Friday, February 14, 2025

Iron Chef

Iron Chef is a televised cooking competition made by Fuji Television in Japan, with one of the three chefs facing their opponents.



Kitchen Stadium is the setting for Iron Chef, and the Gourmet Academy organizes the venue.

Takeshi Kaga acts as the chairman of the Gourmet Academy in Kitchen Stadium, known as Chairman Kaga.




Chen Kenichi and Hiroyuki Sakai are the longest-serving of all the Iron Chefs.

Komei Nakamura, Masaharu Morimoto and Masahiko Kobe are the most recent Iron Chefs, the latter being the youngest.





Michiba is the first ever Iron Chef Japanese.

Komei Nakamura, endorsed by Michiba, was the second Iron Chef Japanese in March 1996.




Masaharu Morimoto, coming from Hollywood star Robert de Niro's Japanese restaurant Nobu in New York, was the third Iron Chef Japanese in 1998, but also the most recent overall.



Chen Kenichi is "the Sezchuan Sage," Hiroyuki Sakai as "the Delacroix of French cuisine," Masahiko Kobe "the Prince of Pasta," and Masaharu Morimoto as the neo-Japanese leader, all on Iron Chef.

Toshiro Kandagawa positions himself as a recurring villain on Iron Chef, described as "the Don of the Kansai."




Having been a fierce enemy of the Gourmet Academy, Toshiro Kandagawa's role is the same as a pro wrestling heel, an aggressive persona for the Iron Chefs to contend with.





Kenji Fukui and Dr. Yukio Hattori are the primary announcers on Iron Chef, with Shinchiro Otha as its floor reporter.

One or two guest announcers (who are also judges) also made frequent appearances on Iron Chef.



Shinchiro Otha is the Iron Chef floor reporter, known for his rapid-fire reporting style.




Each Iron Chef battle lasts 60 minutes to tackle the day's theme ingredient and prepare artistic dishes.

In case of overtime when total points in the scores are tied, a battle lasts 30 minutes.



Most Iron Chef episodes start with Chairman Kaga's words "If memory serves me right...", taken from Arthur Rimbaud.

Plus, Chairman Kaga starts each Iron Chef cooking time with "Allez cuisine!", followed by the gong.





In Iron Chef's original US-dubbed iteration, a specially-made prologue begins with Brillat-Savaran's quotation "Tell me what you eat, and I'll tell you what you are."

Brillat-Savaran's quotation in the prologue used for Iron Chef's US dub leads to Fukui's narration.







Also in Iron Chef's original US dub, Fukui narrates a specially-made pre-tasting review.

For this pre-tasting review specially-made for Iron Chef's original US-dubbed iteration, a footage from Chairman Kaga's introduction of the opponent is used.

Plus, a slow-motion shot of the Iron Chef being selected by the opponent is used during the pre-tasting review on Iron Chef's US dub.





In addition, a slow-motion shot of the theme ingredient being unveiled by Chairman Kaga is also used during the pre-tasting review on Iron Chef's US-dubbed version.

The presentation of dishes by both the Iron Chef and the opponent are also used during this pre-tasting review on Iron Chef's US dub.



Shinchiro Otha's famous quotation is "Fukui-san?", which is said several times per episode, when he interrupts Fukui's commentary with a report from the field.





During Iron Chef's first two years starting in 1993, one celebrity guest is in the commentary booth and three judges are on the tasting panel.

Each and every battle on Iron Chef starts with Fukui introducing one guest, plus Dr. Yukio Hattori and Chairman Kaga during its first two years starting in 1993.





In the mid-1990's or before 1996, Kitchen Stadium underwent some major changes.

Among the major changes that affect Kitchen Stadium on Iron Chef are the adddition of the 30-minute overtime battles and the addition of a fourth judge.



With Kitchen Stadium completing major upgrades, two guests are in the booth, with four judges on the tasting panel, both on Iron Chef.

Plus, with Kitchen Stadium's upgrades, after the gong signalling the beginning of each and every battle held on Iron Chef, Fukui introduces two guests and Dr. Yukio Hattori.

In addition, with Kitchen Stadium completing major changes, each and every battle on Iron Chef starts with Chairman Kaga walking to the ingredient stand amid applause to introduce the visiting chef.



The tasting panel during Iron Chef's first two years consists of three separate tables, but with Kitchen Stadium's upgrades, one single table is used with four chairs on this panel.



