Made-up Disney princess film in a rhythm & blues/soul twist

The made-up Disney princess film in a rhythm & blues/soul twist is called Blessed Princess.

Blessed Princess is a fictional Disney princess film about a young girl/woman singing in a powerful and emotional rhythm & blues/soul-inspired voice.

Princess Nina is the fictional main protagonist of the fictional Disney film Blessed Princess (despite her European heritage)

Sob-choked, tearful deliveries define Princess Nina's rhythm & blues/soul voice in Blessed Princess.

Blessed is the soulful theme tune for the fictional Disney film Blessed Princess with 808 drums.

In this Blessed tune for the fictional Disney film Blessed Princess, Princess Nina sings soulfully using riffs, runs and melisma while crying on her knees and lying down.

Lyrics:

[Intro]

Hooooohh-ooohhhh, oh, yeah-eah-eah....

Oh-whoaaaauhhh....

Yeah-eah-eah, hey, yeah....

I feel blessed to be a princess, baby... (aspirate offset)

I feel blessed to be a princess... (aspirate offset)

Uh-huh.

Huh-huuuuhhhh....

[Verse 1]

Once upon a time, I was a girl with my father

But tragedy struck me with the loss that I suffer

I scrubbed the floor and I was crying in tears (aspirate offset)

Baby, I can't do anything right out of fear (sob-choked)

[Pre-Chorus] 

But in the dark of night, a light begins to shine 

A voice inside my spirit says that I will be just fine 

I close my weary eyes and wash away the pain 

Knowing that tomorrow I will rise up once again

[Chorus]

I feel blessed to be a princess (Telephone effect: Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will (sob-choked)

[Ad-lib]

Ooooh-hooo, yeah...

Baby, baby, baby, I always will...

Uhhhh-huuuhhh...

[Verse 2]

I was getting ready for the ball

But my dress was torn at all

I fled to the garden and began to cry

Crying out made me wanna die (sob-choked)

[Pre-Chorus] 

But in the dark of night, a light begins to shine 

A voice inside my spirit says that I will be just fine 

I close my weary eyes and wash away the pain 

Knowing that tomorrow I will rise up once again

[Chorus]

I feel blessed to be a princess (Telephone effect: Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will (sob-choked)

[Bridge]

I got myself locked in my room

Trying to set me free

Something inside in my soul

Says I want to be me  (sob-choked)

[Ad-lib]

Hooooooo-whoaaaauuhh...  (Whistle register)

Hey, yeah....  (sob-choked)

I feel blessed to be a princessssssssss!!!!!!  (sob-choked)

[Final Chorus 2x]

I feel blessed to be a princess (Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will

(Whistle register: Whoaaaaaauhhhhh, baabbbbyyy....)

I feel blessed to be a princess (Telephone effect: Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will

(sob-choked: Hoouuhhhh, yeah-eah-eah)

[Outro]

I feel blessed... (sob-choked)

to be...

a princess.... (sob-choked)

(Oh, yes, I do, baby...)

One Hundred and One Dalmatians/101 Dalmatians (1961)

One Hundred and One Dalmatians/101 Dalmatians (1961) is the first full-length Disney animated film using the xerography process.

In addition, One Hundred and One Dalmatians (1961) is also a diversion from the previous full-length Disney animated films in that it has a dynamic title sequence made à la Saul Bass.

Plus, 101 Dalmatians (1961) is a rare full-length Disney animated film set in an urban place.

With the Disney empire being called into question after Sleeping Beauty, 101 Dalmatians (1961) is a solution.

Diamonds Are a Girl's Best Friend, popularized by Marilyn Monroe in Gentlemen Prefer Blondes, is on Paris by Night - Den Ba, but with a modern and upbeat arrangement.

Lynda Trang Dai, using both Marilyn Monroe and Madonna, sings Diamonds Are a Girl's Best Friend.

For Lynda Trang Dai's version of Marilyn Monroe's iconic Diamonds Are a Girl's Best Friend tune on Paris by Night, it is being recorded at the Canadian Broadcasting Centre in Toronto, Ontario.

Ontario features Niagara Falls, the main filming location for Marilyn Monroe's film Niagara.

Mung Tan The Ky is a tune, part-English/part-Vietnamese, for the Vietnamese diaspora.

Written by Randy Petersen and Tim Heintz, both of whom usually collaborate with Kevin Quinn from Disney, Nhu Mung Tan The Ky is a celebration of the new century.

Khuc Lan does the Vietnamese lyrics for Mung Tan The Ky.

Anh Thi Khong by Minh Tuyet is on Paris by Night 72 - Tieng Hat Tu Nhip Tim, for which she uses a sexy Britney Spears-like crop top and dances.

Incidentally, Minh Tuyet's Anh Thi Khong is also her first upbeat dance routine on Paris by Night.

For Anh Thi Khong, it is a departure from Minh Tuyet's oft-used soulful and emotive tunes on Paris by Night in that she has a more upbeat dance routine.

