Made-up Disney princess film in a rhythm & blues/soul twist

The made-up Disney princess film in a rhythm & blues/soul twist is called Blessed Princess.

Blessed Princess is a fictional Disney princess film about a young girl/woman singing in a powerful and emotional rhythm & blues/soul-inspired voice.

Princess Nina is the fictional main protagonist of the fictional Disney film Blessed Princess (despite her European heritage)

Sob-choked, tearful deliveries define Princess Nina's rhythm & blues/soul voice in Blessed Princess.

Blessed is the soulful theme tune for the fictional Disney film Blessed Princess with 808 drums.

In this Blessed tune for the fictional Disney film Blessed Princess, Princess Nina sings soulfully using riffs, runs and melisma while crying on her knees and lying down.

Lyrics:

[Intro]

Hooooohh-ooohhhh, oh, yeah-eah-eah....

Oh-whoaaaauhhh....

Yeah-eah-eah, hey, yeah....

I feel blessed to be a princess, baby... (aspirate offset)

I feel blessed to be a princess... (aspirate offset)

Uh-huh.

Huh-huuuuhhhh....

[Verse 1]

Once upon a time, I was a girl with my father

But tragedy struck me with the loss that I suffer

I scrubbed the floor and I was crying in tears (aspirate offset)

Baby, I can't do anything right out of fear (sob-choked)

[Pre-Chorus] 

But in the dark of night, a light begins to shine 

A voice inside my spirit says that I will be just fine 

I close my weary eyes and wash away the pain 

Knowing that tomorrow I will rise up once again

[Chorus]

I feel blessed to be a princess (Telephone effect: Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will (sob-choked)

[Ad-lib]

Ooooh-hooo, yeah...

Baby, baby, baby, I always will...

Uhhhh-huuuhhh...

[Verse 2]

I was getting ready for the ball

But my dress was torn at all

I fled to the garden and began to cry

Crying out made me wanna die (sob-choked)

[Pre-Chorus] 

But in the dark of night, a light begins to shine 

A voice inside my spirit says that I will be just fine 

I close my weary eyes and wash away the pain 

Knowing that tomorrow I will rise up once again

[Chorus]

I feel blessed to be a princess (Telephone effect: Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will (sob-choked)

[Bridge]

I got myself locked in my room

Trying to set me free

Something inside in my soul

Says I want to be me  (sob-choked)

[Ad-lib]

Hooooooo-whoaaaauuhh...  (Whistle register)

Hey, yeah....  (sob-choked)

I feel blessed to be a princessssssssss!!!!!!  (sob-choked)

[Final Chorus 2x]

I feel blessed to be a princess (Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will

(Whistle register: Whoaaaaaauhhhhh, baabbbbyyy....)

I feel blessed to be a princess (Telephone effect: Oh, yes, I do...)

And I'm never gonna do anything in excess

I'm gonna try to climb up the hill

Cuz I know that I always will

(sob-choked: Hoouuhhhh, yeah-eah-eah)

[Outro]

I feel blessed... (sob-choked)

to be...

a princess.... (sob-choked)

(Oh, yes, I do, baby...)

One Hundred and One Dalmatians/101 Dalmatians (1961)

One Hundred and One Dalmatians/101 Dalmatians (1961) is the first full-length Disney animated film using the xerography process.

In addition, One Hundred and One Dalmatians (1961) is also a diversion from the previous full-length Disney animated films in that it has a dynamic title sequence made à la Saul Bass.

Plus, 101 Dalmatians (1961) is a rare full-length Disney animated film set in an urban place.

With the Disney empire being called into question after Sleeping Beauty, 101 Dalmatians (1961) is a solution.

Cruella De Vil is a bluesy and jazzy tune made for 101 Dalmatians (1961) by Mel Leven.

The Jungle Book, released 6 years after 101 Dalmatians (1961), features an equally-jazzy tune called I Wan'na Be Like You, which is mainly sung by Louis Prima.

Louis Prima also co-wrote A Sunday Kind of Love, notably performed by soul singer Etta James.

For Louis Prima, he bridged the gap between Disney and rhythm & blues/soul music.

Allie Nicole (b. 1981) is an independent singer-songwriter.

Los Angeles, California is where Allie Nicole was born and raised.

Nashville, Tennessee is Allie Nicole's secondary base.

May 5, 1981 (Cinco de Mayo) is when Allie Nicole was born.

Cinco de Mayo is a popular holiday in the United States for celebrating Mexican-American culture and heritage.