Several events precluded Michiba's 1996 retirement:



Michiba suffered an illness that left him briefly hospitalized, interrupting his Iron Chef tenure.

Afterwards, Michiba started getting tired from the stress of appearing on Iron Chef and running three Japanese restaurants.

The addition of both the scoring system and the fourth judge on Iron Chef also paved the way for the overtime battles, the first of which Michiba won.



In the final round of the second Mr. Iron Chef Tournament, which is also his last one, Michiba won the title over Chen Kenichi with beef and retired from Kitchen Stadium in January 1996.



The King of Iron Chefs Tournament serves as the grand finale of the original Iron Chef series, which Hiroyuki Sakai won over his best friend Chen Kenichi.



Whilst a success in Japan, Iron Chef became a sleeper hit in the United States in the late-1990's or after 1998, when it was picked up by cable's Food Network and dubbed into English.

For Iron Chef's original US dubbed version, the cooking competition was given a campy charm, which evoked English-dubbed Chinese kung fu films.

In fact, Iron Chef's original US dub makes references to Western popular culture.





When Chairman Kaga speaks on-screen for Iron Chef's original US-dubbed iteration, his words are in English subtitles, but the actor's real voice is heard in Japanese.

The segments being used to introduce the opposing chefs on Iron Chef are being spoken by Chairman Kaga in Japanese, both in its original version and its original pre-2001 US dub.






For its original pre-2001 US dub, Chairman Kaga's introduction of the opposing chefs on Iron Chef is likewise subtitled in English, but the actor's real voice is heard in Japanese.

Iron Chef's post-2001 dub has Chairman Kaga's introduction of the opposing chefs spoken in English.





At the end of the visitor's profile at the start of each Iron Chef episode (before the title sequence), the Chairman urges him/her/them to do his/her/their best, accompanied by a slow-motion shot.




Bill Bickard does the voice for Kenji Fukui, Scott Morris for Dr. Yukio Hattori and Jeff Manning for Shinchiro Otha in Iron Chef's original US-dubbed version.

Kent Frick and Duncan Hamilton voice Chairman Kaga in Iron Chef's post-2001 US dub.



Repeated quotes for Iron Chef include:



  • Kenji Fukui: Five years ago/nearly a deacde ago, a man's fantasy became reality in a form never seen before: Kitchen Stadium, a giant cooking arena.

  • The motivation for spending his fortune to create Kitchen Stadium was to encounter new original cuisines which could be called true artistic creations. 

  • To realize his dream, he secretly started choosing the top chefs of various styles of cooking, and he named his men, the Iron Chefs, the invincible men of culinary skills. Iron Chef Japanese is [name]. Iron Chef French is Hiroyuki Sakai. Iron Chef Chinese is Chen Kenichi. And Masahiko Kobe is Iron Chef Italian. 

  • Kitchen Stadium is the arena where Iron Chefs await the battles of master chefs from around the world. Both the Iron Chef and opponent have one hour to tackle the theme ingredient of the day. Using all these senses, skills, creativity, they're to prepare artistic dishes never tasted before. 

  • And if ever a visitor wins over the Iron Chef, he or she will gain the people's ovation and fame forever. Every batttle, reputations are on the line in Kitchen Stadium where master chefs pit their artistic creations against each other. What inspiration does today's visitor bring? And how will the Iron Chef fight back? The heat will be on!

  • Chairman Kaga: Watashi no kioku na tashikanaraba... (subtitled or dubbed by Kent Frick in the post-2001 era): If memory serves me right... 

  • Chairman Kaga: If my memory serves me correctly... (dubbed by Duncan Hamilton post-2001)

  • Kenji Fukui: Ascending into Kitchen Stadium, the nation's culinary leaders: your Iron Chefs! Iron Chef Chinese Chen Kenichi, Iron Chef French Hiroyuki Sakai, and Iron Chef Japanese [name]. Here they stand: the invincible men of culinary skills!

  • Chairman Kaga: Kyo no tema wa, koro des! (subtitle: We unveil the ingredient!)

  • Chairman Kaga: Kyo no tema wa... (subtitle: Today's theme is...)

  • Kenji Fukui: We are set -- let's get it on!/Let's go for it!

  • Chairman Kaga: Allez cuisine!

  • Kenji Fukui: Bang a gong, we are on!/Opening gong.

  • Kenji Fukui: And now, let's introduce our guests for today's battle. First...

  • Kenji Fukui: And our commentator, Dr. Yukio Hattori.