Just as Lynda Trang Dai sings Marilyn Monroe's Diamonds Are a Girl's Best Friend, Minh Tuyet's Anh Thi Khong on PBN 72 is being recorded at the Canadian Broadcasting Centre in Toronto.

Ontario features Niagara Falls, the main filming location for Marilyn Monroe's film Niagara.

Britney Spears and Beyoncé, both of whom have Madonna (and in turn, Marilyn Monroe) as their key influences, are noted key idols for Minh Tuyet. 

Minh Mat Nhau Bao Gio and Dung Hua Voi Em are dance-pop tunes by Minh Tuyet, donning her sexy Britney Spears-like crop top/dances, both on Paris by Night in the late-noughties.

For Minh Mat Nhau Bao Gio, Minh Tuyet uses her sexy Britney Spears-like crop top/dances.

Plus, a wink is used by Minh Tuyet for Minh Mat Nhau Bao Gio.

Incidentally, Minh Mat Nhau Bao Gio by Minh Tuyet on Paris by Night is held in Houston, which also births Beyoncé, Alexis Bledel and Shannon Elizabeth.

Dung Hua Voi Em by Minh Tuyet is the opening act on Paris by Night 89 - In Korea.

By blending rhythm & blues, hip-hop and dance-pop with the English raps by Thaifoon, Dung Hua Voi Em by Minh Tuyet on Paris by Night 89 is a sexy and sultry performance.

Minh Tuyet's Dung Hua Voi Em tune also has the Y2K teen pop sound, notably for Britney Spears.

Like Minh Mat Nhau Bao Gio, Minh Tuyet uses her sexy Britney Spears-like crop top/dances for Dung Hua Voi Em and winks on Paris by Night 89 - In Korea.

South Korea, which Marilyn Monroe visited, hosts Dung Hua Voi Em by Minh Tuyet on PBN 89.

Incidentally, Marilyn Monroe serves as a key idol for Madonna, Britney Spears and Beyoncé (the three primary idols for Minh Tuyet in turn).

Neu Anh La Em, used in Vietnam's answer to Sisters Who Make Waves, features a sound being infused with rhythm & blues/soul.

For the rhythm & blues/soul-infused Neu Anh La Em tune, Minh Tuyet sings the soulful and emotional lyrics in English: Baby, baby, baby, listen to me.

Can't Give You Up by Nhu Loan is an English-language tune for the Vietnamese diaspora.

Written by Randy Petersen and Tim Heintz, both of whom usually collaborate with Kevin Quinn from Disney, Nhu Loan's Can't Give You Up is on the Paris by Night - Nua Vang Trang program.

Unlike many foreign tunes covered in Vietnamese, Can't Give You Up by Nhu Loan is unique for Thuy Nga's Paris by Night series in that it is an original English-language piece.

For Can't Give You Up by Nhu Loan, the "Yeah" ad-lib used throughout this tune resembles one in the Britney Spears tune Oops!... I Did It Again.

Nhu Loan's Can't Give You Up tune also has the Y2K teen pop sound, notably for Britney Spears.

Donning Britney Spears-like crop tops means that Minh Tuyet is hot and sexy in the MTV-style music videos for Ve Cuoi Duong Tinh and Xa Nhau, Ta Xa Nhau, both featuring Gen One.

In the Hay Hua Nghe Anh music video, Minh Tuyet is sexy for using her Britney Spears-like crop top trend, but also has actors playing rock band members.

Like the Hay Hua Nghe Anh clip, Minh Tuyet is sexy for her Britney Spears-like crop top trend in the MTV-like music video for her Anh Da Ra Di version (originally sung by Ho Ngoc Ha).

Ngai Nam Van Doi by Nhu Loan has Thaifoon's English rap verses.

Plus, the MTV-like music video for Nhu Loan's Ngai Nam Van Doi, with Thaifoon delivering the rap verses in English, is sexy for her Britney Spears-like crop top trend.

Under Marie To Ngoc Thuy, Thuy Nga has trappings being associated with the Disney empire.

Besides Disney, the Randy Petersen, Kevin Quinn and Tim Heintz trio make songs for Thuy Nga.

Whilst at Thuy Nga, the trio comprising Randy Petersen, Kevin Quinn and Tim Heintz usually provide modern Western-style music arrangements and original compositions for Vietnamese artists.

This Western pop sound being honed at the Disney stable by the Randy Petersen, Kevin Quinn and Tim Heintz trio was used at Thuy Nga, modernizing the overseas Vietnamese pop music sound.

Plus, the Thuy Nga script logo is similar to the iconic and world-famous script logo for the Walt Disney Company, inspired by Walt Disney's signature in a stylized version.

Since its 24th edition (1993), its anniversary special, the first filmed outside Thuy Nga's original France base, the Randy Petersen, Kevin Quinn and Tim Heintz trio has made songs for Paris by Night.

Noted Thuy Nga artists in collaboration with this Disney-rooted Randy Petersen, Kevin Quinn and Tim Heintz trio are Minh Tuyet and Nhu Loan.

