna Moles (Brea Ferrar) in her youth, soul and emotion.

Echoing the watery nature of both the Rat and Cancer zodiacs, Brianna Moles (Brea Ferrar) sings like shedding tears to cry.

In addition, the Water element represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Brianna Moles (Brea Ferrar).

A husky, sultry voice like Brianna Moles (Brea Ferrar) mirrors moving water's fluid, echoing quality.

With the water being mixed with the fire to create steam, both the soulfulness and sex appeal involving Brianna Moles (Brea Ferrar) is an elusive, misty and atmospheric icon.

Even the heavy rain/water drops cannot dim/extinguish the fire felt by Brianna Moles (Brea Ferrar)

Three dimensions define Brianna Moles (Brea Ferrar) in her sexy, soulful singing persona echoing the name of Marilyn Monroe's early-1950's film being released after her breakthrough in 1950:

• As young as she feels: Young, hot, sexy, sultry, dynamic, energetic, classy, emotive, passionate, beautiful, vibrant, soulful, fierce/fiery, gut-wrenching and poignant

• As young as she looks: Young, hot, sexy, sultry, steamy, seductive, beautiful, charismatic, kind, charming, fierce/fiery, gorgeous and emotive

• As young as she sounds: Young, hot, sexy, sultry, beautiful, smooth, steamy, seductive, soulful, fierce/fiery, choked-back, gut-wrenching and emotive

The first brush for Brianna Moles (Brea Ferrar) is an online singing contest in partnership with AOL to promote American Dreamz, a film that parodies American Idol and politics rolled into one.

In addition to her work as a singer, Brianna Moles (Brea Ferrar) has Disney via the Walt Disney World College Program.

For Brianna Moles (Brea Ferrar), she has brown hair with a red hue, like Ariel in the 1989 Disney film called The Little Mermaid.

Similarly, both Britney Spears and Brianna Moles (Brea Ferrar) have B, R and I as the first, second and third letters (with N as the fifth) of their given names, and S as the last letter of their surnames.

Plus, both Britney Spears and Brianna Moles (Brea Ferrar) have ties to the Disney brand.

Having been a Mouseketeer, Britney Spears was in the 1990's version of the Mickey Mouse Club.

Meanwhile, Brianna Moles (Brea Ferrar) was in the Walt Disney World College Program.

Philadelphia is the home base for Brianna Moles (Brea Ferrar), with others like New Jersey, Miami and Coral Gables.

At Last is an independent demo EP release by Brianna Moles (Brea Ferrar) via Myspace.

This 7-track At Last EP by Brianna Moles (Brea Ferrar) has her sob-choked, choked-back, soulful and emotional rhythm & blues-like vocals overall, plus multitrack vocal harmonies.

Missing Me is the opening track for this At Last EP by Brianna Moles (Brea Ferrar) with a paradox: an upbeat pop rock tone with a soulful, emotive and crying singing voice.

Take Me Away is the second track of the At Last EP by Brianna Moles (Brea Ferrar).

For Take Me Away by Brianna Moles (Brea Ferrar), it has a paradox: Latin pop music being paired with choked-back, sob-choked, soulful and emotional singing vocals that cries tears.

Plus, Falling is the third track of the At Last EP by Brianna Moles (Brea Ferrar); its lyrics describe the theme of losing control, with her singing voice crying tears, with an upbeat pop rock tone.

Hazy Skies is the fourth track of her At Last EP by Brianna Moles (Brea Ferrar).

The first part of this Hazy Skies tune by Brianna Moles (Brea Ferrar) comprises a melancholic piano arrangement, with the second half comprising a power ballad.

Plus, Hazy Skies by Brianna Moles (Brea Ferrar) has her sob-choked, soulful, weeping and emotional singing voice.

Eggshells by Brianna Moles (Brea Ferrar), the fifth track of this At Last EP, uses choked-back, crying, weeping and souflul singing vocals with aspirate offsets and a low register.

An acoustic guitar opens Eggshells by Brianna Moles (Brea Ferrar) from her At Last EP.

Going into pop rock in the pre-chorus and full-blown in the chorus and bridge, Eggshells by Brianna Moles (Brea Ferrar) has a paradox: emotive lyrics and vocals with an upbeat pop rock tone.

Being the penultimate track of her At Last EP, Wasted has Brianna Moles (Brea Ferrar) doing a singing voice crying tears with aspirate offsets, with its lyrics recalling the personal downs involving love.

Likewise, Wasted by Brianna Moles (Brea Ferrar) also uses a Disney-like cinematic arrangement using minimal instruments: piano and strings, plus no multitrack vocal harmonies.

Notable lyrics in Wasted by Brianna Moles (Brea Ferrar) include the changes from major to minor and recapturing the happy days she misses so much, plus transparent and empty kisses.

The start of this Wasted tune by Brianna Moles (Brea Ferrar) has a telephone effect, in which she sings about vivid imagery of decay without music.

For Wasted by Brianna Moles (Brea Ferrar), in this introductory decay segment, she sings about fading colours, withering flowers, dying sparks, melting hearts and dreams being dashed.

In addition, Wasted by Brianna Moles (Brea Ferrar) has her singing about being romanticized.

Wasted by Brianna Moles (Brea Ferrar) is a demo tune being described as a cinematic Disney Princess anthem, but with a rhythm & blues/soul ballad twist.

Guard Down, which is the closer for the At Last EP by Brianna Moles (Brea Ferrar), has a paradox: an upbeat pop rock tone being paired with sad lyrics about a girl left behind.

Plus, Guard Down by Brianna Moles (Brea Ferrar) has a singing voice that is soulful and cries tears.

Missing Me, Take Me Away, Eggshells and Wasted are tunes in the At Last EP by Brianna Moles (Brea Ferrar) with instrumental intros laden with soulful rhythm & blues-like ad-lib vocalise.

Kleptomaniac and Love on the Dance Floor are dance-pop tunes by Brianna Moles (Brea Ferrar).

Virtual Breality is a 2-track EP by Brianna Moles (Brea Ferrar), released under Noizetrip.

For her Virtual Breality EP, both Kleptomaniac and Love on the Dance Floor are tunes being sung by Brianna Moles (Brea Ferrar), featuring her sob-choked, crying, soulful and tearful vocals.

In Love Roulette, Brianna Moles (Brea Ferrar) has a paradox: choked-back, tearful and soulful vocals being paired with a upbeat tone inspired by vintage swing music.

Conversely, Lost in Love is a rhythm & blues/soul ballad by Brianna Moles (Brea Ferrar).

Driven by a piano, Lost in Love by Brianna Moles (Brea Ferrar) has a singing voice crying tears.

Love Somebody New by Brianna Moles (Brea Ferrar) has a paradox, a soulful, sob-choked and crying singing voice with aspirate offsets being paired with dance-pop/EDM.

When Love Takes Over, with vocals by Kelly Rowland, one of the notable 1981-born Destiny's Child members with Beyoncé, inspires Love Somebody New by Brianna Moles (Brea Ferrar)

In turn, When Love Takes Over has a piano riff/opener that is similar to Clocks by Coldplay.

Generally, Love Somebody New by Brianna Moles (Brea Ferrar) has a crying-in-the-club aesthetic.

Fang Banger by Brianna Moles (Brea Ferrar) has a paradox: an upbeat rhythm & blues tune, but with a Halloween twist, paired with her singing vocals crying tears.

Rockstar by Brianna Moles (Brea Ferrar) uses a paradox: an upbeat tune using hip-hop beats with lyrics about being ready to rock and roll, paired with her singing vocals crying tears.

Likewise, Fire Me Up by Brianna Moles (Brea Ferrar) is a high-energy dance-pop tune.

