JohnnyHoang

Saturday, September 26, 2026

Real-life crying Disney princesses with an indie-pop-soul music twist

Brianna Moles has her cinematic singing alter-ego being known as Brea Ferrar.

The Walt Disney Company is one of the involvements for Brianna Moles (Brea Ferrar).

Likewise, the Walt Disney Company also roots Britney Spears, who has influenced the 1990's teen pop music sound and has inspired future singing girls, like Brianna Moles (Brea Ferrar).

As Britney Spears is the modern-day Marilyn Monroe, Brianna Moles (Brea Ferrar) is considered to be Britney Spears with a singing Aretha Franklin/Whitney Houston/Mariah Carey twist.

Similarly, both Marilyn Monroe and Britney Spears have the name structure, with 7 letters in their first names and 6 in their last (13 overall); the earlier is a stage name, but the latter is real.

Both Marilyn Monroe and Britney Spears are also pop culture icons who earn fame and popularity at a young age and become sex icons, captivating both the public and the media.

Likewise, both Marilyn Monroe and Britney Spears are blondes whose natural hair colour is brown.

In addition, both Marilyn Monroe and Britney Spears share a variation of the middle name: Jeane is for Marilyn Monroe, Jean for Britney Spears.

On the other hand, both Marilyn Monroe and Britney Spears also use sexy facial expressions, but with differences.

Brentwood and Kentwood are quiet backdrops to the public lives of both Marilyn Monroe and Britney Spears, both ending with the "-entwod" suffix.

For Brentwood (a place that belongs to Marilyn Monroe), it has B and R as its first 2 letters, whilst for Kentwood (belonging to Britney Spears), it uses K as its first.

Plus, both Marilyn Monroe and Britney Spears are child-women.

With her soft baby voice, Britney Spears is a modern pop-influenced incarnation of Marilyn Monroe's breathy vocal approach

Distinctly, whereas Marilyn Monroe's breathiness has a fluid and jazz-influenced tone, Britney Spears applies a modern vocal fry trend to sharp and heavily-syncopated pop and rhythm & blues beats.

For Britney Spears, she is the ultimate evolution of Madonna's paradox: mixing Marilyn Monroe with Aretha Franklin's pop-soul vocals (though with a lack of power).

Aretha Franklin, Whitney Houston and Mariah Carey are just some of the greatest and most influential figures in both pop culture and music for using soulful vocal techniques.

Mamie Smith, Ma Rainey, Bessie Smith and Mahalia Jackson are some of the notably influential icons paving the way for Aretha Franklin, Whitney Houston and Mariah Carey.

For Brianna Moles (Brea Ferrar), her choked-back, soulful and emotive singing vocals are inspired by Mariah Carey, whose peer Whitney Houston is an honorary aunt of Aretha Franklin.

Having been inside the Disney ecosystem, Brianna Moles (Brea Ferrar) is described as a crying Disney princess, but with a indie-soul twist.

Plus, Brianna Moles (Brea Ferrar) is a modern Annette Funicello, but with a soulful twist.

In fact, Marilyn Monroe, Aretha Franklin and Annette Funicello have all smiles for Madonna, Mariah Carey, Britney Spears, Xtina, Beyoncé and Brianna Moles (Brea Ferrar).

Marilyn Monroe attended University High School (Uni) from February to June 1942, just a few months before Annette Funicello's October 1942 birth.

For Brianna Moles (Brea Ferrar), she is known as Britney Spears with an indie-soul music twist.

Brianna Moles (Brea Ferrar) is also Aretha Franklin and Mariah Carey with an indie music twist.

July 12, 1984 is when Brianna Moles (Brea Ferrar) was born.

The middle name for Brianna Moles (Brea Ferrar) is Kailey.

One of the educational institutions for Brianna Moles (Brea Ferrar) is TCNJ, which started to attend in September 2002.

In the Northern Hemisphere, summer uses high heat and extended daylight, which rings true to Brianna Moles (Brea Ferrar) as a summer girl.

Representing summer is the heat of the fire, which fits Brianna Moles (Brea Ferrar) in her birth and her summer girl persona.

As a summer girl, Brianna Moles (Brea Ferrar) has a sexy and high-energy summer vibe.

Besides, the Fire element also represents Brianna Moles (Brea Ferrar) in her energy, charisma and raw emotion.

The Rat and Cancer zodiacs, both using a watery nature, represent Brianna Moles (Brea Ferrar) in her youth, soul and emotion.

Echoing the watery nature of both the Rat and Cancer zodiacs, Brianna Moles (Brea Ferrar) sings like shedding tears to cry.

In addition, the Water element represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Brianna Moles (Brea Ferrar).

A husky, sultry voice like Brianna Moles (Brea Ferrar) mirrors moving water's fluid, echoing quality.

With the water being mixed with the fire to create steam, both the soulfulness and sex appeal involving Brianna Moles (Brea Ferrar) is an elusive, misty and atmospheric icon.