  • Dr. Yukio Hattori: Always a pleasure.

  • Shinchiro Otha: Fukui-san? Kenji Fukui: Yes.

  • Kenji Fukui: FLAME-OLAAH!

  • Kenji Fukui: And now, a minute to go; the final 60 seconds.

  • Kenji Fukui: And that's it! The cooking's done. The [ingredient] battle is O-VAH!

  • Kenji Fukui: [visiting chef/Iron Chef] is offering (number) dishes. First...

  • Kenji Fukui: And now, the moment of truth...tasting and judgment. On the panel today are...

  • Kenji Fukui: First, the dishes of [visiting chef].

  • Kenji Fukui: And now up, the dishes of Iron Chef [name].

  • Kenji Fukui: Who takes it? Whose cuisine reigns surpreme?

  • Kenji Fukui: It's the Iron Chef!

  • Kenji Fukui: Alright, let's check the scores/Alright, the scores.




Backdraft's soundtrack are used for most of the original score for Iron Chef in its original Japanese and pre-2001/post-2001 US dubs.

For its original Japanese and pre-2001 US-dubbed iterations, besides Backdraft, music cues from other Western sources are used, notably Glory and Dragon: the Bruce Lee Story.




Show Me Your Firetruck (from Backdraft) is used as the theme tune for Iron Chef, but is also used for post-match interviews and the ending credits.

If an Iron Chef episode has no post-match interviews, the end credits begin after the scores.



At the end of the opponent's profile at the start of each Iron Chef battle (before the opening sequence), Show Me Your Firetruck's opening is heard as the Chairman urges him/her/them to do best.



Fighting 17th (also from Backdraft) is used, both in the prologue and the pre-tasting battle review, seen exclusively in Iron Chef's original US dubbed version.

The Arsonist's Waltz (also from Backdraft) is heard over a quote "Tell me what you eat, and I'll tell you what you are" by Brillat-Savaran, also seen exclusively in Iron Chef's original US-dubbed version.



Charging Fort Wagner (from Glory) is used when the Iron Chefs are summoned into Kitchen Stadium, both in its original Japanese version and its original pre-2001 US dub. 


Backdraft's sixth track is used to introduce the visiting chef to Kitchen Stadium in Iron Chef, plus the unveiling of the theme ingredient.

You Go, We Go (also from Backdraft) is used as the Iron Chef's profile cue, plus the tale of the tape.




Track 8 of the Backdraft soundtrack is used as the dish description cue, looped and repeated, plus the victory cue used when the Chairman declares the winner of the battle for Iron Chef.

Brothers (also from Backdraft) is used during segments in which Chairman Kaga described the day's theme ingredient on Iron Chef, when 3 judges are on the tasting panel until a fourth one is added.


Plus, the gong portion used in Aaron Copland's Fanfare for the Common Man is used, when the gong marks the start and end of the hour-long battle in the original Iron Chef series.



The gong in Requiem (from Akira) is used after the commercial break before the dishes are presented again and before judgment on Iron Chef's original US-dubbed version.

With the gong in Requiem from Akira, both the Iron Chef and visitor are pictured facing each other.


A cue from Dragon: the Bruce Lee Story is utilized when the members of the week's tasting panel are introduced on Iron Chef, both in its original Japanese version and its pre-2001 US dub.






Michael Nyman's music cues are used to introduce the opposing chefs on Iron Chef (both in its original Japanese version and its original pre-2001 US dub).

Plus, Yoko Kanno's music cues are also used on Iron Chef, including Brain Powerd and the Nobunaga's Ambition series (in its original Japanese version and its pre-2001/post-2001 US dubs).



For Iron Chef's post-2001 US dubbed version, Track 5 of the Backdraft soundtrack replaces Fanfare for the Common Man for the opening gong.



Cues from Romance of the Three Kingdoms V by Takayuki Hattori are on Iron Chef during Chairman Kaga's intro of the opposing chefs (in its Japanese version and its pre-2001/post-2001 US dubs).

Eyewitness News

Eyewitness News, Action News and NewsCentre are the most popular television news formats in the United States and the world, doubling as newscast titles.



The Eyewitness News concept has visual elements and action video, with reporters in the field being known as "eyewitnesses" to an event to the anchor in the studio and the viewer at home.

In addition, Eyewitness News uses banter or happy talk, in which news anchors and others give their personal comments, with simple jokes or a simply modified wording in asking questions.