Plus, Fire Me Up by Brianna Moles (Brea Ferrar) has its paradox: her fiery summery persona using her watery, soulful, emotional, crying, choked-back and sob-choked singing voice.

The choked-back, soulful and emotive singing vocals being used by Emii (Emily Rose Morrison) are inspired by Christina Aguilera.

Some key idols for Christina Aguilera include Aretha Franklin and Etta James, plus the Vocal Trinity.

Having worked with Emii (Emily Rose Morrison) is Adrian Gurvitz, who, with Cream member Ginger Baker, is involved in Baker Gurvitz Army.

Ginger Baker is with Eric Clapton with both Cream and Blind Faith.

Eric Clapton, in turn, works with the Yardbirds, which also have Jeff Beck and Jimmy Page.

Jimmy Page forms Led Zeppelin with Robert Plant, John Paul Jones and John Bonham

As for Jeff Beck, he works with Rod Stewart, Nicky Hopkins, Cozy Powell, Jan Hammer and Narada Michael Walden.

In addition, Adrian Gurvitz works with Disney producing the Disneymania albums.

For Emii (Emily Rose Morrison), she has brown hair with a red hue, like Ariel in the 1989 Disney film called The Little Mermaid.

Plus, Emii (Emily Rose Morrison) is a modern Annette Funicello, but with a soulful twist.

In fact, Marilyn Monroe, Aretha Franklin and Annette Funicello have all smiles for Madonna, Mariah Carey, Britney Spears, Xtina, Beyoncé and Emii (Emily Rose Morrison).

Marilyn Monroe attended University High School (Uni) from February to June 1942, just a few months before Annette Funicello's October 1942 birth.

Having worked with Adrian Gurvitz, who is in the Disney ecosystem, Emii (Emily Rose Morrison) is described as a crying Disney princess, but with a indie-soul twist.

The Sagittarius represents Emii (Emily Rose Morrison) in her warmth, genius and inner star power.

Using the fiery nature of the Sagittarius, Emii (Emily Rose Morrison) sets the world on indie fire; she deems herself hot, sexy and sultry with charisma, charm, energy, passion and raw emotions.

Plus, the Sagittarius, having a fiery nature, fits Emii (Emily Rose Morrison) as a summer girl.

Besides, the December 4, 1984 birth of Emii (Emily Rose Morrison) is also in winter's 4th day in the Northern Hemisphere under the weather system, with the astronomical one on the 20th or 21st.

In the Northern Hemisphere, winter is cold, despite Emii (Emily Rose Morrison) as a summer girl.

December is a month synonymous with the winter season being aligned with the Water element, which represents Emii (Emily Rose Morrison) in her soul, emotion and youth.

Water represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Emii (Emily Rose Morrison).

A husky, sultry voice like Emii (Emily Rose Morrison) mirrors moving water's fluid, echoing quality.

The Rat, having a watery nature, also represents Emii (Emily Rose Morrison) in her soul, emotion and youth.

Mirroring the watery nature of both the Chinese zodiac Rat and the month of December, Emii (Emily Rose Morrison) sings like shedding tears to cry.

With the water combined with the fire to create steam, the sexy and soulful appeal of Emii (Emily Rose Morrison) is an elusive, misty and atmospheric icon.

Even the heavy rain/water droplets cannot dim/extinguish the fire of Emii (Emily Rose Morrison)

Using the steam, Emii (Emily Rose Morrison) delivers sexy, sultry and steamy performances.

Stilettos by Emii (Emily Rose Morrison) is a dance-pop/EDM tune with sob-choked vocals.

The Middle (Zedd) has Emii (Emily Rose Morrison) delivering her sob-choked, soulful and emotional singing voice and A.J. Larsen doing guitar, which is available on YouTube over emiiofficial.

For Emii (Emily Rose Morrison), her acoustic guitar version of The Middle (Zedd), with guitar by A.J. Larsen, is described as a Disney Princess anthem, but with a soulful twist.

Mariah Carey, Michael Jackson and Celine Dion are some key idols for Samantha Lombardi.

Defining Samantha Lombardi's sob-choked, soulful and emotional singing vocals are her vocal fry, her aspirate offsets and her trembling cracks.

The Vocal Trinity likewise inspires Samantha Lombardi's soulful voice.

Samantha Lombardi is unofficially a crying Disney princess in Australia, but with a pop rock twist.

Eva LaRue

Eva LaRue

Having been born in a Fire Horse year, Eva LaRue is an eternal flame.

The Fire element likewise represents Eva LaRue in her beauty, energy, charisma and as a spark of the sexual revolution.

In addition, the Horse, which has a fiery nature, also represents Eva LaRue in her hot, sexy, raw and emotional persona.

Using the Horse's fiery nature, Eva LaRue sets soap operas on fire; in fact, she uses charisma, charm, energy, sex appeal, passion and raw emotions.

Years after her breakthrough, Eva LaRue's sexy legacy as an announcer is unextinguished.

December is a month being synonymous with the winter season in the Northern Hemisphere, which is aligned with the Water element, representing Eva LaRue in her soul, emotion and youth.

Mirroring human tears, rain has water drops, true to Eva LaRue's soulful and emotive voice.

The Water element represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Eva LaRue.

A husky, sultry voice like Eva LaRue's mirrors moving water's fluid, echoing quality.

With the water being mixed with the fire to create steam, Eva LaRue's legacy is an elusive, misty and atmospheric icon.

Even the heavy rain/water droplets cannot dim/extinguish Eva LaRue's fire.

Dabbling in music, Eva LaRue's album is Only You.

Iguales and I'll Remember You are tunes with an upbeat tone and Eva LaRue's raw, soulful and emotive singing voice.

Sucks to Be You (Prozzak)

Sucks to Be You is a song by Prozzak; it is about being feeling sad and emotional after being hurt.

Tamara, voiced by Anna Goodman, has smooth, breathy, whispery, sexy and sultry spoken ad-libs à la Marilyn Monroe for Sucks to Be You (Prozzak), with aspirate onsets/offsets for emotion.

For Tamara in Sucks to Be You (Prozzak), she is a vocal foil to Simon's sad British-accented lyrics.

In Sucks to Be You (Prozzak), Tamara performs the title lyric in a smooth, breathy, whispery, sexy and sultry Marilyn Monroe-esque spoken word delivery.

Plus, Sucks to Be You (Prozzak) has female backups going "Ooh-ooh-ooh" in an emotional manner.

One dimension defines Tamara for Sucks to Be You (Prozzak) echoing the name of Marilyn Monroe's early-1950's film As Young as she sounds, released after her 1950 breakthrough:

• As young as she sounds: Young, beautiful, hot, sexy, sultry, smooth, steamy, seductive, soulful, fierce/fiery, breathy, whispery, cooing, gut-wrenching and emotive

Deana Carter

Deana Carter (b. 1966)

January 4, 1966 is when Deana Carter was born.

For Deana Carter, she is a girl born in a period of transition from the Snake to the Horse.

Both the Snake and the Horse are Chinese zodiacs tied to the Fire element.

Incidentally, the Fire element represnts Deana Carter as a spark of the sexual revolution.

Plus, Deana Carter's birth is in a Wood Snake year.

The Wood element symbolizes youth, true to Deana Carter as a youthful icon.

Besides, the Wood element also represents Deana Carter in her creativity, energy and growth.

Like a tree being cut down for wood, Deana Carter chops down the traditional female mold.

January is a month synonymous with the winter season in the Northern Hemisphere, aligned with the Water element, representing Deana Carter  in her soul, emotion and youth.

There's No Limit by Deana Carter has the sexy music video featuring her close-ups and her under the bedsheets.

Randee St.  Nicholas directed the sexy There's No Limit music video for Deana Carter, premiering in December 2002 when she was 36 years old.