Incidentally, Allie Nicole has Mexican roots.

Allison Nicole Noriega is Allie Nicole's full name.

TheAllieNicole is a social media handle being used by Allie Nicole.

One of the professional involvements for Allie Nicole is with the Disney ecosystem.

Like Xtina, Allie Nicole is a real-life Disney princess, but with a modern rhythm & blues/soul twist.

Using her sob-choked, soulful and emotive gospel-like singing voice and her Disney experience, Allie Nicole (Allison Nicole Noriega) is a crying Disney princess, but using African-American music.

Disney-rooted singer Allie Nicole (Allison Nicole Noriega) does a cover of A Sunday Kind of Love by Louis Prima, which Etta James notably performed.

Judy Garland and Barbra Streisand are early vocal idols for Allie Nicole.

Whitney Houston and Mariah Carey, both inspired by the earlier's honorary aunt Aretha Franklin, are some other vocal idols for Allie Nicole.

Plus, Allie Nicole is inspired by Mariah Carey, whose key idol, in turn, is Marilyn Monroe.

Cinco de Mayo 1981 also births Daniel Fishel.

Having Maltese ancestry, Danielle Fishel is one of the 1981-born Maltese-descended girls.

Britney Spears is the most famous of all the 1981-born Maltese-descended girls.

One of the key idols for Britney Spears is Madonna, who, in turn, is inspired by Marilyn Monroe, with whom Britney Spears, often called Baby Madonna, shares similarities.

Similarly, both Marilyn Monroe and Britney Spears have the name structure, with 7 letters in their first names and 6 in their last (13 overall); the earlier is a stage name, but the latter is real.

Both Marilyn Monroe and Britney Spears are also pop culture icons who earn fame and popularity at a young age and become sex icons, captivating both the public and media.

Likewise, both Marilyn Monroe and Britney Spears are blondes whose natural hair colour is brown.

In addition, both Marilyn Monroe and Britney Spears share a variation of the middle name: Jeane is for Marilyn Monroe, Jean for Britney Spears.

On the other hand, both Marilyn Monroe and Britney Spears also use sexy facial expressions, but with differences.

Brentwood and Kentwood are quiet backdrops to the public lives of both Marilyn Monroe and Britney Spears, both ending with the "-entwod" suffix.

For Brentwood (a place that belongs to Marilyn Monroe), it has B and R as its first 2 letters, whilst for Kentwood (belonging to Britney Spears), it uses K as its first.

Plus, both Marilyn Monroe and Britney Spears are child-women.

Having had a nasal soft baby voice, Britney Spears is a modern and pop-influenced version of Marilyn Monroe's breathy vocal approach, but also a modern Annette Funicello.

Kim Lyons is a 1973-born fitness model/trainer, known for being in The Biggest Loser.

The birth name for Kim Lyons is Kimberly Lyn Lyons.

Britney Spears' birth is on December 2, 1981, 8 years and nearly 7 months after Kim Lyons' birth being taken place on May 5, 1973 (Cinco de Mayo).

Cinco de Mayo is a popular holiday in the United States for celebrating Mexican-American culture and heritage.

However, despite being born on Cinco de Mayo, Kim Lyons does not have Mexican roots.

The Cinco de Mayo holiday is held in the US within the spring season, and before summer starts in the Northern Hemisphere under the meteorological and astronomical systems.

In the Northern Hemisphere, spring has Wood, symbolizing growth, expansion and renewal.

Rain also acts as a bridge between the sky (air) and earth (ground) elements, which is true to Danielle Fishel's status/reputation as a spring girl.

For Kim Lyons, she is represented by the Water element in her soul, emotion and youth.

Mirroring human tears, rain uses water drops, which is true to Kim Lyons' soul and emotion.

The Water element represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Kim Lyons.

A husky, sultry voice like Kim Lyons' mirrors moving water's fluid, echoing quality.

Similarly, both Britney Spears and Kim Lyons use blonde hair and brown eyes.

Incidentally, both Britney Spears and Danielle Fishel are female figures being born in 1981, the latter being born on Cinco de Mayo.

Allie Nicole (Allison Nicole Noriega) is a Nashville-based singer born on Cinco de Mayo 1981.

Kim Lyons is a fitness trainer who uses similarities to Britney Spears, in turn; she was born on Cinco de Mayo 1973.

1981 is the year of the Rooster, which, using 7 letters, has the most letters of any Chinese zodiac being written in English, when Britney Spears, Danielle Fishel and Allie Nicole were born.