Even the heavy rain/water drops cannot dim/extinguish the fire felt by Brianna Moles (Brea Ferrar)

The first brush for Brianna Moles (Brea Ferrar) is an online singing contest in partnership with AOL to promote American Dreamz, a film that parodies American Idol and politics rolled into one.

In addition to her work as a singer, Brianna Moles (Brea Ferrar) has Disney via the Walt Disney World College Program.

For Brianna Moles (Brea Ferrar), she has brown hair with a red hue, like Ariel in the 1989 Disney film called The Little Mermaid.

Similarly, both Britney Spears and Brianna Moles (Brea Ferrar) have B, R and I as the first, second and third letters (with N as the fifth) of their given names, and S as the last letter of their surnames.

Plus, both Britney Spears and Brianna Moles (Brea Ferrar) have ties to the Disney brand.

Having been a Mouseketeer, Britney Spears was in the 1990's version of the Mickey Mouse Club.

Meanwhile, Brianna Moles (Brea Ferrar) was in the Walt Disney World College Program.

Philadelphia is the home base for Brianna Moles (Brea Ferrar), with others like New Jersey, Miami and Coral Gables.

At Last is an independent demo EP release by Brianna Moles (Brea Ferrar) via Myspace.

This 7-track At Last EP by Brianna Moles (Brea Ferrar) has her sob-choked, choked-back, soulful and emotional rhythm & blues-like vocals overall, plus multitrack vocal harmonies.

Missing Me is the opening track for this At Last EP by Brianna Moles (Brea Ferrar) with a paradox: an upbeat pop rock tone with a soulful, emotive and crying singing voice.

Take Me Away is the second track of the At Last EP by Brianna Moles (Brea Ferrar).

For Take Me Away by Brianna Moles (Brea Ferrar), it has a paradox: Latin pop music being paired with choked-back, sob-choked, soulful and emotional singing vocals that cries tears.

Plus, Falling is the third track of the At Last EP by Brianna Moles (Brea Ferrar); its lyrics describe the theme of losing control, with her singing voice crying tears, with an upbeat pop rock tone.

Hazy Skies is the fourth track of her At Last EP by Brianna Moles (Brea Ferrar).

The first part of this Hazy Skies tune by Brianna Moles (Brea Ferrar) comprises a melancholic piano arrangement, with the second half comprising a power ballad.

Plus, Hazy Skies by Brianna Moles (Brea Ferrar) has her sob-choked, soulful, weeping and emotional singing voice.

Eggshells by Brianna Moles (Brea Ferrar), the fifth track of this At Last EP, uses choked-back, crying, weeping and souflul singing vocals with aspirate offsets and a low register.

An acoustic guitar opens Eggshells by Brianna Moles (Brea Ferrar) from her At Last EP.

Going into pop rock in the pre-chorus and full-blown in the chorus and bridge, Eggshells by Brianna Moles (Brea Ferrar) has a paradox: emotive lyrics and vocals with an upbeat pop rock tone.

Being the penultimate track of her At Last EP, Wasted has Brianna Moles (Brea Ferrar) doing a singing voice crying tears with aspirate offsets, with its lyrics recalling the personal downs involving love.

Likewise, Wasted by Brianna Moles (Brea Ferrar) also uses a Disney-like cinematic arrangement using minimal instruments: piano and strings, plus no multitrack vocal harmonies.

Notable lyrics in Wasted by Brianna Moles (Brea Ferrar) include the changes from major to minor and recapturing the happy days she misses so much, plus transparent and empty kisses.

The start of this Wasted tune by Brianna Moles (Brea Ferrar) has a telephone effect, in which she sings about vivid imagery of decay without music.

For Wasted by Brianna Moles (Brea Ferrar), in this introductory decay segment, she sings about fading colours, withering flowers, dying sparks, melting hearts and dreams being dashed.

In addition, Wasted by Brianna Moles (Brea Ferrar) has her singing about being romanticized.

Wasted by Brianna Moles (Brea Ferrar) is a demo tune being described as a cinematic Disney Princess anthem, but with a rhythm & blues/soul ballad twist.

Guard Down, which is the closer for the At Last EP by Brianna Moles (Brea Ferrar), has a paradox: an upbeat pop rock tone being paired with sad lyrics about a girl left behind.

Plus, Guard Down by Brianna Moles (Brea Ferrar) has a singing voice that is soulful and cries tears.

Missing Me, Take Me Away, Eggshells and Wasted are tunes in the At Last EP by Brianna Moles (Brea Ferrar) with instrumental intros laden with soulful rhythm & blues-like ad-lib vocalise.

Kleptomaniac and Love on the Dance Floor are dance-pop tunes by Brianna Moles (Brea Ferrar).

Virtual Breality is a 2-track EP by Brianna Moles (Brea Ferrar), released under Noizetrip.