DNA of the Chicago School of Television for business news

The Chicago School of Television is a creative television philosophy being rooted in its namesake; its purpose is to counter New York's theatrical/radio grandeur and Hollywood's cinematic glamour.

Such noted techniques involving television's Chicago School include walking personalities, addresses directly to viewers, fluid/moving camerawork and studio sets as three-dimensional/3D canvases.

When regular commercial television operations began in New York, many programs have incorporated theatrical proscenium or radio layouts, separating the stage from the audience area.

In other words, the early studio set designs used by many programs coming from the New York-centric television scene were like a cardboard box, but also two-dimensional/2D canvases.

Besides, New York-centric television also used fixed/static shots, together with loud talkers.

However, the Chicago School circumvented the traditions of the New York-centric television scene.

During the early years of the era after the Second World War, some television programs emanated from Chicago, where Dave Garroway was a radio disc jockey on WMAQ-AM.

Using a microphone to convey his laid-back delivery, radio was Dave Garroway's early passion.

Snapping fingers circumvents applause for Dave Garroway's early radio programs on WMAQ-AM.

Television came calling for the radio-friendly Dave Garroway in 1949; his eponymous program called Garroway at Large was a key component of the Chicago School.

April 1949 is when Dave Garroway's Garroway at Large program started its run as a local program on WNBQ, before airing on a national basis on NBC, starting in June 1949.

For his eponymous Garroway at Large program, Dave Garroway broke television's old traditions for a more casual approach, in which the reality of the studio was acknowledged.

Using one camera, Dave Garroway walked around large studios and simple abstract sets as he directly talked to guests and television viewers for his eponymous Garroway at Large program.

Just over 2 years after NBC started Dave Garroway's eponymous Garroway at Large program, its rival CBS responded by launching See It Now with Edward R. Murrow in November.

Hear It Now, which served as a former weekly radio adaptation of the I Can Hear It Now spoken-word album series, is, in turn, the basis for Edward R. Murrow's See It Now (CBS).

The CBS Television control room at Studio 41 in Grand Central Terminal houses Edward R. Murrow's innovative and groundbreaking See It Now television program.

Dave Garroway's Garroway at Large (NBC) used moving cameras and unpainted studio walls, whereas Edward R. Murrow's See It Now (CBS) featured a control room with monitors.

Plus, whereas programs from New York-centric TV were like a cardboard box, the See It Now program being helmed by Edward R. Murrow had a control room.

Both Dave Garroway's Garroway at Large (NBC) and Edward R. Murrow's See It Now (CBS) rejected cardboard box-like sets and exposed real technical television production.

NBC also pioneered a new formula of television: early-morning television, which is being offered via Today (NBC), initially coming from the RCA Exhibition Hall.

Situated in the Rockefeller Centre complex, the RCA Exhibition Hall is based directly across from the iconic and famous headquarters of the Associated Press at 50 Rockefeller Plaza.

Contrasting to the iconic headquarters of the Associated Press, which represented print journalism, the RCA Exhibition Hall represented electronic media's fluid and transparent future.

Inside the RCA Exhibition Hall, parts of which were converted into the first Today (NBC) studio, was a newsroom/bullpen being adapted from the Associated Press at 50 Rockefeller Plaza.

Juxtaposing print journalism's industrial past, via the AP at 50 Rock, with electronic media's transparent future, via the RCA Exhibition Hall, the Today (NBC) bullpen was a television innovation.

Next to the Today (NBC) bullpen at the RCA Exhibition Hall was a desk, based behind a backdrop with clocks and television monitors.

Besides, Today (NBC) featured pedestrians on the street looking through the glass windows of the RCA Exhibition Hall to watch this program.

Plus, teletypes that came from the Associated Press (AP), United Press (UP) and the International News Service (INS) were used inside the Today (NBC) newsroom/bullpen at the RCA Exhibition Hall.

The on-screen ticker being adapted from the wire services in the Today (NBC) newsroom/bullpen at the RCA Exhibition Hall, featuring a clock display being adapted from clocks, was used.

Due to technical difficulties and having lacked viewer traction, this on-screen ticker being adapted from wire feeds for Today (NBC) was dropped after just a few months.

Undoing the past, Today (NBC) under Dave Garroway births modern broadcast design elements.

Some of the innovations surrounding the RCA Exhibition Hall for Today (NBC) under Dave Garroway include a newsroom/bullpen, a street-side studio, a news ticker and a clock display.

This borderless room, located at the RCA Exhibition Hall for Today (NBC) under Dave Garroway, was made in-house by NBC's engineering units and RCA's corporate exhibition teams.

With the RCA Exhibition Hall as its first base, Today (NBC) doubled down on the Chicago Style being honed at Dave Garroway's eponymous Garroway at Large program.

Likewise, with Dave Garroway at the helm for Today (NBC), the RCA Exhibition Hall bridged the gap between the Chicago Style, the AP newsroom/bullpen and the See It Now control room.

For Today (NBC), under Dave Garroway, the RCA Exhibition Hall mixed Chicago's creativity with the industrial newsroom/bullpen (AP) and the technical network news nerve centre (CBS).

The early-1950's US presidential election, the second one being held during the Cold War period, was likewise the first to offer television coverage on a massive and multi-faceted level.

For the early-1950's US presidential election, the newly-completed microwave/coaxial system via the American Telephone & Telegraph Company solved the issues of the past televised ones.

Chicago, in which Dave Garroway pioneered a casual television style being brought to New York, also hosted the political conventions in the early-1950's at the International Amphitheatre.

For the Republican National Convention in this early-1950's era, it was the first to be presented live on television on a national level.

Whereas past conventions, including the 1948 gatherings, were simply being televised all over the East Coast, Chicago's political conventions in the early-1950's were televised nationwide.

Using the air conditioning process being installed at the International Amphitheatre, Chicago's political conventions, held in the early-1950's, were the first to do so.

Just before Chicago's major political conventions in the early-1950's era, summer political conventions notoriously suffered heat in venues without A/C, making citizens sweaty.

However, the addition of the A/C process and the American Telephone & Telegraph Company's coaxial television uplink for Chicago's early-1950's political conventions helped modernize these rituals.

For these early-1950's political rituals, held at the International Amphitheatre in Chicago, the major US television networks erected makeshift broadcast booths inside the convention halls.

The television service with the most notice to cover Chicago's political conventions in this early-1950's period was CBS, which brought Walter Cronkite to national prominence.

Echoing Dave Garroway taking Chicago's techniques with him to New York for Today (NBC) upon its launch in the early-1950's, the Chicago political conventions led to the New York election nights.

Similar to the newsroom/bullpen being adapted from the print field by Today (NBC) for television, the major US television networks used this print-style trend for their early-1950's elections.

Due to Walter Cronkite at the desk, CBS' nationally-televised coverage of these early-1950's American political events had a print-style newsroom/bullpen, which he adapted from the UP wire service.

For Walter Cronkite, he worked with producer Don Hewitt to put the newsroom/bullpen on television's political map, but also on the traditional windowless television studio map, via CBS.

Plus, this nationally-televised coverage of the early-1950's US presidential election was the first to be driven by computers.

One of the computers being utilized for this nationally-televised early-1950's US presidential election coverage was the UNIVAC I.

Standing for the Universal Automatic Computer I, the UNIVAC I was innovative in that it was the first American-made general-purpose commercial electronic digital computer.

Magnetic tape was for mass storage and mercury delay lines for memory, both for the UNIVAC I.

The Eckert-Mauchly Computer Corporation (EMCC), founded by its namesakes J. Presper Eckert and John Mauchly and based in Philadelphia, built the UNIVAC I.

Remington Rand purchased EMCC in 1950, under which the UNIVAC I was completed.

Having used the UNIVAC I for its televised early-1950's US presidential election coverage was CBS.