Conversely, Action News uses a tight format with strict time limits on set packages, a focus on young people and a focus on surrounding outskirts.



Having been a competitor to both Eyewitness News and Action News, NewsCentre doubles as NBC's response to two aforementioned television news formats.




NewsWatch and NewsChannel, besides Eyewitness News, Action News and NewsCentre, are the other television newscast titles.

Pulse is one of the interesting newscast titles.



From 1948 to 1973, John Facenda was WCAU-TV's main news anchor, and for over two decades, his newscasts were the highest-rated in Philadelphia and the Delaware Valley.




Having begun at KYW-TV in Cleveland, the Eyewitness News name was also used by Westinghouse's other television stations for their local newscasts during the 1960's.

After the KYW-TV calls, management and some staffers moved to Philadelphia from Cleveland in the mid-1960's or before 1966, its then-news director Al Primo created the Eyewitness News format.



Even though he had already been around for seven years, Vince Leonard was still KYW-TV's primary news anchor when the Eyewitness News format being created by Al Primo was introduced.

Tom Snyder is a hard-hitting newsman.





With Al Primo's Eyewitness News format, KYW-TV became the ratings leader at the time, displacing longtime leader WCAU-TV.

The huge success of the Eyewitness News format, made by Al Primo for KYW-TV, also spurred rival news executive Mel Kampmann to create Action News for WFIL-TV (now WPVI-TV).

In 1977, with the Action News format, WPVI-TV won the ratings battle over KYW-TV, and has been number one ever since.





Al Primo then took the Eyewitness News concept with him to WABC-TV in New York City, where he perfected/refined the one that he had created while at KYW-TV in Philadelphia.

By perfecting/refining the Eyewitness News format that Al Primo had created, WABC-TV became the ratings leader for the first time in its history, displacing longtime leader WCBS-TV.




McHugh & Hoffman has spread the Eyewitness News concept to many national and local television stations in the United States and the world.

Frank N. Magid Associates has likewise spread the Action News concept to many national and local television stations in the United States and the world.




Lee Hanna, who also worked at WCBS-TV since 1966, created NewsCentre for WNBC.

NewsCentre, created by Lee Hanna for WNBC, featured a futuristic studio set, made in the form of a space-age control room, which Fred Harpman designed.

Fred Harpman's futuristic NewsCentre studio set was a breakthrough look for television news.




Together, Eyewitness News, Action News and Newscentre sound the death knell with the notion that a news anchor simply reads the headlines.




During its last years as an ABC station, WTHR utilized its unconventional local television news format called Eyewitness Newscentre.

For the Eyewitness Newscentre format, WTHR combined the elements made by Al Primo's Eyewitness News format with overtones of the NewsCentre look that NBC stations used.

WTHR's Eyewitness Newscentre concept served as the template for CityPulse.




News music utilizes the rhythm of a teletype machine, Morse code or ticker tape, along with two of the loudest instrumental groups in the Western orchestra: brass and percussion.

In short, news music uses the teletype rhythm, plus the clarion call of lively, piercing tones.




Just before both the Eyewitness News and Action News formats, jaunty marches are the most misused music compositions used in both newsreels and the early stage of television news.

With both the Eyewitness News and Action News formats, news music has a more modern sound.



The practice of using music sourced from films as news themes was introduced by Eyewitness News creator Al Primo.





In addition, jaunty marches are the most misused music compositions ever utilized in both the sports segment of the newsreel industry and sports television's early stage.

Likewise, with Roone Arledge's sports television projects, sports music has a more modern sound.






Some influences for modern news music since the advent of the Eyewitness News, Action News and NewsCentre formats include John Barry, Lalo Schifrin and John Williams.




An action-adventure cue from the James Bond series by John Barry is used for Al Primo's Eyewitness News format by Group W/non-Group W stations, fittingly using the teletype rhythm.

The Tar Sequence, a music cue coming from Cool Hand Luke by Lalo Schifrin, is used for Al Primo's Eyewitness News format for ABC/non-ABC stations, fittingly using the teletype rhythm as well.





Dawn Raid on Fort Knox, a music cue from the James Bond film Goldfinger by John Barry, is being utilized as a news theme, fittingly using the teletype rhythm.







The Mission is an orchestral suite composed by world-famous Hollywood film music composer John Williams as a television news music package for NBC News.

Having consisted of four movements, John Williams' work in The Mission, an orchestral news music package commissioned for NBC News, changed the news music sound.