For her Virtual Breality EP, both Kleptomaniac and Love on the Dance Floor are tunes being sung by Brianna Moles (Brea Ferrar), featuring her sob-choked, crying, soulful and tearful vocals.

In Love Roulette, Brianna Moles (Brea Ferrar) has a paradox: choked-back, tearful and soulful vocals being paired with a upbeat tone inspired by vintage swing music.

Conversely, Lost in Love is a rhythm & blues/soul ballad by Brianna Moles (Brea Ferrar).

Driven by a piano, Lost in Love by Brianna Moles (Brea Ferrar) has a singing voice crying tears.

Love Somebody New by Brianna Moles (Brea Ferrar) has a paradox, a soulful, sob-choked and crying singing voice with aspirate offsets being paired with dance-pop/EDM.

When Love Takes Over, with vocals by Kelly Rowland, one of the notable 1981-born Destiny's Child members with Beyoncé, inspires Love Somebody New by Brianna Moles (Brea Ferrar)

In turn, When Love Takes Over has a piano riff/opener that is similar to Clocks by Coldplay.

Generally, Love Somebody New by Brianna Moles (Brea Ferrar) has a crying-in-the-club aesthetic.

Fang Banger by Brianna Moles (Brea Ferrar) has a paradox: an upbeat rhythm & blues tune, but with a Halloween twist, paired with her singing vocals crying tears.

Rockstar by Brianna Moles (Brea Ferrar) uses a paradox: an upbeat tune using hip-hop beats with lyrics about being ready to rock and roll, paired with her singing vocals crying tears.

Likewise, Fire Me Up by Brianna Moles (Brea Ferrar) is a high-energy dance-pop tune.

Plus, Fire Me Up by Brianna Moles (Brea Ferrar) has its paradox: her fiery summery persona using her watery, soulful, emotional, crying, choked-back and sob-choked singing voice.

The choked-back, soulful and emotive singing vocals being used by Emii (Emily Rose Morrison) are inspired by Christina Aguilera.

Some key idols for Christina Aguilera include Aretha Franklin and Etta James, plus the Vocal Trinity.

Having worked with Emii (Emily Rose Morrison) is Adrian Gurvitz, who, with Cream member Ginger Baker, is involved in Baker Gurvitz Army.

Ginger Baker is with Eric Clapton with both Cream and Blind Faith.

Producing the third and final album for Baker Gurvitz Army called Hearts on Fire is Eddy Offord, who gained prominence for his work with prog rock bands Yes and Emerson, Lake & Palmer.

Eric Clapton, in turn, works with the Yardbirds, which also have Jeff Beck and Jimmy Page.

Jimmy Page forms Led Zeppelin with Robert Plant, John Paul Jones and John Bonham

As for Jeff Beck, he works with Rod Stewart, Nicky Hopkins, Cozy Powell, Jan Hammer and Narada Michael Walden.

In addition, Adrian Gurvitz works with Disney producing the Disneymania albums.

For Emii (Emily Rose Morrison), she has brown hair with a red hue, like Ariel in the 1989 Disney film called The Little Mermaid.

Plus, Emii (Emily Rose Morrison) is a modern Annette Funicello, but with a soulful twist.

In fact, Marilyn Monroe, Aretha Franklin and Annette Funicello have all smiles for Madonna, Mariah Carey, Britney Spears, Xtina, Beyoncé and Emii (Emily Rose Morrison).

Emii (Emily Rose Morrison) is Christina Aguilera with an indie music twist.

Marilyn Monroe attended University High School (Uni) from February to June 1942, just a few months before Annette Funicello's October 1942 birth.

Having worked with Adrian Gurvitz, who is in the Disney ecosystem, Emii (Emily Rose Morrison) is described as a crying Disney princess, but with a indie-soul twist.

The Sagittarius represents Emii (Emily Rose Morrison) in her warmth, genius and inner star power.

Using the fiery nature of the Sagittarius, Emii (Emily Rose Morrison) sets the world on indie fire; she deems herself hot, sexy and sultry with charisma, charm, energy, passion and raw emotions.

Plus, the Sagittarius, having a fiery nature, fits Emii (Emily Rose Morrison) as a summer girl.

Besides, the December 4, 1984 birth of Emii (Emily Rose Morrison) is also in winter's 4th day in the Northern Hemisphere under the weather system, with the astronomical one on the 20th or 21st.

In the Northern Hemisphere, winter is cold, despite Emii (Emily Rose Morrison) as a summer girl.

December is a month synonymous with the winter season being aligned with the Water element, which represents Emii (Emily Rose Morrison) in her soul, emotion and youth.

Water represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Emii (Emily Rose Morrison).

A husky, sultry voice like Emii (Emily Rose Morrison) mirrors moving water's fluid, echoing quality.

The Rat, having a watery nature, also represents Emii (Emily Rose Morrison) in her soul, emotion and youth.