With the real UNIVAC 1 iteration being deemed too heavy to carry from Philadelphia to New York, its mock-up prop was installed at CBS' unified Studios 41/42 in New York's Grand Central Terminal.

For this mock-up UNIVAC I prop, it featured blinking Christmas tree lights to create a futuristic visual effect for CBS' nationally-televised early-1950's US presidential election coverage.

At half past 8 p.m., this UNIVAC I computer from the Remington Rand hub in Philadelphia accurately predicted that Dwight D. Eisenhower could win the US presidency; this was via CBS Television.

NBC adapted the newsroom/bullpen from the print scene for television under Dave Garroway.

CBS adapted this newsroom/bullpen element from NBC as a studio set feature being placed in a usual windowless room for television journalism under Walter Cronkite and Don Hewitt.

In the early-1950's, CBS Television innovated the newsroom/bullpen trend for televised election night coverage, in the mid-1960's with an evening news twist, and in March 1973 with a local twist.

The 1977 Trinity and the 1981 IBM Personal Computer are the blueprints for personal computers being included in the newsroom/bullpen for television in the modern era.

Using both the 1977 Trinity and the 1981 IBM PC, they shifted this newsroom/bullpen production from manual and paper-based workflows into fully automated digital hubs.

Search (1972-1973) is a sci-fi television series produced by Warner Bros. Television for NBC, with its basis being a 2-hour television film Probe (1972).

For Search/Probe (1972-1973), the Probe Control Centre is a fictional room based on NASA's Mission Control Centre.

What describes the Probe Control Centre for Search/Probe (1972-1973) is the fact that it uses a similar monitor matrix to the real-life NASA Mission Control Centre.

Designing the Probe Control Centre for Search/Probe (1972-1973) is Fred Harpman.

Besides, the Probe Control Centre, which Fred Harpman made for Search/Probe (1972-1973), directly inspires his television studio design called the NewsCentre.

Using architectural geometry, angled desks and glass partitions, Fred Harpman's NewsCentre set design contrasts with traditional ones whose framing was flat, shallow and two-dimensional.

Besides, the NewsCentre design by Fred Harpman features NASA-like banks of active video feeds/data monitors.

In addition, mezzanine/stairs also add to Fred Harpman's NewsCentre design.

Rooted in Hollywood's science fiction genre, Fred Harpman's high-tech and cinematic NewsCentre set design was made to have a working newsroom feel.

Plus, Fred Harpman's high-tech and cinematic NewsCentre studio design mirrored the boundless room inside the RCA Exhibition Hall for Today (NBC) under Dave Garroway.

Fred Harpman's NewsCentre is also based on Edward R. Murrow's See It Now (CBS) control room.

Chicago, in which Dave Garroway pioneered a casual television style being brought to New York, also housed WCIU-TV, which pioneered financial news on television.

In the West Coast, KWHY-TV pioneered financial news on television like WCIU-TV.

Both KWHY-TV and WCIU-TV are pioneers in offering financial and business news to television.

November 14, 1966 is when KWHY-TV was the first television station in both the US and the world to deliver financial and business news, with WCIU-TV following suit later.

Quotron, a financial device being made in 1960 by John Scantlin and his eponymous company Scantlin Electronics, is the first to directly stream real-time stock market data to an electronic screen.

Scantlin's Quotron system replaced traditional, slow and mechanical ticker tape machines.

NASDAQ is the world's first fully electronic stock market, which evolved from Quotron.

For the Financial News Network (FNN), some of its original personnel were from KWHY-TV, such as Rodney Buscher and Eugene Inger.

Both the Financial News Network (FNN) and KWHY-TV originated in Los Angeles.

Upon its 1981 launch, the Financial News Network (FNN) pioneered the scrolling digital stock market ticker being based across the lower third of the television screen on a national level.

In general, the FNN ticker had the top white band for stocks and the bottom blue band for index.

Mirroring the short-lived ticker being adapted from teletypes in the Today (NBC) bullpen under Dave Garroway, FNN's ticker is television's first continuous on-screen ticker on a national level.

Locally, this on-screen stock market ticker being created for both KWHY-TV and WCIU-TV featured scrolling text from bottom to top (vertical).

FNN's ticker featured scrolling text moving from right to left (horizontal).

Conversely, upon its mid-April 1989 launch, CNBC used a different ticker from FNN.

With the young and upstart CNBC merging with the iconic and famous, yet scandal-ridden FNN in the early-1990's, CNBC adopted/modernized FNN's scrolling 2-band digital stock market ticker.

Just prior to the Financial News Network (FNN), continuous financial and business tickers were being restricted to local TV stations for several hours.

However, FNN's true breakthrough was to make the stock market ticker a 24-hour standard

Expanded formats beyond the quarter-hour serve as modern blueprints for global television news.

For the nationally-televised early-1950's US presidential election, it serves as the modern blueprint for nationally-televised election broadcasts from democracies around the world.

Mirroring the host city of the early-1950's political conventions (coupled with its innovative television philosophy), the box-like election studio sets were torn down for the newsroom/bullpen trend.

21st-century television news studio set designs endure a pivot away from the newsroom/bullpen trend being driven by computers (inspired by print and the UNIVAC I), but others bring it back.

Juxtaposed with the newsroom/bullpen being adapted from print for television by Today (NBC) under Dave Garroway, the UNIVAC I also changed election nights on television.

Whereas 21st-century television election studio designs pivot away from this newsroom/bullpen trend being driven by computers (inspired by print and the UNIVAC I), others bring it back.

Modern 21st-century news studio designs cannot leave behind Dave Garroway's television traits; they instead use digital technology to merge and evolve them into flexible ecosystems.

Some of the innovative Dave Garroway traits that modern 21st-century news studio designs can never leave behind include a newsroom/bullpen, a street-side studio and a news ticker/clock display.

In addition, modern 21st-century televised election studio set designs could not also leave behind these similar Dave Garroway traits to those being used in the television news business.

Likewise, modern 21st-century business/financial news studio set designs cannot also leave the similar Dave Garroway traits behind to those being used in television news.

Just before both Dave Garroway and Edward R. Murrow, television news studio sets were divided into three separate formulas:

• News anchors sitting at one desk in a studio with a cardboard box feel behind blank walls

• Journalists working in a newsroom/bullpen being filled with teletype machines and noises

• Technical staff operating in a dark and windowless control room, featuring monitor banks

However, both Dave Garroway and Edward R. Murrow broke down the cardboard box-like television studio set walls, turning television news studio sets into three-dimensional/3D canvases.

By the mid-1950's period, the Chicago School of Television had started to fade, as television network production had become a centralized duopoly between New York and Los Angeles.

The East Coast (New York) houses American television's corporate/news operations.

Due to its proximity to Wall Street, plus its political corridors, the East Coast (New York) houses live broadcast journalism, morning news and late-night satire involving current events.

Incidentally, New York is American broadcasting's main financial and executive command centre.

As for the West Coast (Los Angeles), it uses the television industry's entertainment, variety and filmed sectors, capitalizing on.Hollywood's infrastructure and cinematic pool.

Still, the DNA of the Chicago School has had an impact on television.

The casual delivery and open-plan studio sets being rooted in television's Chicago School lead to those being used by national newscasts, nationally-televised elections and 24-hour cable news channels.

Plus, the Chicago School DNA is in sports, and most notably, social media, like YouTube and TikTok.

Brianna Moles (Brea Ferrar) in a seasonal/astronomical twist

Brianna Moles has her cinematic singing alter-ego named Brea Ferrar.

Aretha Franklin, Whitney Houston and Mariah Carey are just some of the greatest and most influential figures in both pop culture and music for using soulful vocal techniques.