For Lynda Trang Dai, Minh Tuyet and Nhu Loan, their Western-like aesthetics are sexy.

Juxtaposing Vietnamese trends with Western influences, Lynda Trang Dai, Minh Tuyet and Nhu Loan cultivate a sexy aesthetic at a time when Vietnamese girls are modest.

Altogether, Lynda Trang Dai, Minh Tuyet and Nhu Loan are unofficially Disney princesses, but with a modern and sexy Vietnamese pop music twist.

Ever since the 2020's, Minh Tuyet has used the English vocal ad-libs.

These ad-libs, which have been used by Minh Tuyet since the 2020's era, come from her main Western idols Madonna, Britney Spears and Beyoncé, all inspired by Marilyn Monroe.

Minh Tuyet uses the sexy English ad-libs "Baby," "Oh, baby," "Baby, baby, baby" and "Uh-huh."

Incidentally, ever since this 2020's decade, Minh Tuyet's English vocal ad-libs have been described as being hot, sexy, sultry, soulful and emotive.

For California State University (Fullerton), it houses Danielle Fishel (who uses similar Maltese roots to Britney Spears), born on Cinco de Mayo 1981 like Allie Nicole (Allison Nicole Noriega).

Plus, California State University (Fullerton) houses Nhu Loan, who was also born in 1981, like Britney Spears, Beyoncé, Danielle Fishel and Allie Nicole (indie-soul singer).

April 20, 1981 is when Nhu Loan was born, just 18 years before Columbine.

Rachel Joy Scott and Cassie Bernal are 1981-born girls having lost their lives at Columbine.

In addition, April 20, 1981 is when Carmen Electra, a 1972-born sex icon, turned 9 years old.

Carmen Electra is sexy in Baywatch.

Judy Garland and Barbra Streisand are early vocal idols for Allie Nicole.

Whitney Houston and Mariah Carey, both inspired by the earlier's honorary aunt Aretha Franklin, are some other vocal idols for Allie Nicole.

Plus, Allie Nicole is inspired by Mariah Carey, whose key idol, in turn, is Marilyn Monroe.

Incidentally, both Britney Spears and Danielle Fishel are 1981-born girls/women having used Maltese ancestry, the latter being born on Cinco de Mayo.

Allie Nicole (Allison Nicole Noriega) is a Nashville-based singer born on Cinco de Mayo 1981.

Louisiana, in which Britney Spears was raised, also births Ali Landry, both earning fame in 1998.

Whereas Ali Landry earned fame as the Doritos Girl, Britney Spears became world-famous.

Randy Petersen and Kevin Quinn (both usually working with Tim Heintz) co-wrote Bop to the Top for Disney's High School Musical franchise.

For HSM: The Musical: The Series, Marco Marinangeli produced/mixed Bop to the Top, which Randy Petersen and Kevin Quinn created.

One of the involvements for Allie Nicole is with Disney, which has its iconic and world-famous theme parks (Disneyland, WDW, Disneyland Paris and Tokyo Disneyland).

Using her sob-choked and soulful singing voice and her work with the Disney ecosystem, Allie Nicole (indie-soul singer) is a crying Disney princess, but with a modern rhythm & blues/soul twist.

Marco Marinangeli, besides Disney, works with Allie Nicole (Nashville-based indie-soul singer).

Allie Nicole (Nashville-based indie-soul singer) covers A Sunday Kind of Love (notably sung by Etta James) in a soulful singing voice, released on YouTube via TheAllieNicole.

For her cover of A Sunday Kind of Love, Allie Nicole (Nashville-based indie-soul singer) sings with emotion, soul and a tearful quality.

The YouTube link for Allie Nicole (indie-soul singer) doing a soulful and emotive cover iteration of A Sunday Kind of Love is: https://www.youtube.com/watch?v=RVbS5TEzy84.

Louis Prima, who co-wrote A Sunday Kind of Love (notably sung by Etta James and covered by Allie Nicole), also voices King Louie and sings I Wan'na Be Like You for Disney's The Jungle Book.

Disney aside, Louis Prima is also one of the individuals who popularized the jump blues genre.

Big-band/swing music declined after WWII, so Louis Prima stripped down the orchestral sound into a smaller, hard-hitting combo that is jump blues, directly evolving into rock music.

101 Dalmatians (1961), released 6 years just prior to The Jungle Book, features a bluesy tune named Cruella De Vil by Mel Leven.

Mel Leven, besides Disney, works with Peggy Lee and the Andrews Sisters.

Peggy Lee's own cover version of the rhythm & blues tune Fever, co-written by Eddie Cooley and Otis Blackwell for Little Willie John, is her signature tune.

Boogie Woogie Bugle Boy by the Andrews Sisters is an early example of the jump blues genre.

As for her Disney work, Peggy Lee is in Lady and the Tramp.

Charles Wolcott is also a rock music pioneer associated with Disney.

Though he didn't work at Disney directly, Charles Wolcott introduced the rhythm & blues-rooted rock music genre to the mainstream through Blackboard Jungle.