CityTV

CityTV is a Canadian television service. Since its September 1972 launch, it has changed the television landscape forever with its unconventional format geared towards youths.



The British Broadcasting Corporation (BBC) is the oldest and largest broadcaster in the world, both by stature and by employees.

Having been a world-renowned broadcaster, the BBC has also been a trusted news source.




Electric and Musical Industries (EMI) is also one of the industrial forces in the world.

From its 1930's inception to its 2010's demise, EMI has been particularly involved in music, as well as television, film and leisure.




Standard Oil (Esso), Exxon, Mobil and Texaco are some oil and gas companies.





General Electric (GE) and the Radio Corporation of America (RCA) are also multinational forces.

Both GE and RCA are innovators and leaders in both electronics and telecommunications in the United States for many years.




Paramount Pictures Corporation is one of America's Big Five film studios, doubling as a multinational empire.

Universal Pictures, Columbia Pictures and United Artists (UA) are the Little Three US film studios.



Integrated Electronics (Intel), Advanced Micro Devices, Inc. (AMD) and Sun Microsystems are some technology companies.




Sony, Panasonic, Nintendo, Nissan, Mitsubishi, Nikon, Toshiba, Bandai Namco and Ikegami are some Japanese multinational companies.

Lucky-Goldstar (LG), Samsung and Hyundai are some multinational empires based in South Korea.




The Hongkong and Shanghai Banking Corporation (HSBC) is one of the companies in Hong Kong.

Acer, ASUS, Evergreen, High Tech Computer Corporation (HTC), D-Link and Foxconn are Taiwanese multinational corporations.

Creative Technology and DBS are multinational companies based in Singapore.



Rediffusion, British Electric Traction (BET) and Granada are industrial forces in the British Isles.

News Corporation and Australian Consolidated Press (ACP) are companies with Australian roots.




Associated British Picture Corporation (ABPC) and Hammer Film Productions are some of the former British film studios.





For many years, three broadcasters in the United States have also been the largest and most distributed broadcasters in the world, known collectively as the Big Three, doubling as production companies.

Like the BBC, these Big Three networks are media empires well-respected for innovation, quality and value.



Programs which are made and produced especially for the English-language television networks in the United States are the most widely-syndicated overseas.




The National Broadcasting Company (NBC) is the oldest Big Three broadcaster in the United States.

Having been the first (and oldest) of the major Big Three broadcast networks in the United States since 1926, NBC was divided into two networks: Red and Blue.

The NBC Red Network carried sponsored broadcasts, in particular entertainment and music, whilst the NBC Blue Network carried non-sponsored programs, especially news and culture.





The American Broadcasting Company (ABC) is likewise innovative.

Spun off from the NBC Blue Network, ABC has been a media empire well-respected for innovation, quality and value, like both the BBC and NBC networks.



United Independent Broadcasters, besides NBC and ABC, is one of the traditional American Big Three broadcasters.

The Columbia Broadcasting System (CBS) is the current name for United Independent Broadcasters.



Like the BBC, NBC and ABC networks, CBS has been a media empire well-respected for innovation, quality and value.

NBC appeals to big city markets, CBS belongs to older rual areas.





NBC News, CBS News and ABC News are the news divisions of the Big Three broadcasters.

The CBS Evening News, NBC Nightly News and ABC World News Tonight are the flagship news programs on American television.



Hear It Now and its television version See It Now are the forerunners of the current affairs genre.

60 Minutes, 20/20 and Dateline NBC are the flagship weekly newsmagazines on American television.





Today and Good Morning America are two of the three main American morning news programs.

Meet The Press, Face The Nation and This Week are the flagship weekly news/discussion programs on American television.


Eyewitness News, Action News and NewsCentre are the most popular television news formats in the United States and the world, doubling as newscast titles.



The Eyewitness News concept has visual elements and action video, with reporters in the field being known as "eyewitnesses" to an event to the anchor in the studio and the viewer at home.

In addition, Eyewitness News uses banter or happy talk, in which news anchors and others give their personal comments, with simple jokes or a simply modified wording in asking questions.




Conversely, Action News uses a tight format with strict time limits on set packages, a focus on young people and a focus on surrounding outskirts.



Having been a competitor to both Eyewitness News and Action News, NewsCentre doubles as NBC's response to two aforementioned television news formats.




NewsWatch and NewsChannel, besides Eyewitness News, Action News and NewsCentre, are the other television newscast titles.