The Rooster, using 7 letters, is tied with the Buffalo for having the longest letter count of a Vietnamese zodiac being written in English.

1973 is the year of the Ox, which, using 2 letters, has the shortest letter count of any Chinese zodiac in English, when Kim Lyons was born.

The Buffalo, using 7 letters, is tied with the Rooster for the longest letter count of a Vietnamese zodiac being written in English.

Made-up Disney princess film in a rhythm & blues/soul twist

The made-up Disney princess anthem being used in a rhythm & blues/soul twist is called Always and Forever in My Dreams.

Filled with soulful and emotive gospel-like vocals, Always and Forever in Your Dreams is a made-up hip-hop/rhythm & blues/soul-inspired Disney princess tune sung by a fictional princess.

Sobs and cries define Always and Forever in Your Dreams, a made-up Disney princess anthem.

Princess Paulina is a fictional princess singing Always and Forever in Your Dreams, which serves as a fictional Disney princess anthem.

In this Always and Forever in Your Dreams tune, Princess Paulina sings while crying in the rain.

Lyrics:

[Intro]

(sob-choked onset)

Ooh, hey, yeah...

Yeah-eah-eah...

Whoaaauuhhh...

Hey, yeah....

You're always and forever in my dreams (Spoken: Oh, yes, you are...)

Whoaaauuhhh, yeah....

Oh, baby, baby...

(Spoken: Listen)

[Verse 1]

Once upon a time, I was a girl with my father

But tragedy struck me with the loss that I suffer

I scrubbed the floor and I was crying in tears

Baby, I can't do anything right out of fear (sob-choked)

[Pre-Chorus] 

But in the dark of night, a light begins to shine 

A voice inside my spirit says that I will be just fine 

I close my weary eyes and wash away the pain 

Knowing that tomorrow I will rise up once again

[Chorus]

'Cause you can lock up my body, but my spirit flies free
The crown on my head ain't what defines me
Through the fire and the rain, I am standing tall
With a love in my heart that will never fall
Oh, you're always and forever in my dreams!

Yeah, the joy is gonna come, it's breaking through the beams!

[Ad-lib]

Oh, yeah...

Baby, baby, baby...

Come on...

[Verse 2]

I was getting ready for the ball

But my dress was torn at all

I fled to the garden and began to cry

Crying out made me wanna die

[Pre-Chorus] 

But in the dark of night, a light begins to shine 

A voice inside my spirit says that I will be just fine 

I close my weary eyes and wash away the pain 

Knowing that tomorrow I will rise up once again

[Chorus]

'Cause you can lock up my body, but my spirit flies free
The crown on my head ain't what defines me
Through the fire and the rain, I am standing tall
With a love in my heart that will never fall
Oh, you're always and forever in my dreams!

Yeah, the joy is gonna come, it's breaking through the beams!

[Bridge]

I got myself locked in my room

Trying to set me free

Something inside in my soul

Says I want to be me

[Ad-lib]

Hooooooo-whoaaaauuhh...

Hey, yeah....

You're always and forever in my dreaaaaaaaaammmmsssss!

[Final Chorus 2x]

'Cause you can lock up my body, but my spirit flies free
The crown on my head ain't what defines me
Through the fire and the rain, I am standing tall
With a love in my heart that will never fall
Oh, you're always and forever in my dreams!

Yeah, the joy is gonna come, it's breaking through the beams!

(crying out: Oh, baby!)

Cause you can lock up my body, but my spirit flies free
The crown on my head ain't what defines me
Through the fire and the rain, I am standing tall
With a love in my heart that will never fall
Baby, baby, you're always and forever in my dreams!

Yeah, the joy is gonna come, it's breaking through the beams!

(crying out: Baby, baby, baby!)

[Outro]

Always... (Sobs) 

Forever... 

In my dreams. 

(Spoken with a shaky breath) You can't lock up my soul. 

(Choir hums a final, warm gospel chord) 

Ooh, yeah... (Fades out on a soft sob)

An equally-tearful reprise of the fictional Disney princess anthem Always and Forever in Your Dreams conveys sadness when the entire kingdom is gone after the climactic battle.

[Outro]

Always... (Sobs) 

Forever... 

In my dreams. 

Oh, baby, baby, baby... (Fades out on a soft sob)

Made-up Disney princess film with an action film twist/stock music

The made-up non-musical Disney princess film with an action film twist is Princess of Action.

Set in a futuristic city called Metro City, Princess of Action blends Disney with modernity.