For Blackboard Jungle, Charles Wolcott made the revolutionary decision to include Rock Around the Clock by Bill Haley & His Comets over its opening credits.

Annette Funicello, Charles Wolcott, Mel Leven and Louis Prima are just some of the individuals who juxtapose Disney with rhythm & blues/rock/soul music.

In addition, Allie Nicole (indie-soul singer) covers Sometimes by Britney Spears in a piano version.

Britney Spears, Danielle Fishel and Allie Nicole (Nashville-based indie-soul singer), incidentally, are 1981-born girls, the earlier 2 having Maltese roots. the latter 2 born on Cinco de Mayo.

Incidentally, Britney Spears, who serves as an idol for both Minh Tuyet and Nhu Loan, has been in the Disney ecosystem, especially through MMC; she has similarities to Marilyn Monroe.

For Halloween 2020, Minh Tuyet recalls Britney Spears by using a blue flight attendant uniform being utilized in the music video for Toxic.

Nhu Loan uses a crop top trend, a lower-back tattoo and repeated "Yeah" ad-libs (all being based upon Britney Spears)

Danielle Fishel and Nhu Loan both attend CSU (Fullerton), the earlier with Maltese roots, like Britney Spears, and born on Cinco de Mayo 1981, like Allie Nicole (indie-soul singer).

1981 is the year of the Rooster, which, using 7 letters, has the most letters of any Chinese zodiac being written in English.

The Rooster, using 7 letters, is tied with the Buffalo for having the longest letter count of a Vietnamese zodiac being written in English.

If Water is added, the Water Buffalo has 12 letters, the longest of a Vietnamese zodiac in English.

Using a space, the Water Buffalo has 13 characters, the longest of a Vietnamese zodiac in English.

1973 is the year of the Ox, which, using 2 letters, has the shortest letter count of any Chinese zodiac in English.

The Buffalo, using 7 letters, is tied with the Rooster for the longest letter count of a Vietnamese zodiac being written in English.

If Water is added, the Water Buffalo has 12 letters, the longest of a Vietnamese zodiac in English.

Using the format "nineteen seventy three," 1973 has 20 letters, tied with 1977 and 1978 for having the most letters of any year name of the 20th century (excluding spaces/hyphens).

In spaces/hyphens, 1973 has 22 characters, tied with 1977 and 1978 for a record in the 20th century.

Britney Spears, Beyoncé, Alexis Bledel, Danielle Fishel and Allie Nicole (indie-soul singer) are female figures born in 1981.

Shannon Elizabeth Fadal and Ali Landry are females.

Set to jazz and big-band music, Marilyn Monroe delivers sexy, sultry and steamy performances.

Females based on Marilyn Monroe, like Madonna, Mariah Carey and Britney Spears, use hot, sexy and sultry aesthetics set to modern music, like rhythm & blues/soul, dance-pop/EDM, etc.

Made-up Disney princess anthem in a rhythm & blues/soul twist

The made-up Disney princess anthem in a rhythm & blues/soul twist is called Deep Inside My Soul.

Filled up with sob-choked, soulful and emotive gospel-like vocals, Deep Inside My Soul is a fictional rhythm & blues/soul-inspired Disney princess tune sung by Ariel from the Little Mermaid.

Sobs, cries, riffs, runs, melisma, vocal fry and whistle registers define Deep Inside My Soul, a fictional Disney princess anthem.

The final chorus features the lead doing ad-libs with the multi-track vocals harmonizing the lyrics.

Aretha Franklin, Whitney Houston and Mariah Carey are key idols for Ariel's singing voice for Deep Inside My Soul, a made-up Disney princess anthem.

Lyrics:

[Intro]

(sob-choked onset)

Ooh, hey, yeah...

Yeah-eah-eah...

Whoaaauuhhh...

Hey, yeah....

I need you deep inside my soul (Spoken: Oh, yes, I do...)

Whoaaauuhhh, yeah....

Oh, baby, baby...

(Spoken: Listen)

[Verse 1]

[Pre-Chorus] 

I'm standing at the edge of the crashing waves 

Breaking out of the silence that kept me enslaved (Gasping for air, crying out) 

Oh, I feel a change coming over me now! 

I've gotta scream it out loud, somehow!

[Chorus]

(Full band crashes in, heavy driving rhythm) 

Deep inside my soul, there’s a brand new voice! 

(Choir: Brand new voice!) Deep inside my soul, I am making my choice! 

I won’t let the tide wash my spirit away 

I'm finding the strength to stand up and say— (Sobs quickly, then belts) 

I am whole! 

Deep inside my soul!

[Ad-lib]

Ooh-whoaaaauhhhh...

Yeah, baby, baby...

(telephone effect Spoken: All I want is you, baby...)

[Verse 2]

[Pre-Chorus] 

I'm standing at the edge of the crashing waves 

Breaking out of the silence that kept me enslaved (Gasping for air, crying out) 

Oh, I feel a change coming over me now! 