Mirroring the watery nature of both the Chinese zodiac Rat and the month of December, Emii (Emily Rose Morrison) sings like shedding tears to cry.

With the water combined with the fire to create steam, the sexy and soulful appeal of Emii (Emily Rose Morrison) is an elusive, misty and atmospheric icon.

Even the heavy rain/water droplets cannot dim/extinguish the fire of Emii (Emily Rose Morrison)

Using the steam, Emii (Emily Rose Morrison) delivers sexy, sultry and steamy performances.

Magic and Mr. Romeo are EDM tunes by Emii (Emily Rose Morrison) with sob-choked, soulful and emotional singing vocals.

Baby, I Can't Help Myself and Zombie Boyfriend are rock tunes by Emii (Emily Rose Morrison) with choked-back, sob-choked, soulful and emotional singing vocals.

Stilettos by Emii (Emily Rose Morrison) is a dance-pop/EDM tune with sob-choked vocals.

The Middle (Zedd) has Emii (Emily Rose Morrison) delivering her sob-choked, soulful and emotional singing voice and A.J. Larsen doing guitar, which is available on YouTube over emiiofficial.

For Emii (Emily Rose Morrison), her acoustic guitar version of The Middle (Zedd), with guitar by A.J. Larsen, is described as a Disney Princess anthem, but with a soulful twist.

Mariah Carey, Michael Jackson and Celine Dion are some key idols for Samantha Lombardi.

Defining Samantha Lombardi's sob-choked, soulful and emotional singing vocals are her vocal fry, her aspirate offsets and her trembling cracks.

The Vocal Trinity likewise inspires Samantha Lombardi's soulful voice.

Samantha Lombardi is unofficially a crying Disney princess in Australia, but with a pop rock twist.

Eva LaRue

Having been born in a Fire Horse year, Eva LaRue is an eternal flame.

The Fire element likewise represents Eva LaRue in her beauty, energy, charisma and as a spark of the sexual revolution.

In addition, the Horse, which has a fiery nature, also represents Eva LaRue in her hot, sexy, raw and emotional persona.

Using the Horse's fiery nature, Eva LaRue sets soap operas on fire; in fact, she uses charisma, charm, energy, sex appeal, passion and raw emotions.

Years after her breakthrough, Eva LaRue's sexy legacy as an announcer is unextinguished.

December is a month being synonymous with the winter season in the Northern Hemisphere, which is aligned with the Water element, representing Eva LaRue in her soul, emotion and youth.

Mirroring human tears, rain has water drops, true to Eva LaRue's soulful and emotive voice.

The Water element represents the lowest and the deepest frequencies, but also the dark and mysterious depths of the ocean; this holds true for Eva LaRue.

A husky, sultry voice like Eva LaRue's mirrors moving water's fluid, echoing quality.

With the water being mixed with the fire to create steam, Eva LaRue's legacy is an elusive, misty and atmospheric icon.

Even the heavy rain/water droplets cannot dim/extinguish Eva LaRue's fire.

Dabbling in music, Eva LaRue's album is Only You.

Iguales and I'll Remember You are tunes with an upbeat tone and Eva LaRue's raw, soulful and emotive singing voice.

Sucks to Be You (Prozzak)

Sucks to Be You is a song by Prozzak; it is about being feeling sad and emotional after being hurt.

Tamara, voiced by Anna Goodman, has smooth, breathy, whispery, sexy and sultry spoken ad-libs à la Marilyn Monroe for Sucks to Be You (Prozzak), with aspirate onsets/offsets for emotion.

For Tamara in Sucks to Be You (Prozzak), she is a vocal foil to Simon's sad British-accented lyrics.

In Sucks to Be You (Prozzak), Tamara performs the title lyric in a smooth, breathy, whispery, sexy and sultry Marilyn Monroe-esque spoken word delivery.

Plus, Sucks to Be You (Prozzak) has female backups going "Ooh-ooh-ooh" in an emotional manner.

One dimension defines Tamara for Sucks to Be You (Prozzak) echoing the name of Marilyn Monroe's early-1950's film As Young as she sounds, released after her 1950 breakthrough:

As young as she sounds: Young, beautiful, hot, sexy, sultry, smooth, steamy, seductive, soulful, fierce/fiery, breathy, whispery, cooing, gut-wrenching and emotive

Deana Carter

Deana Carter (b. 1966)

January 4, 1966 is when Deana Carter was born.

For Deana Carter, she is a girl born in a period of transition from the Snake to the Horse.

Both the Snake and the Horse are Chinese zodiacs tied to the Fire element.

Incidentally, the Fire element represnts Deana Carter as a spark of the sexual revolution.

Plus, Deana Carter's birth is in a Wood Snake year.

The Wood element symbolizes youth, true to Deana Carter as a youthful icon.

Besides, the Wood element also represents Deana Carter in her creativity, energy and growth.