Mamie Smith, Ma Rainey, Bessie Smith and Mahalia Jackson are some of the notably influential icons paving the way for Aretha Franklin, Whitney Houston and Mariah Carey.

For Brianna Moles (Brea Ferrar), her choked-back, soulful and emotive singing vocals are inspired by Mariah Carey, whose peer Whitney Houston is a label-mate of Aretha Franklin.

Similarly, both Allie Nicole (Allison Nicole Noriega) and Brianna Moles (Brea Ferrar) are described as indie-soul singers with Disney traits and moles/beauty marks on their necks.

The Walt Disney Company is one of the involvements for Brianna Moles (Brea Ferrar).

Likewise, the Walt Disney Company also roots Britney Spears, who has influenced the 1990's teen pop music sound and has inspired future singing girls, like Brianna Moles (Brea Ferrar).

Having been inside the Disney ecosystem, Brianna Moles (Brea Ferrar) is described as a crying Disney princess, but with a indie-soul twist.

Aretha Franklin, Whitney Houston, Mariah Carey, Xtina and Brianna Moles (Brea Ferrar) are crying Disney princesses, but with a modern pop/rhythm & blues/soul twist.

Plus, Brianna Moles (Brea Ferrar) is a modern Annette Funicello, but with a soulful twist.

In fact, Marilyn Monroe, Aretha Franklin and Annette Funicello have all smiles for Madonna, Mariah Carey, Britney Spears, Xtina, Beyoncé and Brianna Moles (Brea Ferrar).

Marilyn Monroe attended University High School (Uni) from February to June 1942, just a few months before Annette Funicello's October 1942 birth.

For Brianna Moles (Brea Ferrar), she is known as Britney Spears with an indie-soul music twist.

Brianna Moles (Brea Ferrar) is also Aretha Franklin and Mariah Carey with an indie music twist.

July 12, 1984 is when Brianna Moles (Brea Ferrar) was born.

The middle name for Brianna Moles (Brea Ferrar) is Kailey.

One of the educational institutions for Brianna Moles (Brea Ferrar) is TCNJ, which started to attend in September 2002.

In the Northern Hemisphere, summer uses high heat and extended daylight, which rings true to Brianna Moles (Brea Ferrar) as a summer girl.

Representing summer is the heat of the fire, which fits Brianna Moles (Brea Ferrar) in her birth and her summer girl persona.

As a summer girl, Brianna Moles (Brea Ferrar) has a sexy and high-energy summer vibe.

Besides, the Fire element also represents Brianna Moles (Brea Ferrar) in her energy, charisma and raw emotion.

The Rat and Cancer zodiacs, both using a watery nature, represent Brianna Moles (Brea Ferrar) in her youth, soul and emotion.

Echoing the watery nature of both the Rat and Cancer zodiacs, Brianna Moles (Brea Ferrar) sings like shedding tears to cry.

Plus, the Wood represents Brianna Moles (Brea Ferrar) in her creativity, energy and growth.

Like a tree being chopped down to make wood, Brianna Moles (Brea Ferrar) cuts down the traditional mainstream pop music scene.

Three dimensions define Brianna Moles (Brea Ferrar) in her sexy, soulful singing persona echoing the name of Marilyn Monroe's early-1950's film being released after her breakthrough in 1950:

• As young as she feels: Young, hot, sexy, sultry, dynamic, energetic, classy, emotive, passionate, beautiful, vibrant, soulful, fierce/fiery, gut-wrenching and poignant

• As young as she looks: Young, hot, sexy, sultry, steamy, seductive, beautiful, charismatic, kind, charming, fierce/fiery, gorgeous and emotive

• As young as she sounds: Young, beautiful, hot, sexy, sultry, smooth, steamy, seductive, soulful, fierce/fiery, breathy, whispery, cooing, choked-back, tearful, gut-wrenching and emotive

The first brush for Brianna Moles (Brea Ferrar) is an online singing contest in partnership with AOL to promote American Dreamz, a film that parodies American Idol and politics rolled into one.

In addition to her work as a singer, Brianna Moles (Brea Ferrar) has Disney via the Walt Disney World College Program.

For Brianna Moles (Brea Ferrar), she has brown hair with a red hue, like Ariel in the 1989 Disney film called The Little Mermaid.

Similarly, both Britney Spears and Brianna Moles (Brea Ferrar) have B, R and I as the first, second and third letters (with N as the fifth) in their given names, and S as the last letter of their surnames.

Plus, both Britney Spears and Brianna Moles (Brea Ferrar) have ties to the Disney brand.

Having been a Mouseketeer, Britney Spears was in the 1990's version of the Mickey Mouse Club.

Meanwhile, Brianna Moles (Brea Ferrar) was in the Walt Disney World College Program.

Philadelphia is the home base for Brianna Moles (Brea Ferrar), with others like New Jersey, Miami and Coral Gables.

At Last is an independent demo EP release by Brianna Moles (Brea Ferrar) via Myspace.

Missing Me is the opening track for this At Last EP by Brianna Moles (Brea Ferrar) with a paradox: an upbeat pop rock tone with a soulful, emotive and crying singing voice.

Take Me Away is the second track of the At Last EP by Brianna Moles (Brea Ferrar).

For Take Me Away by Brianna Moles (Brea Ferrar), it has a paradox: Latin pop music being paired with choked-back, sob-choked, soulful and emotional singing vocals that cires tears.

Plus, Falling is the third track of the At Last EP by Brianna Moles (Brea Ferrar); its lyrics describe the theme of losing control, with her singing voice crying tears, with an upbeat pop rock tone.

Hazy Skies is the fourth track of her At Last EP by Brianna Moles (Brea Ferrar).

The first part of this Hazy Skies tune by Brianna Moles (Brea Ferrar) comprises a melancholic piano arrangement, with the second half comprising a power ballad.

Plus, Hazy Skies by Brianna Moles (Brea Ferrar) has her sob-choked, soulful, weeping and emotional singing voice.

Eggshells by Brianna Moles (Brea Ferrar), the fifth track of this At Last EP, uses choked-back, crying, weeping and souflul singing vocals with aspirate offsets and a low register.

An acoustic guitar opens Eggshells by Brianna Moles (Brea Ferrar) from her At Last EP.

Going into pop rock in the pre-chorus and full-blown in the chorus and bridge, Eggshells by Brianna Moles (Brea Ferrar) has a paradox: emotive lyrics and vocals with an upbeat pop rock tone.

Being the penultimate track of her At Last EP, Wasted has Brianna Moles (Brea Ferrar) doing a singing voice crying tears with aspirate offsets, with its lyrics recalling the personal downs involving love.

Likewise, Wasted by Brianna Moles (Brea Ferrar) also uses a Disney-like cinematic arrangement using minimal instruments: piano and strings, plus no multitrack vocal harmonies.

Notable lyrics in Wasted by Brianna Moles (Brea Ferrar) include the changes from major to minor and recapturing the happy days she misses so much, plus transparent and empty kisses.

The start of this Wasted tune by Brianna Moles (Brea Ferrar) has a telephone effect, in which she sings about vivid imagery of decay without music.

For Wasted by Brianna Moles (Brea Ferrar), in this introductory decay segment, she sings about fading colours, withering flowers, dying sparks, melting hearts and dreams being dashed.

In addition, Wasted by Brianna Moles (Brea Ferrar) has her singing about being romanticized.

Wasted by Brianna Moles (Brea Ferrar) is a demo tune being described as a cinematic Disney Princess anthem, but with a rhythm & blues/soul ballad twist.

Guard Down, which is the closer for the At Last EP by Brianna Moles (Brea Ferrar), has a paradox: an upbeat pop rock tone being paired with sad lyrics about a girl left behind.

Plus, Guard Down by Brianna Moles (Brea Ferrar) has a singing voice that is soulful and cries tears.