I've gotta scream it out loud, somehow!

[Chorus]

(Full band crashes in, heavy driving rhythm) 

Deep inside my soul, there’s a brand new voice! 

(Choir: Brand new voice!) Deep inside my soul, I am making my choice! 

I won’t let the tide wash my spirit away 

I'm finding the strength to stand up and say— (Sobs quickly, then belts) 

I am whole! 

Deep inside my soul!

[Bridge]

[Ad-lib]

Ohhhhhhh-whoaaaaaaa-ohhh....

Hey, yeah....

(whistle register)

Deep inside my soulllllllllllllll...

[Final Chorus 2x]

Deep inside my soul, there’s a brand new voice! 

(Choir: Brand new voice!) Deep inside my soul, I am making my choice! 

I won’t let the tide wash my spirit away 

I'm finding the strength to stand up and say— (Sobs quickly, then belts) 

I am whole! 

Deep inside my soul!

Deep inside my soul, there’s a brand new voice! 

(Choir: Brand new voice!) Deep inside my soul, I am making my choice! 

I won’t let the tide wash my spirit away 

I'm finding the strength to stand up and say— (Sobs quickly, then belts) 

I am whole! 

Deep inside my soul!

[Outro]

Deep... inside... (Sobs) 

My soul...

(Choir hums a final, warm gospel chord) 

Yeah, baby... (Fades out on a soft sob)

Made-up Disney princess film with an action film twist/stock music

The made-up non-musical Disney princess film with an action film twist is Princess of the Future.

Alicia is the main protagonist of the fictional Disney princess film Princess of the Future.

Michelle is the main antagonist of the fictional Disney princess film Princess of the Future.

Julie is Alicia's sidekick in the fictional Disney princess film Princess of the Future.

Greg is Alicia's love interest in the fictional Disney princess film Princess of the Future.

For Alicia, she is a Disney princess with an futuristic armour and fighting techniques, plus soul and emotion.

One of Alicia's catchphrases in Disney's Princess of the Future is "Baby, I'm always your girl."

Baby is an emotional ad-lib/term of endearment used by Alicia

Set in a futuristic city called Metro City, Princess of the Future blends Disney with modernity.

The theme tune for Princess of the Future, a made-up Disney princess film, is Survival by Anthony Hobson for De Wolfe Music.

Landscapes by Paul Lawler for De Wolfe Music is an I Want tune in Princess of the Future.

Escape from the Atmosphere by Mannheim Steamroller is used for a cinematic escape.

Survival by Anthony Hobson for De Wolfe is used in Princess of the Future for a rain-soaked climactic battle between Alicia and Michelle.

The High Seas by Gene Ober for Sound Ideas is a victory cue in Princess of the Future.

Set to Landscapes by Paul Lawler for De Wolfe Music in Disney's made up Princess of the Future film, Alicia tearfully stands, walks and sits down alone in the rain, conveying soul and emotion.

Alicia, sitting alone in the rain, says "In my dreams, in my soul, and in my heart, I will always be with you, baby, forever and ever."

Besides Alicia says "Oh, baby, never before have I felt so deeply emotional."

In the rain-soaked climax set in a city, Alicia defeats Michelle with soul, emotion and strength, with the words "It's all over for you, baby. It's all over for you."

Current affairs on television

See It Now, which is the television answer to Hear It Now, is one of the earliest documentary series on television and a trailblazer for modern broadcast journalism via Edward R. Murrow.

Both Edward R. Murrow and Fred W. Friendly made an arrangement with the Hearst Metrotone News series from MGM for technical services and film library footage as needed for See It Now.

Unlike other news programs using newsreel companies to record events, See It Now utilized its own camera crews to coordinate filming on location.

Plus, See It Now had no rehearsed interviews, plus no background music to accompany the visuals.

Although See It Now relied on news correspondents from around the world, the first autonomous news unit was organized by Edward R. Murrow and Fred W. Friendly.

Don Hewitt, Joseph Wershba and Palmer Williams were involved in the first autonomous news unit for See It Now, which Edward R. Murrow and Fred W. Friendly organized.

For its debut, See It Now presented the first simultaneous live transmission from both the Atlantic and Pacific Oceans on a commercial television program.

Prior to Edward R. Murrow, television news was split into (and heavily influenced by) three separate formulas:

• Newsreels are short snippets of the news events from around the world which are pre-recorded (often curated or staged) and being offered to movie theatres.

• Documentaries, on film/radio, take an in-depth look at controversial or inspirational subjects.

• Radio news are early television newscasts, with anchors delivering the day's news stories in an unseen audio form, with limited (and often static) visuals.

Due to Edward R. Murrow, newsreels, documentaries and radio newscasts forged television news.

Edward R. Murrow's See It Now forges on-location visuals (newsreels) with investigative and in-depth reports (documentaries) and an authoritative anchor delivery (refined from radio).

Studio 41, which was at Grand Central Terminal, housed the CBS Television control room, which was being used for Edward R. Murrow's See It Now.