Like a tree being cut down for wood, Deana Carter chops down the traditional female mold.

January is a month synonymous with the winter season in the Northern Hemisphere, aligned with the Water element, representing Deana Carter in her soul, emotion and youth.

There's No Limit by Deana Carter has the sexy music video featuring her close-ups and her under the bedsheets.

Randee St. Nicholas directed the sexy There's No Limit music video for Deana Carter, premiering in December 2002 when she was 36 years old.

Television's Chicago School DNA for business and finance

When regular commercial television operations began in New York, many programs have incorporated theatrical proscenium/radio layouts, separating the stage from the audience area.

In other words, the early studio set designs used by many programs hailing from this New York-centric television scene were like a cardboard box, but also two-dimensional/2D canvases.

Besides, New York-centric television also used fixed/static shots, together with loud talkers.

During the early post-WWII period, some of the television programs came from Chicago, where Dave Garroway served as a radio disc jockey on WMAQ-AM.

For his eponymous Garroway at Large program, Dave Garroway broke television's old traditions for a more casual approach, in which the reality of the studio was acknowledged.

Using one camera, Dave Garroway walked around large studios and simple abstract sets as he directly talked to guests and television viewers for his eponymous Garroway at Large program.

Just over 2 years after NBC started Dave Garroway's eponymous Garroway at Large program, its rival CBS responded by launching See It Now with Edward R. Murrow in November.

Hear It Now, which is a former weekly radio adaptation of the I Can Hear It Now spoken-word album series from Columbia, is also the basis for Edward R. Murrow's See It Now (CBS).

The CBS television control room at Studio 41 in Grand Central Terminal houses Edward R. Murrow's innovative and groundbreaking See It Now television program.

Dave Garroway's Garroway at Large (NBC) used moving cameras and unpainted studio walls, whereas Edward R. Murrow's See It Now (CBS) featured a control room with monitors.

Both Dave Garroway's Garroway at Large (NBC) and Edward R. Murrow's See It Now (CBS) rejected traditional box-like sets in favour of the ones being treated as three-dimensional/3D canvases.

Likewise, real technical television production was exposed due to the innovations involving both Dave Garroway's Garroway at Large (NBC) and Edward R. Murrow's See It Now (CBS).

NBC also pioneered a new formula of television: early-morning television, which is being offered via Today (NBC), initially coming from the RCA Exhibition Hall.

Situated in the Rockefeller Centre complex, the RCA Exhibition Hall is based directly across from the iconic and famous headquarters of the Associated Press at 50 Rockefeller Plaza.

Contrasting to the iconic headquarters of the Associated Press, which represented print journalism, the RCA Exhibition Hall represented electronic media's fluid and transparent future.

Inside the RCA Exhibition Hall, parts of which were converted into the first Today (NBC) studio, was a newsroom/bullpen being adapted from the Associated Press at 50 Rockefeller Plaza.

Juxtaposing print journalism's industrial past, via the AP at 50 Rock, with electronic media's transparent future, via the RCA Exhibition Hall, the Today (NBC) bullpen was a television innovation.

Next to the Today (NBC) bullpen at the RCA Exhibition Hall was a desk, based behind a backdrop with clocks and television monitors.

Besides, Today (NBC) featured pedestrians on the street looking through the glass windows of the RCA Exhibition Hall to watch this program.

Plus, teletypes that came from the Associated Press (AP), United Press (UP) and the International News Service (INS) were used inside the Today (NBC) newsroom/bullpen at the RCA Exhibition Hall.

The on-screen ticker being adapted from the wire services in the Today (NBC) newsroom/bullpen at the RCA Exhibition Hall, featuring a clock display being adapted from clocks, was used.

Due to technical difficulties and having lacked viewer traction, this on-screen ticker being adapted from wire feeds for Today (NBC) was dropped after just a few months.

Undoing the past, Today (NBC) under Dave Garroway births modern broadcast design elements.

Some of the innovations surrounding the RCA Exhibition Hall for Today (NBC) under Dave Garroway include a newsroom/bullpen, a street-side studio, a news ticker and a clock display.

This borderless room, located at the RCA Exhibition Hall for Today (NBC) under Dave Garroway, was made in-house by NBC's engineering units and RCA's corporate exhibition teams.

With the RCA Exhibition Hall as its first base, Today (NBC) doubled down on the Chicago Style being honed at Dave Garroway's eponymous Garroway at Large program.

Likewise, with Dave Garroway at the helm for Today (NBC), the RCA Exhibition Hall bridged the gap between the Chicago Style, the AP newsroom/bullpen and the See It Now control room.

Having housed Today (NBC), the RCA Exhibition Hall accurately combined Dave Garroway's creative Chicago School with the industrial newsroom/bullpen (AP) and the technical nerve centre (CBS).

Chicago, in which Dave Garroway pioneered a casual television style being brought to New York, also hosted the political conventions in the early-1950's at the International Amphitheatre.