The theme tune for Princess of Action, which is a fictional Disney princess film, is Sky Wars 1 by Paul Lawler for De Wolfe Music.

Landscapes by Paul Lawler for De Wolfe Music is an I Want tune in Princess of Action.

Other cues in Princess of Action include The Build Up 1, In Hot Pursuit 1, Flying Messenger (by Oliver Armstrong), Escape from the Atmosphere (by Mannheim Steamroller).

Princess Kira is the main protagonist of the fictional Disney princess film Princess of Action.

Current affairs on television

See It Now, which is the television answer to Hear It Now, is one of the earliest documentary series on television and a trailblazer for modern broadcast journalism via Edward R. Murrow.

Both Edward R. Murrow and Fred W. Friendly made an arrangement with the Hearst Metrotone News series from MGM for technical services and film library footage as needed for See It Now.

Unlike other news programs using newsreel companies to record events, See It Now utilized its own camera crews to coordinate filming on location.

Plus, See It Now had no rehearsed interviews, plus no background music to accompany the visuals.

Although See It Now relied on news correspondents from around the world, the first autonomous news unit was organized by Edward R. Murrow and Fred W. Friendly.

Don Hewitt, Joseph Wershba and Palmer Williams were involved in the first autonomous news unit for See It Now, which Edward R. Murrow and Fred W. Friendly organized.

For its debut, See It Now presented the first simultaneous live transmission from both the Atlantic and Pacific Oceans on a commercial television program.

Prior to Edward R. Murrow, television news was split into (and heavily influenced by) three separate formulas:

• Newsreels are short snippets of the news events from around the world which are pre-recorded (often curated or staged) and being offered to movie theatres.

• Documentaries, on film/radio, take an in-depth look at controversial or inspirational subjects.

• Radio news are early television newscasts, with anchors delivering the day's news stories in an unseen audio form, with limited (and often static) visuals.

Due to Edward R. Murrow, newsreels, documentaries and radio newscasts forged television news.

Edward R. Murrow's See It Now forges on-location visuals (newsreels) with investigative and in-depth reports (documentaries) and an authoritative anchor delivery (refined from radio).

Person to Person, which Edward R. Murrow had also hosted, features celebrities in their homes from a comfortable chair in his New York studio, pioneering the celebrity interview concept.

One of the noted guests on the original Person to Person version is the sex icon Marilyn Monroe.

Marilyn Monroe was on Edward R. Murrow's original Person to Person version, the broadcast of which emanated from the home of her business partner and photographer Milton Greene.

During this Person to Person broadcast, Marilyn Monroe promoted her mid-1950's film The Seven Year Itch, which is one of her best and most famous films.

Marilyn Monroe wears a white dress being used in the best-known scene of The Seven Year Itch.

In the best-known scene of The Seven Year Itch, Marilyn Monroe's white skirt is being blown up by a subway grate wind, conveying a hot, sexy and charismatic side.

Ever since her 1962 death, the iconic and famous white skirt in Marilyn Monroe's The Seven Year Itch motion picture, where it's blown by a subway grate, has been depicted, represented and imitated.

September 1954 is when Marilyn Monroe's iconic and famous scene, in which her white dress is being blown by a subway grate, was originally shot in New York for The Seven Year Itch.

For Marilyn Monroe's flying white skirt scene in The Seven Year Itch, its location is outside the former Trans-Lux Theatre on Lexington Avenue in New York.

Likewise, in September 1954, Marilyn Monroe also makes 2 kisses being blown to the cameras for The Seven Year Itch, using the hand first, then her lips, with hot and sexy charisma.

Idlewild Airport houses Marilyn Monroe's 2 kisses to the cameras for The Seven Year Itch in 1954.

Ever since her 1962 death, the iconic and famous 2 Idlewild kisses to the cameras in Marilyn Monroe's The Seven Year Itch film has also been depicted, represented and imitated, like her white dress.

Marilyn Monroe's flying white dress scene and her 2 Idlewild kisses being blown to the cameras, both behind the scenes for The Seven Year Itch in 1954, are two of her most enduring and sexiest pics.

In addition, Marilyn Monroe's flying white skirt and her 2 Idlewild kisses to the cameras, both for The Seven Year Itch, are two of the most famous pop culture pics ever, also sexy ones.

Overall, mid-September 1954 (late-summer 1954) is when Marilyn Monroe's white dress scene and her kisses to the cameras, both for The Seven Year Itch, convey hot and sexy youth.

The iconic sign-off for Edward R. Murrow is "Good night, and good luck."