Person to Person, which Edward R. Murrow had also hosted, features celebrities in their homes from a comfortable chair in his New York studio, pioneering the celebrity interview concept.

One of the noted guests on the original Person to Person version is the sex icon Marilyn Monroe.

Marilyn Monroe was on Edward R. Murrow's original Person to Person version, the broadcast of which emanated from the home of her business partner and photographer Milton Greene.

During this Person to Person broadcast, Marilyn Monroe promoted her mid-1950's film The Seven Year Itch, which is one of her best and most famous films.

Marilyn Monroe wears a white dress being used in the best-known scene of The Seven Year Itch.

In the best-known scene of The Seven Year Itch, Marilyn Monroe's white skirt is being blown up by a subway grate wind, conveying a hot, sexy and charismatic side.

Ever since her 1962 death, the iconic and famous white skirt in Marilyn Monroe's The Seven Year Itch motion picture, where it's blown by a subway grate, has been depicted, represented and imitated.

September 1954 is when Marilyn Monroe's iconic and famous scene, in which her white dress is being blown by a subway grate, was originally shot in New York for The Seven Year Itch.

For Marilyn Monroe's flying white skirt scene in The Seven Year Itch, its location is outside the former Trans-Lux Theatre on Lexington Avenue in New York.

Likewise, in September 1954, Marilyn Monroe also makes 2 kisses being blown to the cameras for The Seven Year Itch, using the hand first, then her lips, with hot and sexy charisma.

Idlewild Airport houses Marilyn Monroe's 2 kisses to the cameras for The Seven Year Itch in 1954.

Ever since her 1962 death, the iconic and famous 2 Idlewild kisses to the cameras in Marilyn Monroe's The Seven Year Itch film has also been depicted, represented and imitated, like her white dress.

Marilyn Monroe's flying white dress scene and her 2 Idlewild kisses being blown to the cameras, both behind the scenes for The Seven Year Itch in 1954, are two of her most enduring and sexiest pics.

In addition, Marilyn Monroe's flying white skirt and her 2 Idlewild kisses to the cameras, both for The Seven Year Itch, are two of the most famous pop culture pics ever, also sexy ones.

Overall, mid-September 1954 (late-summer 1954) is when Marilyn Monroe's white dress scene and her kisses to the cameras, both for The Seven Year Itch, convey hot and sexy youth.

Edward R. Murrow starts his London reports with "This is London," with an emphasis on "This."

The iconic sign-off for Edward R. Murrow is "Good night, and good luck."

60 Minutes (CBS) is the spiritual (and professional) heir to two of the innovative and groundbreaking television programs being hosted by Edward R. Murrow: See It Now and Person to Person.

20/20 is ABC's answer to 60 Minutes (CBS), doubling as the first news-oriented program being made under the sports-heavy visionary Roone Arledge.

Despite its unsuccessful first edition, 20/20 (ABC) became a success by pairing the Hugh Downs and Barbara Walters duo, both from Today (NBC), as its hosts.

PrimeTime Live (ABC) is a companion along with 20/20 (ABC), the last news-oriented program being created by Roone Arledge.

Roone Arledge, incidentally, created both 20/20 (ABC) and PrimeTime Live (ABC) in 1978 and 1989.

Hugh Downs, incidentally, was part of the Chicago School of Television, along with Dave Garroway.

For his own Garroway at Large television program, Dave Garroway defied television's early theatrical conventions for a more casual approach, in which the reality of the studio was acknowledged.

Using one camera, Dave Garroway walked around large studios and simple abstract sets as he directly talked to guests and television viewers for his eponymous Garroway at Large program.

Early-morning television was Pat Weaver's innovative, but controversial dream for a few years, and he tapped Dave Garroway from Chicago to make this dream real.

Pat Weaver's successful dream of an early-morning television program was called Today (NBC).

When Today (NBC) began, television was completely absent from the early-morning hours, and critics believed that no one watched TV while getting ready for work.

Just before Today (NBC), Pat Weaver was also trying to find a location for its studio.

Situated in the Rockefeller Centre complex, the RCA Exhibition Hall is based directly across from the iconic and famous headquarters of the Associated Press at 50 Rockefeller Plaza.

Contrasting to the iconic headquarters of the Associated Press, which represented print journalism, the RCA Exhibition Hall represented electronic media's fluid and transparent future.

Likewise, Rockefeller Centre housed 1 Rockefeller Plaza, which was the former base for Time Inc.

The presence of both the Associated Press and Time Inc. transformed Rockefeller Centre's scope from a strictly radio-communications complex into a centre of the radio and print media sectors.

With the RCA Exhibition Hall as Pat Weaver's choice, Today (NBC) was unconventional.

During the early-1950's era, parts of the floor of the RCA Exhibition Hall were being converted into an early studio space for Today (NBC).

Inside the RCA Exhibition Hall, parts of which were converted into the first Today (NBC) studio, was a borderless room evoking the Associated Press bullpen at 50 Rock.