Pulse is one of the interesting newscast titles.




WNBC, WCBS, WABC, WNYW, WOR and WPIX are the local broadcast stations in the United States influencing broadcast presentation.

KNBC, KCBS, KTLA, WMAQ, WBBM, WLS and WGN are some other local broadcast outlets in the United States influencing broadcast presentation.





New York City and Los Angeles serve as the main locations of both the East Coast and the West Coast operations of the NBC, CBS and ABC networks, but also endure many radio and television firsts.

Chicago is the main location of the Midwest operations of the NBC, CBS and ABC networks, but also endures other radio and television firsts.




KYW, WCAU, WPVI, WRC, WUSA, WJLA, WTTG, KDKA, WRGB and WTEN are the other local broadcast stations in the US influencing braodcast presentation.

Philadelphia, Washington and Albany (aside from New York, Los Angeles and Chicago) are the other locations for broadcast innovations.



WTBS, WTVJ, WSVN, WFOR, WKYC, WEWS, WJW, KSTP, WCCO, WLW and WTHR are some other local broadcast stations in the United States influencing broadcast presentation.




Atlanta, Miami-Fort Lauderdale, Cleveland, Minneapolis, Cincinnati and Indianapolis are some of the other places for broadcast innovations.




WIS, WSAZ and WCSC are the other stations influencing broadcast presentation.

Columbia, Huntington-Charleston and Charleston are some small and mid-sized cities in the United States having a television station using the large-market quality.





National Educational Television (NET) is a rival of the Big Three networks in the United States.

The Public Broadcasting Service (PBS) is the present name for NET.




WNET, WETA, WGBH, KCET, WTTW, WPBT, WQED, KQED and KTCA are some of the member stations of both NET and PBS.




The Army & Air Force Exchange Service (AAFES) provides goods and services at US Army and Air Force installations around the world.






Broadcast stations in the US utilize calls that begin with a W and a K; W limited to stations east of the Mississippi River and K to stations west of the river; calls have either three or four letters.

In addition, some stations with W call letters are in a section of the US now being issued K calls.





Local stations of the Big Three networks in the United States, such as both NBC and CBS, have their current and former studios in the downtown core of a US city.

The Federal Communications Commission (FCC) regulates all broadcast and media assets in the US.





WJM-TV is one of the fictional television stations.



Home Box Office (HBO) is a trailblazer in cable television since its debut in 1972.

Blending theatrically-released motion pictures with sports and specials, HBO is the oldest subscription television service in the United States.

Plus, HBO is the first ever television network to send its programming to cable systems nationwide via satellite, rather than microwave, paving the way for others adopting satellite transmission.




MTV: Music Television is the world's first 24-hour single-genre television channel with music as its primary theme.



The MTV style is a visual form that emerged during the music video boom.

A cinematic style being characterized by fast-paced non-linear editing, changes in camera angles and a slick, glossy and sexy visual look, the MTV style applies to films, television and commercials.



SuperstationWTBS is WTBS' national version, launching basic cable television.

Cable News Network (CNN) is the first ever 24-hour single-genre television service in the world with news as its main theme, but also a sister channel to SuperstationWTBS.



The CNN effect is a theory of television news.

For the CNN effect, global television services, in their ability to provide live 24-hour television news coverage from around the world, play a role in deciding the actions and outcomes of events.




Headline News is CNN's spin-off channel.

While CNN blends newscasts with specialized topical and feature programs, Headline News formerly strictly focused on rolling news coverage, featuring half-hour newscasts 24 hours a day.






ESPN is the world's first ever 24-hour single-genre television service with sports as its main theme.



Nickelodeon and Cartoon Network are two of the three children's television channels.

Food Network is a cable television service with food as its main theme.



Game Show Network is a cable television service with game shows as its main theme.




Metromedia, Capital Cities Communications, Tribune Broadcasting and Paramount Stations Group are some former media empires.

Combined Communications Corporation and Multimedia, Inc. are likewise former media empires.




Silver King Broadcasting, Media General, Nationwide Communications and Freedom Newspapers are also former media empires.






The National Football League (NFL) is one of the five major sports leagues in North America.



Having been America's most popular sports league, the NFL is also the world's wealthiest professional sports league by revenue, and the league with the most vaulable teams.

Plus, the NFL has the highest average attendance of any pro sports league in the world.





Sundays are when most NFL games are being played, with a Monday night game usually held once a week at least, and Thursday night games on most weeks as well.