For the Republican National Convention in this early-1950's era, it was the first to be presented live on television on a national level.

Using the air conditioning process being installed at the International Amphitheatre, Chicago's political conventions, held in the early-1950's, were the first to do so.

Just before Chicago's major political conventions in this early-1950's era, summer political conventions notoriously suffered heat in venues without A/C, making citizens sweaty.

However, the addition of the A/C process and the American Telephone & Telegraph Company's coaxial television uplink for Chicago's early-1950's political conventions helped modernize these rituals.

For these early-1950's political rituals, held at the International Amphitheatre in Chicago, the major US television networks erected makeshift broadcast booths inside the convention halls.

The television service with the most notice to cover Chicago's political conventions in this early-1950's period was CBS, which brought Walter Cronkite to national prominence.

Echoing Dave Garroway taking Chicago's techniques with him to New York for Today (NBC) upon its launch in the early-1950's, the Chicago political conventions led to the New York election nights.

Similar to the newsroom/bullpen being adapted from the print field by Today (NBC) for television, the major US television networks used this print-style trend for their early-1950's elections.

For Walter Cronkite, he put this newsroom/bullpen, adapted from his former United Press service, on television's political map, but also on the usual windowless TV studio structure, via CBS.

Plus, this nationally-televised coverage of the early-1950's US presidential election was the first to be driven by computers.

One of the computers being utilized for this nationally-televised early-1950's US presidential election coverage was the UNIVAC I from Remington Rand.

Standing for the Universal Automatic Computer I, the UNIVAC I was innovative in that it was the first American-made general-purpose commercial electronic digital computer.

Magnetic tape was for mass storage and mercury delay lines for memory, both for the UNIVAC I.

With the real UNIVAC 1 iteration being deemed too heavy to carry from Philadelphia to New York, its mock-up prop was installed at CBS' unified Studios 41/42 in New York's Grand Central Terminal.

For this mock-up UNIVAC I prop, it featured blinking Christmas tree lights to create a futuristic visual effect for CBS' nationally-televised early-1950's US presidential election coverage.

NBC adapted the newsroom/bullpen from the print scene for television under Dave Garroway.

CBS adapted this newsroom/bullpen element from NBC as a studio set feature being placed in a usual structure without street-side windows for TV journalism under Walter Cronkite.

In the early-1950's, CBS Television innovated the newsroom/bullpen trend for televised election night coverage, in the mid-1960's with an evening news twist, and in March 1973 with a local twist.

For Search/Probe (1972-1973), the Probe Control Centre is a fictional room based on NASA's Mission Control Centre.

What describes the Probe Control Centre for Search/Probe (1972-1973) is the fact that it uses a similar monitor matrix to the real-life NASA Mission Control Centre.

Designing the Probe Control Centre for Search/Probe (1972-1973) is Fred Harpman.

The Probe Control Centre, which Fred Harpman had created for Search/Probe (1972-1973), is a direct inspiration for his television design for its network NBC called the NewsCentre.

Also inspiring Fred Harpman's NewsCentre studio design, in addition to Search/Probe (1972-1973), are Fantastic Voyage and Star Trek, both of which premiered in 1966.

Using architectural geometry, angled desks and glass partitions, Fred Harpman's NewsCentre set design endures a contrast with traditional 2D cardboard box-like ones.

Besides, the NewsCentre design by Fred Harpman features NASA-like banks of active video feeds/data monitors.

In addition, mezzanine/stairs also add to Fred Harpman's NewsCentre design.

December 12, 1973 is when WNBC-TV announced that its own movie block called Movie 4 would be cancelled on April 26, 1974 for NewsCentre 4, which then made its April 29, 1974 debut.

Just before the News Hour, BCTV had not fared well since its 1960 inception.

Instead, television viewers in British Columbia have to watch the early-evening newscasts south of the world's longest unguarded border, especially the CBS Evening News with Walter Cronkite.

Under both Ray Peters and Cameron Bell, in the late-1960's, BCTV launched the News Hour, which is Canada's first hour-long evening newscast.

Not long after, in 1975, BCTV also made a unique news studio set design bridging the 2 camps, which turned the News Hour into Canada's top-rated English-language newscast as well.

For BCTV, it had the NBC camp - the print-style newsroom/bullpen being used by Today (NBC) at the RCA Exhibition Hall under Dave Garroway.

One of the noted Today (NBC) viewers was Ray Peters, who led BCTV.

Likewise, BCTV had the CBS camp - Edward R. Murrow's See It Now control room.

Incidentally, Ray Peters, who led BCTV, had a visit to New York City in the early-1950's period, when Edward R. Murrow's See It Now program premiered.

NBC's print-style newsroom/bullpen camp, used by BCTV, evolved into the traditional print-style CBS newsroom/bullpen, featuring Walter Cronkite, who had his print roots at United Press.