Juxtaposing print journalism's industrial past, via the AP at 50 Rock, with electronic media's transparent future, via the RCA Exhibition Hall, the Today (NBC) bullpen was innovative.

Undoing the past, the blueprint of this unique room in the RCA Exhibition Hall for Today (NBC) under Dave Garroway/Pat Weaver birthed modern broadcast design elements.

Elements of this first Today (NBC) studio under Dave Garroway/Pat Weaver included newsroom-as-set trends, street-side studios, news tickers and clock displays.

This borderless room, located at the RCA Exhibition Hall for Today (NBC) under Dave Garroway, was made in-house by NBC's engineering units and RCA's corporate exhibition teams.

Responding to the bullpen being located inside the RCA Exhibition Hall for Today (NBC) under Dave Garroway, CBS Television built its Election Headquarters for its early-1950's election coverage.

In similar fashion to what Today (NBC) innovated the use of a bullpen as a usual studio feature for the television news scene, CBS did the same as a usual studio feature for televised elections.

Besides, this national television coverage of the early-1950's US presidential election was also the first driven by computers, notably the UNIVAC I.

Standing for the Universal Automatic Computer I, the UNIVAC I was innovative in that it was the first general-purpose electronic digital computer for business applications produced in the US.

CBS Television, for its early-1950's US presidential election coverage, used the UNIVAC I, accurately predicting that the GOP presidential nominee would win by a landslide.

Walter Cronkite delivered the nationally-televised coverage of the early-1950's US presidential election campaign through CBS.

At the time of this US presidential election in the early-1950's period, Walter Cronkite was also the first newscaster for a CBS station in the nation's capital, which was WTOP-TV (now WUSA).

The word anchor is utilized in the sports world to describe the final and most crucial segment in a relay competition, getting the baton from the starting point to the finish line.

Sig Mickelson popularized the anchor word to coordinate TV news in the same start-to-finish road.

Incidentally, the real UNIVAC I was based at the Remington Rand factory in Philadelphia, whereas the mock-up terminal with blinking Christmas lights was at CBS News in New York.

Both Don Hewitt and Sig Mickelson masterminded CBS Television Election Headquarters, which was located at Grand Central Terminal, for its election coverage in the early-1950's.

NBC pioneered the format of using the newsroom as a regular studio feature (either as a backdrop or a centrepiece), with CBS putting this for elections.

Just prior to Dave Garroway, Don Hewitt and Sig Mickelson, television news/election studio sets have typically comprised three separate formulas:

• News anchors sitting at one desk in a studio with a claustrophobic feel behind blank walls

• Journalists working in a newsroom/bullpen being filled with teletype machines and noises

• Technical staff operating in a dark and windowless control room, featuring monitor banks

However, Dave Garroway's innovations, including Garroway at Large and Today (NBC), tore down the walls, mixing the main stage (news desk) with the backstage workspace (bullpen/control room).

Plus, both Don Hewitt and Sig Mickelson adapted Dave Garroway's approach for election results.

Whereas Studio 41's control room at Grand Central for Edward R. Murrow's See It Now (CBS) had an isolated and enclosed approach, the RCA Exhibition Hall for Today (NBC) was more dynamic.

Ever since, 60 Minutes (CBS) has usually used chroma key technology to place its signature black and open-magazine graphics behind journalists during intros and story transitions.

Journalists stand/sit in front of a blue/green backdrop in the studio for 60 Minutes (CBS).

Control room equipment digitally replaces the solid chroma key colour background with the iconic and famous branding for 60 Minutes (CBS), graphics and story previews.

20/20 (ABC), during the Roone Arledge era, used a multi-monitor control room, similar to Studio 41's control room at Grand Central Terminal for Edward R. Murrow's See It Now (CBS).

Plus, the studio set for 20/20 (ABC), under Roone Arledge, had a working newsroom feel.

Dateline is NBC's response to both 60 Minutes (CBS) and 20/20 (ABC).

For Dateline NBC, during its early years (and its peak), it incorporated trappings being associated with ABC News under Roone Arledge, like Stone Phillips, Jeff Diamond and Neal Shapiro.

Stone Phillips, Jeff Diamond and Neal Shapiro came from Roone Arledge's news magazines: 2020 and PrimeTime Live, both from ABC News, to mastermind Dateline NBC.

In addition, Dateline NBC has David Rummel from 60 Minutes (CBS).

Panorama is the longest-running television news magazine/current affairs program in the world.

The BBC is the main incubator for Panorama.

Having begun its run in 1953, Panorama (BBC) initially had breakdowns.

Under Grace Wyndham Goldie, Panormaa (BBC) was relaunched, with Richard Dimbleby as its main anchor.

Heidi Klum and Tyra Banks in a seasonal/astronomical twist

Heidi Klum's birth on June 1, 1973 coincides with the first day of summer in the Northern Hemisphere under the weather system, with the astronomical one on the 20th or 21st.