The 7-track At Last EP by Brianna Moles (Brea Ferrar) has her sob-choked, choked-back, soulful and emotional vocals overall, plus multitrack vocal harmonies

Missing Me, Take Me Away, Eggshells and Wasted are tunes in the At Last EP by Brianna Moles (Brea Ferrar) with instrumental intros laden with soulful rhythm & blues-like ad-lib vocalise.

Kleptomaniac and Love on the Dance Floor are dance-pop tunes by Brianna Moles (Brea Ferrar).

Virtual Breality is a 2-track EP by Brianna Moles (Brea Ferrar), released under Noizetrip.

For her Virtual Breality EP, both Kleptomaniac and Love on the Dance Floor are tunes being sung by Brianna Moles (Brea Ferrar), featuring her sob-choked, crying, soulful and tearful vocals.

In Love Roulette, Brianna Moles (Brea Ferrar) has a paradox: choked-back, tearful and soulful vocals being paired with a upbeat tone inspired by vintage swing music.

Conversely, Lost in Love is a rhythm & blues/soul ballad by Brianna Moles (Brea Ferrar).

Driven by a piano, Lost in Love by Brianna Moles (Brea Ferrar) has a singing voice crying tears.

Love Somebody New by Brianna Moles (Brea Ferrar) has a paradox, a soulful, sob-choked and crying singing voice with aspirate offsets being paired with dance-pop/EDM.

When Love Takes Over, with vocals by Kelly Rowland, one of the notable 1981-born Destiny's Child members with Beyoncé, inspires Love Somebody New by Brianna Moles (Brea Ferrar)

In turn, When Love Takes Over has a piano riff/opener that is similar to Clocks by Coldplay.

Generally, Love Somebody New by Brianna Moles (Brea Ferrar) has a crying-in-the-club aesthetic.

Fang Banger by Brianna Moles (Brea Ferrar) has a paradox: an upbeat rhythm & blues tune, but with a Halloween twist, paired with her singing vocals crying tears.

Rockstar by Brianna Moles (Brea Ferrar) uses a paradox: an upbeat tune using hip-hop beats with lyrics about being ready to rock and roll, paired with her singing vocals crying tears.

Likewise, Fire Me Up by Brianna Moles (Brea Ferrar) is a high-energy dance-pop tune.

Plus, Fire Me Up by Brianna Moles (Brea Ferrar) has its paradox: her fiery summery persona using her watery, soulful, emotional, crying, choked-back and sob-choked singing voice.

Jasmine Lowson

Jasmine Lowson (b. 1978)

Sara Chafak

Sara Chafak (b. 1990) is a Finnish girl having Arab ancestry,

The Horse

Warner Bros. DNA

The Warner brothers are some of the greatest and most influential media moguls in the world.

Harry, Albert, Sam and Jack are the names of the iconic and influential Warner brothers.

Youngstown, Ohio is one of the first places for the iconic and influential Warner brothers in the United States, but also outside thier native Poland.

For Youngstown, it is named after its founder John Young, an individual from Whitestown, New York.

New Castle, Pennsylvania is a city located southwest of the Youngstown area in the Pennsylvania-Ohio border.

Jack L. Warner is an outlier, as he was born in London, which is a city being based in the Southwestern portion of the Canadian province of Ontario, which borders the United Sattes.

London, Ontario is named after the capital and largest city of the United Kingdom, but also houses the Thames River, also similar to the River Thames in London (UK).

For London, this Canadian city stands between Detroit, Buffalo and Toronto.

Vitaphone is a pioneering sound film system being made by the Warner Bros. empire.

Don Juan (1926), although having no spoken dialogue, is the first full-length feature film to include a synchronized soundtrack from start to finish.

The Jazz Singer is the first full-length feature film to include spoken/singing dialogue.

In addition to both Don Juan (1926) and The Jazz Singer, Warner Bros. Pictures also releases the first feature-length film to use spoken dialogue without intertitles: Lights of New York.

Cleveland roots Superman, a WB trademark since 1969, and its creators Jerry Siegel and Joe Shuster.

For Superman, this character is the flagship of the WB comic book division called DC Comics, whose corporate name has been official since February 1977, and which WB has run since 1969.

Superman is DC's most iconic and flagship superhero.

Philadelphia, an iconic and world-famous city in Pennsylvania, also births Leon Schlesinger, who is a distinct relative of the Warner brothers.

Besides Leon Schlesinger, Pennsylvania births Charles Mintz, who is Margaret J. Winkler's wife.

Margaret J. Winkler's studio, led for most of its run by husband Charles Mintz, distributes independent animation figures, such as Walt Disney, Ub Iwerks, the Fleischer brothers and Pat Sullivan.

Hugh Harman, Rudolf Ising and Friz Freleng work for a studio run by Charles Mintz.

Kansas City, Missouri is a city nuturing Walt Disney, Ub Iwerks, Hugh Harman, Rudolf Ising and Friz Freleng, leading them to Los Angeles.

By partnering with Leon Schlesinger, both Hugh Harman and Rudolf Ising co-formed Harman-Ising Productions, which births Warner Bros. Cartoons.

Besides, both Hugh Harman and Rudolf Ising nuture Hanna and Joseph Barbera.

Leon Schlesinger's animation studio has many of its iconic and world-famous characters being created during his era, like Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd and Tweety.

The Fleischer brothers, mentored by Margaret J. Winkler, created the Superman animated shorts from 1941 to 1942.

Pennsylvania also births Leonard Goldenson, who, using his experience as a Hollywood movie theatre executive, saved ABC from extinction, but also provided capital.

Barred from filmmaking, due to court rulings, Leonard Goldenson used his UPT connections to secure foundational deals with Hollywood film studios.

Walt Disney, mentored by Margaret J. Winkler, created his Disneyland television series to finance the construction of his theme park in partnership with ABC in 1954.

Responding to the Disney-ABC deal, Warner Bros. inked up a deal with ABC.

The result of this deal that Warner Bros. inked up with ABC is Warner Bros. Presents.

For Warner Bros. Presents, it comprises two of the television iterations of the Warner Bros. films being iconic and famous: Casablanca and Kings Row, plus Cheyenne, named after the WB film.

During its first season, Cheyenne uses stock action footage and plots coming from older Western films being released by Warner Bros. to save cash.

Playing the title role in the Cheyenne television series is Clint Walker.

Having been part of this Warner Bros. Presents series on ABC, Cheyenne, which stars Clint Walker, is television's first hour-long drama to be successfully renewed past its first season.

Warner Bros. Presents evolved into Conflict; it features pilots for Maverick and 77 Sunset Strip.

77 Sunset Strip is television's first franchise, spawning no less than 3 spinoffs recreating this format.

Incidentally, with both Disney and Warner Bros., ABC has introduced Hollywood production levels to television.

ABC's domestic syndication arm ABC Films was spun-off in 1973 into Worldvision Enterprises.

Worldvision Enterprises was not affiliated with World Vision International.

HBO started operations on November 8, 1972 as a regional microwave-fed premium television service under Cleveland-born Charles Dolan.

Sterling Communications, backed by Time Inc., was Charles Dolan's company, sold to Time in 1973.

Warner Communications began purchasing Time's stake in Sterling Communications in May 1973, but backed out in June 1973.

A few years later, on September 30, 1975, HBO uplinked its signal via satellite across the nation.

For HBO's September 30, 1975 national uplink, Westar 1 was the satellite.

Satcom 1 replaced Westar 1 as HBO's preferred satellite, nearly 5 months after its September 30, 1975 national uplink.

The Thrilla in Manila is HBO's first broadcast on a national basis, doubling as the first telecast to air a continuous live signal to cable systems on a national level via satellite.