The Super Bowl is the NFL's annual league championship game, and since 1966, it has been the final game of each and every NFL season.

Frequently known as the Big Game or other generic terms, the Super Bowl is one of the world's most popular annual sporting events ever.

Plus, the Super Bowl is held on a Sunday, also known as Super Bowl Sunday or Super Sunday.



Commercial airtime for the Super Bowl is the most expensive of the year due to the high viewership, leading to companies regularly developing their most expensive ads for the broadcast.

As a matter of fact, commercial viewership is an integral part of the Super Bowl.





Ever since its inception, the Super Bowl has been not just a game, but a national holiday.

Super Bowl Sunday is a uniquely American holiday tradition bringing people together, like friends, to bond over their love of gridiron football, laugh at commercials and sing along at halftime.


NFL Films is the film and television division of the NFL, known for its distinctive cinematic style.



The National Hockey League (NHL), the National Basketball Association (NBA) and Major League Baseball are the other major sports leagues in North America, besides the NFL.




Independent Television (ITV) is the BBC's main television competitor.

Unlike the BBC's national television services, all of which have no advertising revenues, ITV utilizes commercials.


Just like the iconic broadcasters coming from core Anglophone nations, ITV has been a media empire known for innovation, quality and value.





Associated-Rediffusion (later known as Rediffusion London), Associated Television (ATV), Granada Television and ABC Weekend Television are the Big Four ITV franchises until the 1960's.

Thames Television, London Weekend Television (LWT), ATV, Granada and Yorkshire Television are franchises of the ITV network making up the Big Five from the late-1960's to the early-1980's.

Central Independent Television joins Thames, LWT, Granada and Yorkshire in ITV's Big Five group from the early-1980's to the early-1990's.






Raidió Teilifís Éireann (RTÉ) is Ireland's national public broadcaster.

Like the famous broadcasters from core Anglophone nations, RTÉ has been a media empire known for innovation, quality and value.




The Office of Communications (Ofcom) regulates broadcasting in the United Kingdom.




Coimisiun na Mean, which is English as Media Commission, regulates broadcasting in Ireland.

The Broadcasting Authority of Ireland had regulated Irish broadcasting from 2009 to the mid-2020's.





BBC News and Independent Television News (ITN) are the news divisions of both the BBC and ITV.



Specifically-produced programs for television services throughout the British Isles are also some of the most widely-syndicated overseas like the United States.



The Canadian Broadcasting Corporation (CBC) is a Crown corporation doubling as the national public broadcaster in Canada, officially related to the worldwide BBC system.

Ever since its inception in 1936, the CBC has had an influence on Canadian culture.



Société Radio-Canada (SRC) is the name of the CBC's French-language answer.



Like the broadcasters from core Anglophone nations, the CBC has been a media empire renowned for innovation, quality and value.



The CTV Television Network and the Global Television Network are the CBC's main television rivals.




Most radio and television stations in Canada utilize four-letter call signs; three-letter calls are for CBC Radio stations or commercial stations earning three-letter calls before rules are adopted.


CBC News and CTV News are the news divisions of both the CBC and CTV; CBC Sports is the CBC's sports division.




The National and The CTV National News are the flagship television news programs in Canada.

Hockey Night in Canada provides Saturday night NHL games to both radio and television.





Five-letter calls are for CBC transmitters, either rebroadcasters or assets being owned-and-operated by Télévision de Radio-Canada outside Quebec.

Call signs for stations held by the CBC use the letters CB, including television, where the CB-(-)T call letters are used.






In addition, the television stations of both the CBC and CTV networks have current and former studios being located in a city's downtown core.



CBLT, CFTO, CHCH, CHAN, CIII, CKND, CITY, CJOH, CFCN, CFRN, CITV and CJON are some broadcast stations in Canada influencing broadcast presentation.




The Canadian Radio-television and Telecommunications Commission (CRTC) regulates all broadcast outlets in Canada.





British Columbia Television (BCTV) is the official former brand for CHAN-TV from 1973 to 2001.




Specifically-produced programs for the Anglo-Canadian television networks are also some of the most widely-syndicated overseas.





Office de Radiodiffusion-Télévision Française (ORTF) and Radiodiffusion-Télévision Française (RTF) formerly served as France's national public broadcasters.



Télévision Française 1 (TF1) and France Télévisions are France's main television broadcasters.