In the Northern Hemisphere, summer uses high heat and extended daylight, which proves true to Heidi Klum as a summer girl.

Representing summer is the heat of both the fire and the sun, which is proven true to Heidi Klum, not simply in her birth, but her hot, sexy, sultry and fiery summer girl image/persona.

Summer also reflects the hot, sexy, sultry and fiery heat of Heidi Klum's public image.

Like a wildfire held in the summer, Heidi Klum sets the world on sexual fire; she is indeed a hot, sexy, sultry, charismatic and emotional girl with a high-energy summer vibe.

Decades after her breakthrough, Heidi Klum's hot and sexy legacy is unextinguished.

Besides, the Water element represents Heidi Klum in her soul, emotion and youth.

Mirroring human tears, rain uses water drops, which holds true to Heidi Klum as a water girl. 

Using wet hair for Heidi Klum conveys soul, emotion and youth.

Water represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Heidi Klum.

A husky, sultry voice like Heidi Klum's mirrors moving water's fluid, echoing quality.

Likewise, Heidi Klum is also a female figure born just 20 days before the end of spring in the Northern Hemisphere under the astronomical system.

Spring has the Wood element symbolizing youth, true to Heidi Klum as a youthful icon.

Having been aligned with the fixed Wood element, the spring season also represents Heidi Klum in her creativity, energy and growth.

Like a tree being cut down for wood, Heidi Klum chops down the traditional female mold.

Rain also acts as a bridge between the sky (air) and earth (ground) elements, which proves to be true to Heidi Klum's status/reputation as a youthful spring girl.

1973 is also aligned with the Water element, true to Heidi Klum as a soulful Ox/Buffalo girl.

Besides, as a girl/woman born on a day with the Gemini Sun sign, Heidi Klum is a witty, youthful and sparkling female icon with a breathy voice.

Conversely, the Air element is tied into Heidi Klum's iconic and world-famous flying dress scene, but represents her voice as having a sexy and gentle breeze as well.

The Ox, having the nature of the Earth, also represents Heidi Klum in her resilience. 

Sagittarius, which uses a fiery nature, represents Tyra Banks in her vibrant beauty, warmth, genius and inner star power, but also in her energy and as a spark of the global sexual revolution.

Using the fiery nature of the Sagittarius zodiac, Tyra Banks sets the world on sexual fire; in fact, she is deemed hot, sexy and sultry with charisma, charm, energy, passion and raw emotions.

Plus, the Sagittarius, having a fiery nature, fits Tyra Banks as Hollywood's summer girl.

Likewise, the December 4, 1973 birth of Tyra Banks coincides with winter's fourth day in the Northern Hemisphere under the weather system, with the astronomical one on the 20th or 21st.

In the Northern Hemisphere, winter is cold, despite Tyra Banks as Hollywood's summer girl.

For Tyra Banks, despite the cold winter, she sets the world on sexual fire; indeed, she has a hot, sexy, sultry, charismatic and emotional persona with a high-energy summer vibe.

Ever since her breakthrough, Tyra Banks' fiery hot and sexy legacy has been unextinguished.

December is a month synonymous with the winter season being aligned with the Water element, which represents Tyra Banks in her soul, emotion and youth.

Standing in the pouring rain gives Tyra Banks soulful performances.

1973 is also aligned with the Water element, true to Tyra Banks as a soulful Ox/Buffalo girl.

The Water element represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Tyra Banks.

A husky, sultry voice like Tyra Banks' mirrors moving water's fluid, echoing quality.

Three dimensions define Tyra Banks' work that echoes the title of Marilyn Monroe's early-1950's film being released after her breakthrough in 1950:

• As young as she feels: Young, hot, sexy, sultry, dynamic, energetic, classy, emotive, passionate, beautiful, vibrant, soulful, fierce/fiery, smouldering, gut-wrenching and poignant

• As young as she looks: Young, hot, sexy, sultry, steamy, seductive, beautiful, charismatic, kind, charming, fierce/fiery, gorgeous, smouldering and emotive

• As young as she sounds: Young, hot, sexy, sultry, beautiful, smooth, steamy, seductive, soulful, fierce/fiery, soft, soothing, breathy, cooing, smouldering, gut-wrenching and emotive

Similarly, both Heidi Klum and Tyra Banks are iconic and world-famous 1973-born models, but also former Victoria's Secret Angels and close friends for 20+ years.

Plus, both Heidi Klum and Tyra Banks are sexy, soulful and emotive 1973-born girls.

1973 is the year of the Ox, which, using 2 letters, has the shortest letter count of any Chinese zodiac in English, when both Heidi Klum and Tyra Banks were born.

The Buffalo, using 7 letters, is tied with the Rooster for the longest letter count of a Vietnamese zodiac being written in English.

If Water is added, the Water Buffalo has 12 letters, the longest of a Vietnamese zodiac in English.

Using the format "nineteen seventy three," 1973 has 20 letters, tied with 1977 and 1978 for having the most letters of any year name of the 20th century (excluding spaces and hyphens).