Muhammad Ali and Joe Frazier were in the Thrilla in Manila, the earlier boxer of which won.

Some behind-the-scenes individuals being involved in HBO's historic Thrilla in Manila telecast include Bob Rosencrans, Kay Koplovitz, Gerald Levin and Monte Rifkin.

Unconfined to boxing, HBO aired major league sports from Madison Square Garden from its debut on November 8, 1972 to mid-1977.

Joining Cleveland in Ohio cities starting with the letter C are Cincinnati and Columbus, plus Dayton.

For Cleveland, it births Superman and Charles Dolan (HBO).

Likewise, Cincinnati roots Taft Broadcasting and Ted Turner.

During its peak, Taft Broadcasting had endured close relations with ABC, due to Leonard Goldenson's friendship with Hulbert Taft Jr.

Indeed, Taft's close relationship with ABC boosted the network's national coverage.

For Taft, its Cincinnati roots are in the Cincinnati Times-Star, plus WKRC Radio and Television.

The E.W. Scripps Company, a locally-based rival of this iconic and famous Taft media empire, took the Cincinnati Times-Star in the late-1950's.

Just like the Taft media empire, the E.W. Scripps Company's Cincinnati roots come from the Cincinnati Post and WCPO Radio and Television.

Moving on from print after its late-1950's sale of the Cincinnati Times-Star to the E.W. Scripps media empire, Taft Broadcasting entered the entertainment industry.

December 1966 is when Taft, which had close relations with ABC, acquired the iconic Hanna-Barbera studio, with William Hanna and Joseph Barbera remaining as its figureheads.

Kings Island is Taft's first theme park, which opened its doors in April 1972.

For Kings Island, it led to Kings Entertainment Company (KECO), spun-off in April 1984 from Taft.

Canada's Wonderland, which Taft opened in late-May 1981 with Canada Life, serves as Canada's first major theme park.

Worldvision Enterprises, spun-off in 1973 from ABC Films, was sold to Taft 6 years later.

Quinn Martin Productions was also sold to Taft around Worldvision's purchase.

Atlanta, Georgia is Ted Turner's main base.

For Ted Turner, his true link to Cincinnati is that, as a child, he sold copies of the Cincinnati Enquirer newspaper at a streetcar stop near the Cincinnati Zoo, starting his media career.

The first television assets for Ted Turner are WJRJ-TV and WCTU-TV, both of which were struggling stations on the UHF band before he acquired them and both of which began in the late-1960's.

Under Ted Turner, both WJRJ-TV and WCTU-TV changed their call letters to WTCG and WRET.

In July 1969, Rice Broadcasting, which founded/ran WJRJ-TV, announced its merger with the Turner Communications Corporation, approved by the FCC in December 1969.

September 1969 is when WCTU-TV fell into insolvency, resulting in its sale to Turner not long after.

Responding to HBO's September 30, 1975 national satellite-fed uplink, both WTCG and WRET were contenders for the first superstation, the earlier local station of which won.

For WTCG's national satelite-fed uplink, held under a month before 1977 began, it used Satcom 1.

Incidentally, Satcom 1, already used by HBO as its frequent satellite after replacing Westar 1, was also being used by WTCG to carry its signal to cable systems.

Likewise, Ted Turner attended the McCallie School, from which he graduated in the mid-1950's.

Pat Robertson, who held the Christian Broadcasting Network (CBN), also had his graduation from the McCallie School a decade before Ted Turner.

The CBN Satellite Service was the first television network to be delivered nationwide via satellite on a basic cable status from its technical outset.

Upon its April 29, 1977 debut, the CBN Satellite Service had no commercials until September 1, 1981.

September 22, 1977 is when the individuals being involved in HBO's historic Thrilla in Manila telecast formed a joint venture with the local MSG Network to launch its national version.

For the national iteration of the local MSG Network, its launch on September 22, 1977 made it the first national satellite-fed basic cable television network with commercials from its outset.

Tennessee likewise roots Malcolm Wheeler-Nicholson, who co-founded DC Comics, which has been a Warner Bros. property since 1969.

Meanwhile, Columbus roots QUBE from the cable division of the Warner Bros. media empire.

In an era when most homes have a few over-the-air stations, QUBE had a mutli-channel box.

Although not commercially profitable (and having suffered high costs), QUBE is still the incubator for modern cable television.

December 1, 1977 was when QUBE began operations.

Warner Communications joined American Express to form Warner-Amex, nearly 2 years after QUBE's December 1, 1977 launch.

Pinwheel, which started as a local program on QUBE, became national sixteen months later on a new channel called Nickelodeon.

Sight on Sound, also a local program on QUBE, became national on August 1, 1981 as MTV.

Unconfined to Sight on Sound, Warner-Amex developed PopClips, created by Michael Nesmith.

Rio is a 1977 tune by Michael Nesmith that has a promotional clip.

Michael Nesmith's Rio promo clip is created, not in the usual low-budget form of an artist playing an instrument on a plain stage, but in the form of a comedic and surreal short film.

Directing Michael Nesmith's Rio promo clip is William Dear.

So successful was Michael Nesmith's Rio promotional clip, which William Dear had directed, that this former member of The Monkees pitched a platform for playing music videos.

By joining TV producer Norman Lear, both Michael Nesmith and William Dear created PopClips.

PopClips featured back-to-back music videos, hosted by comedic on-screen individuals named Video Jockeys (VJs), an innovation for the television business.

When the major television networks pitched Michael Nesmith's PopClips, they refused, as they did not think that audiences would sit down to watch non-live music content.

However, John Lack, who was Warner-Amex's executive Vice-President, saw the potential for Michael Nesmith's PopClips.

This PopClips format, which Michael Nesmith pitched, was sold to Warner-Amex, which used it on its youth-oriented network called Nickelodeon in late-1980.

With the success being made by Michael Nesmith's PopClips, Warner-Amex realized that its half-hour length was not enough, and decided to upscale this one into a 24-hour service.

Robert Pittman had fast-paced radio strategies; he joined John Lack to begin MTV on August 1, 1981.

Michael Nesmith was not known as MTV's inventor, but his PopClips concept was known by industry insiders and television network architects as the catalyst for MTV's.

Going back to Atlanta, WATL originated The Now Explosion, another MTV precursor, which WTCG likewise aired.

Video Concert Hall (VCH) was a similar Atlanta-rooted MTV precursor to The Now Explosion.

Lloyd G. Crowe and Charles W. Henderson co-created Video Concert Hall (VCH).

The Now Explosion, Video Concert Hall (VCH),  Sight on Sound and PopClips, the earlier two being rooted in Atlanta, were MTV precursors.

Dayton roots James M. Cox, the namesake of the Cox Enterprises media empire.

Cox's Dayton roots are in the Dayton Daily News, plus WHIO Radio and Television.

For WHIO-TV, it serves as Dayton's first and oldest-operating television station, with WLWD/WDTN being its first licensed one and its second in operation.

Johnny Gilbert and Phil Donahue are Dayton television icons who earn national recognition.

TeleRep, which Al Masini founded in the late-1960's, had been Cox's subsidiary since 1972.

Operation Prime Time (OPT) is a former consortium of America's indie television stations.

Likewise, both TeleRep (Cox) and OPT owned their own programming, production and syndication division called Television Program Enterprises (TPE).

Entertainment Tonight, Solid Gold and Star Search are noted programs from OPT/TPE.

September 14, 1981 is when Entertainment Tonight made its debut.

During its original tenure, Star Search proved that television served as a launching pad for iconic and world-famous celebrities.

On March 4, 1989, Time and Warner Communications announced their merger into TimeWarner.

Some years after this January 1990 merger, in the early-1990's era, TimeWarner transferred most of its television, film production, music and cable assets to TimeWarner Entertainment Company.