Likewise, the high-tech and cutting-edge CBS control room camp, which BCTV used, evolved into the ultra-modern and cinematic NewsCentre, created for NBC by Fred Harpman.

Upon its June 1, 1980 launch, CNN used its BCTV-inspired hybrid newsroom-control room studio set design, which serves as the DNA for 24-hour television news.

Having adapted BCTV's hybrid newsroom-control room studio set for CNN was Bunky Helfrich.

The 1977 Trinity and the 1981 IBM Personal Computer are the blueprints for personal computers being included in the newsroom/bullpen for television in the modern era, evolving from the UNIVAC I.

Using both the 1977 Trinity and the 1981 IBM PC, they shifted this newsroom/bullpen production from manual and paper-based workflows into fully automated digital hubs.

Chicago, in which Dave Garroway pioneered a casual television style being brought to New York, also housed WCIU-TV, which pioneered business/financial news on television.

KWHY-TV also pioneered business/financial news on television, similar to WCIU-TV.

Quotron, a financial system being developed by John Scantlin and his eponymous Scantlin Electronics company, is the first to deliver live stock market quotes to an electronic screen.

Scantlin's Quotron system, introduced in 1960, replaced mechanical ticker tape machines.

Having been pioneers in business/financial news on television, both KWHY-TV and WCIU-TV were supporters of the Quotron system from Scantlin Electronics.

NASDAQ is the world's first fully electronic stock market, which evolved from Quotron.

For the Financial News Network (FNN), some of its original personnel were from KWHY-TV, such as Rodney Buscher and Eugene Inger.

Upon its 1981 launch, the Financial News Network (FNN) pioneered the scrolling digital stock market ticker being based across the lower third of the television screen on a national level.

In general, the FNN ticker had the top white band for stocks and the bottom blue band for index.

Mirroring the short-lived ticker being adapted from teletypes in the Today (NBC) bullpen under Dave Garroway, FNN's ticker is television's first continuous on-screen ticker on a national level.

Locally, this on-screen stock market ticker being created for both KWHY-TV and WCIU-TV featured scrolling text from bottom to top (vertical).

FNN's ticker featured scrolling text moving from right to left (horizontal).

Conversely, upon its mid-April 1989 launch, CNBC used a different ticker from FNN.

With the young and upstart CNBC merging with the iconic and famous, yet scandal-ridden FNN in the early-1990's, CNBC adopted/modernized FNN's scrolling 2-band digital stock market ticker.

Just prior to the Financial News Network (FNN), continuous financial and business tickers were being restricted to local TV stations for several hours.

However, FNN's true breakthrough was to make the stock market ticker a 24-hour standard.

In 1989, CNN Headline News introduced its own iteration of the CNBC/FNN stock market ticker; in December 1993, it also introduced the SportsTicker.

During the events being taken place in mid-September 2001, Fox News Channel implemented the news ticker for general or non-business/financial purposes, the first television service to to do.

Others, like CNN and MSNBC, followed Fox News during the mid-September 2001 events.

Modern 21st-century news studio designs cannot leave behind Dave Garroway's television traits; they instead use digital technology to merge and evolve them into flexible ecosystems.

Some of the innovative Dave Garroway traits that modern 21st-century news studio designs can never leave behind include a newsroom/bullpen, a street-side studio and a news ticker/clock display.

In addition, modern 21st-century television election studio sets cannot leave behind these similar Dave Garroway traits to those being used in the television news industry.

Likewise, modern 21st-century business/financial news studio set designs can never leave behind these similar Dave Garroway traits to those being used in television news.

Besides, modern 21st-century news studio designs cannot leave behind Edward R. Murrow's television traits; they instead use digital technology to merge and evolve them into flexible ecosystems.

Edward R. Murrow's innovative television trends that modern 21st-century news studio set designs can never leave behind include the multi-monitor control room.

In addition, modern 21st-century televised election studio set designs could not also leave behind these similar Edward R. Murrow traits to those being used in the television news industry.

Similarly, modern 21st-century business/financial news studio set designs cannot also leave these same Edward R. Murrow traits behind as those being used in television news.

Brianna Moles (Brea Ferrar) in a seasonal/astronomical twist

Brianna Moles has her cinematic singing alter-ego named Brea Ferrar.

Aretha Franklin, Whitney Houston and Mariah Carey are just some of the greatest and most influential figures in both pop culture and music for using soulful vocal techniques.

Mamie Smith, Ma Rainey, Bessie Smith and Mahalia Jackson are some of the notably influential icons paving the way for Aretha Franklin, Whitney Houston and Mariah Carey.

For Brianna Moles (Brea Ferrar), her choked-back, soulful and emotive singing vocals are inspired by Mariah Carey, whose peer Whitney Houston is a label-mate of Aretha Franklin.

Similarly, both Allie Nicole (Allison Nicole Noriega) and Brianna Moles (Brea Ferrar) are described as indie-soul singers with Disney traits and moles/beauty marks on their necks.