Echoing Warner's 1973 transaction in acquiring Time's stake in Sterling Communications, this January 1990 merger between Time and Warner united WB, DC and HBO under one umbrella.

TimeWarner, which held WB, DC and HBO, merged with Turner Broadcasting System in 1996.

With the 1996 Turner-TimeWarner merger, some of the animated characters being rooted in pioneering studios via Margaret J. Winkler and Charles Mintz came full circle.

London, which is an iconic and world-famous global city being located in the UK, houses the London Symphony Orchestra (LSO) and the Royal Philharmonic Orchestra (RPO).

The LSO performs John Williams' film scores, like Star Wars and Superman.

Besides, London births stock music with De Wolfe Music, in addition to its modern and contemporary sound with KPM/EMI under Robin Phillips and Adrian Kerridge.

Chappell & Co. and Boosey & Hawkes are some of the world's oldest, greatest and most iconic music publishers.

Warner Music acquired Chappell & Co. in the late-1980's, forming Warner/Chappell Music.

New York houses Score Productions, held by Robert A. Israel.

Having been educated at the Juilliard School, Robert A. Israel entered television music through David Susskind and Daniel Melnick.

Cues from film scoring Juilliard alumni, incidentally, inspire stock music cues.

Ontario likewise houses both Sound Ideas/Westar and Canadian Music Sales Corporation (CMS), both entities having ties with Warner Bros., but also distributing De Wolfe Music in Canada.

The Warner brothers (including Jack), Superman, HBO, Sound Ideas/Westar and Canadian Music Sales Corporation (CMS) use WB ties together.

Superstation WTBS, CNN, CNN Headline News, TNT and Hanna-Barbera are Turner assets from WB.

Mitchel Greenspan is the former executive Vice-President of Corelli-Jacobs/De Wolfe.

Having launched his creative career as a professional miniature set model maker and designer, Mitchel Greenspan later transitioned to audio production/corporate administration.

American Music Company, which Mitchel Greenspan began after leaving Corelli-Jacobs/De Wolfe, is distributed by Westar, which, in turn, distributes De Wolfe Music in Canada.

Gary Anderson, who worked for Score Productions (held by Robert A. Israel), also works for Westar's American Music Company, founded by Mitchel Greenspan of Corelli-Jacobs/De Wolfe.

Edd Kalehoff, who likewise worked for Score Productions under Bob Israel, also owns his own music company called the Suite 4 Music Collection.

Westar has Edd Kalehoff and Gary Anderson (both from Bob Israel's Score Productions) via American Music Company (started by Mitchel Greenspan of Corelli-Jacobs/De Wolfe) and Suite 4.

Sound Ideas, which is Westar's sister label, distributes the Turner Broadcast Music Library, which also involves both Edd Kalehoff and Gary Anderson.

For Sound Ideas/Westar, it uses sound effects from WB and Hanna-Barbera.

Jack Waldenmaier, whose secondary base Cincinnati births both the Tafts and Ted Turner, has his label called The Music Bakery, based in the Dallas-Fort Worth metroplex.

In the corporate/industrial genre, The Music Bakery makes cues similar to Score Productions' work for ABC News and CNN.

Steven Wenger is also a musician in the Southern US region.

Having lived in Nashville, Memphis and Charlotte, Steven Wenger had his own company called River City Sound Productions (RCSP), founded in Memphis in 1985.

Cascom and Digital Juice are defunct companies for royalty-free animation, both of which were being rooted in the Southern United States.

For RCSP, it has created in-house cues, but also stock music in the royalty-free model.

RCSP's stock music cues, starting in the 1990's era, were resourced by Digital Juice for its BackTraxx section in 2001.

During the late-1990's period, some of the stock music cues cominh from RCSP/BackTraxx were being utilized by Chuck E. Cheese, initially run by Atari, whose parent was the Warner Bros. empire.

In general, Cleveland births Superman and its creator Jerry Siegel, plus Charles Dolan (HBO).

Cincinnati roots Ted Turner (CNN), Taft Broadcasting (close and friendly to Leonard Goldenson's ABC network) and Jack Waldenmaier (The Music Bakery).

Tennessee also houses Malcolm Wheeler-Nicholson (DC Comics, held by Warner Bros., and known for Superman), Ted Turner (CNN, run by WB), Pat Robertson (CBN), Cascom and Steven Wenger.

RAI - Radiotelevisione Italiana

RAI - Radiotelevisione Italiana is Italy's national public broadcaster. It is also one of the best and most trusted broadcasters in the world.

For years, RAI Uno has been known as the television voice of the Christian Democrats, with RAI Due being allied with the Socialists and RAI Tre with the Communists.

In the mid-1980's, Studio ARA created 3 symbols for RAI's main television channels: a blue sphere for RAI Uno, a red cube for RAI Due and a green pyramid for RAI Tre.

A Handel Gothic typeface was used for RAI's mid-1980's rebrand.

TG1, TG2 and TG3 are RAI's 3 main television news programs, each having a distinct approach.

For TG1 (RAI), it is the oldest and most-watched television news program in Italy; it has often used a conservative, institutional and formal approach since its official 1954 inception.

By countering TG1 (RAI), TG2 (RAI) has a more innovative, dynamic and fast-paced approach.

Meanwhile, TG3 (RAI) has often heavily focused on regional news and social issues.

One of the noted TG1 (RAI) hallmarks is the theme tune being done by an orchestra.

Egidio Storaci composed the iconic and famous TG1 (RAI) theme tune, in turn, inspired by a romantic Latin ballad called Cuando Vuelva a Tu Lado by Mexican singer Maria Grever.

Carlo Pes edited and shortened Egidio Storaci's TG1 (RAI) theme tune into the definitive signature still being used.

Egidio Storaci's TG1 (RAI) theme tune arrangement by Carlos Pes was used until the early-1990's.

As for TG2 (RAI), its first visual identity, which was being masterminded by Piero Gratton and Sandro Lodolo, stood out from the rigid TG1 (RAI) look.

Sandro Brugnolini composed the first theme tune for TG2 (RAI), which had a synth-heavy sound.

With colour television making its arrival in Italy in 1977, TG1 (RAI) had a grid-like logo, which was refined by Massimo Vignelli, with Sandro Lodolo doing the animation.

Unconfined to TG1 (RAI), Massimo Vignelli also designed the TG2 (RAI) rebrand in the late-1980's.

Dervish D by Vangelis was the first TG3 (RAI) theme tune upon its launch, a month before the 1980's decade; it was also used for Rai Regione from the late-1980's until the early-1990's

Brian Eno composed the haunting, yet iconic TG3 (RAI) theme tune, which has a teletype melody.

Under Bruno Vespa, and facing competition from Mediaset's news operations, TG1 (RAI) underwent a rebrand in the early-1990's.

Some of the notable aspects for the early-1990's TG1 (RAI) rebrand included ditching Carlos Pes' TG1 theme tune arrangement for a synth one and using a video wall depicting the newsroom.

Giuseppe Rogolino also masterminded the early-1990's TG1 (RAI) rebrand, with Gianni Boncompagni designing the studio set.

The early-1990's rearrangement of the iconic and famous TG1 (RAI) theme tune was synthesized using electronic keyboards and workstation sequencers.

In July 1993, Tomasso Vittorini revived Carlos Pes' TG1 (RAI) theme in a synth-orchestral sound.

Also in July 1993, Giuseppe Rogolino revived and refined Massimo Vignelli's TG1 (RAI) logo.

Fabrizio Baldoni rearranged Egidio Storaci's iconic TG1 (RAI) theme tune in a synth-orchestral techno arrangement, starting in October 1998.

Celebrating its 50th official anniversary, the TG1 (RAI) theme tune was done by a live orchestra.