The Walt Disney Company is one of the involvements for Brianna Moles (Brea Ferrar).

Likewise, the Walt Disney Company also roots Britney Spears, who has influenced the 1990's teen pop music sound and has inspired future singing girls, like Brianna Moles (Brea Ferrar).

Having been inside the Disney ecosystem, Brianna Moles (Brea Ferrar) is described as a crying Disney princess, but with a indie-soul twist.

Aretha Franklin, Whitney Houston, Mariah Carey, Xtina and Brianna Moles (Brea Ferrar) are crying Disney princesses, but with a modern pop/rhythm & blues/soul twist.

Plus, Brianna Moles (Brea Ferrar) is a modern Annette Funicello, but with a soulful twist.

In fact, Marilyn Monroe, Aretha Franklin and Annette Funicello have all smiles for Madonna, Mariah Carey, Britney Spears, Xtina, Beyoncé and Brianna Moles (Brea Ferrar).

Marilyn Monroe attended University High School (Uni) from February to June 1942, just a few months before Annette Funicello's October 1942 birth.

For Brianna Moles (Brea Ferrar), she is known as Britney Spears with an indie-soul music twist.

Brianna Moles (Brea Ferrar) is also Aretha Franklin and Mariah Carey with an indie music twist.

July 12, 1984 is when Brianna Moles (Brea Ferrar) was born.

The middle name for Brianna Moles (Brea Ferrar) is Kailey.

One of the educational institutions for Brianna Moles (Brea Ferrar) is TCNJ, which started to attend in September 2002.

In the Northern Hemisphere, summer uses high heat and extended daylight, which rings true to Brianna Moles (Brea Ferrar) as a summer girl.

Representing summer is the heat of the fire, which fits Brianna Moles (Brea Ferrar) in her birth and her summer girl persona.

As a summer girl, Brianna Moles (Brea Ferrar) has a sexy and high-energy summer vibe.

Besides, the Fire element also represents Brianna Moles (Brea Ferrar) in her energy, charisma and raw emotion.

The Rat and Cancer zodiacs, both using a watery nature, represent Brianna Moles (Brea Ferrar) in her youth, soul and emotion.

Echoing the watery nature of both the Rat and Cancer zodiacs, Brianna Moles (Brea Ferrar) sings like shedding tears to cry.

Plus, the Wood represents Brianna Moles (Brea Ferrar) in her creativity, energy and growth.

Like a tree being chopped down to make wood, Brianna Moles (Brea Ferrar) cuts down the traditional mainstream pop music scene.

Three dimensions define Brianna Moles (Brea Ferrar) in her sexy, soulful singing persona echoing the name of Marilyn Monroe's early-1950's film being released after her breakthrough in 1950:

As young as she feels: Young, hot, sexy, sultry, dynamic, energetic, classy, emotive, passionate, beautiful, vibrant, soulful, fierce/fiery, gut-wrenching and poignant

As young as she looks: Young, hot, sexy, sultry, steamy, seductive, beautiful, charismatic, kind, charming, fierce/fiery, gorgeous and emotive

As young as she sounds: Young, beautiful, hot, sexy, sultry, smooth, steamy, seductive, soulful, fierce/fiery, breathy, whispery, cooing, choked-back, tearful, gut-wrenching and emotive

The first brush for Brianna Moles (Brea Ferrar) is an online singing contest in partnership with AOL to promote American Dreamz, a film that parodies American Idol and politics rolled into one.

In addition to her work as a singer, Brianna Moles (Brea Ferrar) has Disney via the Walt Disney World College Program.

For Brianna Moles (Brea Ferrar), she has brown hair with a red hue, like Ariel in the 1989 Disney film called The Little Mermaid.

Similarly, both Britney Spears and Brianna Moles (Brea Ferrar) have B, R and I as the first, second and third letters (with N as the fifth) in their given names, and S as the last letter of their surnames.

Plus, both Britney Spears and Brianna Moles (Brea Ferrar) have ties to the Disney brand.

Having been a Mouseketeer, Britney Spears was in the 1990's version of the Mickey Mouse Club.

Meanwhile, Brianna Moles (Brea Ferrar) was in the Walt Disney World College Program.

Philadelphia is the home base for Brianna Moles (Brea Ferrar), with others like New Jersey, Miami and Coral Gables.

At Last is an independent demo EP release by Brianna Moles (Brea Ferrar) via Myspace.

Missing Me is the opening track for this At Last EP by Brianna Moles (Brea Ferrar) with a paradox: an upbeat pop rock tone with a soulful, emotive and crying singing voice.

Take Me Away is the second track of the At Last EP by Brianna Moles (Brea Ferrar).

For Take Me Away by Brianna Moles (Brea Ferrar), it has a paradox: Latin pop music being paired with choked-back, sob-choked, soulful and emotional singing vocals that cires tears.