Antenne 2 (A2) and France Régions 3 (FR3) are French television broadcasters that began in January 1975, and merged in the early-1990's or before 1993 to form France Télévisions.





Canal Plus (Canal+) is a trailblazer in European television.



Institut National de l'Audiovisuel (INA) saves archives involving television in France.

Télédiffusion de France (TDF) provides radio and television transmission in France.






Radio Audizioni Italiane (RAI), which is also known as Rai - Radiotelevisione Italiana, is the national public broadcaster in Italy.

Mediaset is Italy's largest commercial broadcaster and Rai's most frequent competitor.





ARD is a joint corporation of Germany's regional public service broadcasters.



Zweites Deutsches Fernsehen (ZDF) is ARD's television rival.

Unlike ARD, which is a regionally-organized public broadcasting organization, and has its roots in the radio business, ZDF is a centrally-organized service devoted solely to television.



The Swiss Broadcasting Corporation (SRG SSR) and Oesterreichischer Rundfunk (ORF), besides both ARD and ZDF, are the public broadcasters in the DACH region.


Programs specifically-produced for television services all over the DACH region are some of the most widely-syndicated overseas like the US, Canada, the UK, Ireland and Australasia.




Nederlandese Omroep Stichting (NOS) is one of the organizations which make up the Dutch public broadcasting system.

Until the early-21st century, the Dutch public broadcasting system was managed by NOS.






Belgische Radio-Televisie (BRT) and Radio Télévision Belge Francophone (RTBF) are the other main public broadcasters in the Benelux region.





Sveriges Television (SVT), Danmarks Radio (DR), NRK and Yleisradio (YLE) are all officially similar and related to the BBC.




Nippon Hoso Kyokai (NHK), similar and related to the BBC, is Japan's public broadcaster.

Fuji Television (Fuji TV), Nippon Television (NTV), TV Asahi, TV Tokyo and Tokyo Broadcasting System (TBS) are commercial television networks in Japan.



The Korean Broadcasting System (KBS) and Munwha Broadcasting Corporation (MBC) are major broadcasters in South Korea.





Channel Seven, Channel Nine and Network Ten are three of the metropolitan television networks in Australia.

WIN Television, Prime Television and Southern Cross are Australia's regional television services.



The Seven Network, the National Nine Network and the Nine Network are some of the other names for both Channel Seven and Channel Nine.



For years, the Seven Network, the National Nine Network and Network Ten have had historic alliances with the Big Three broadcasters in the United States:

  • Seven = NBC
  • Nine = ABC
  • Ten = CBS


During the 1980's and the 1990's, the National Nine Network also had an alliance with CBS.


The Australian Broadcasting Corporation (ABC), officially similar and related to the worldwide BBC system, is the national public broadcaster in Australia.

Ever since its inception in the 1930's, the ABC has had an influence on Australian culture.




Until the 1980's, the ABC was known as the Australian Broadcasting Commission.



Like the famous broadcasters from core Anglophone nations, the ABC has been a media empire that is renowned for innovation, quality and value.



Many calls for Australia's commercial television stations begin with the first two letters chosen by the licensee, while the third one often indicates the state or territory in which the station is located.




Television New Zealand (TVNZ), related to the BBC, is New Zealand's national public television broadcaster.

Radio New Zealand (RNZ) is the radio answer to Television New Zealand (TVNZ).



Specifically-produced programs for television services coming down under are also some of the most widely-syndicated overseas like the United States, the British Isles and Canada.




Televisa (est. 1973) is likewise one of the world's most successful media empires, but also the largest television production company catering to Spanish speakers around the world.





El Canal de las Estrellas, Canal 5 and Canal 9 are Televisa's national television services.

Univision, which Televisa has also ran, is the largest and most successful Spanish-language television broadcaster in the United States.

Spanish International Network (SIN) is the former name for Univision.




24 Horas is the longest-running and most-watched news program on Mexican television.



Noticiero Univision is Univision's flagship news program.

Aqui y Ahora and Primer Impacto are the newsmagazine programs on Univision.



TV Azteca (est. 1993) is the largest and most successful competitor to Televisa, also catering to Spanish speakers around the world.

Azteca 13 and Azteca 7 are TV Azteca's national television services.





NBC forged a commercial alliance and content deal with TV Azteca in the mid-1990's.




Radio and television stations all across Mexico utilize call letters having three four or five letters.

XEW, XHGC, XHTV, XEQ, XHTM, XHDF, XHIMT are local broadcast stations in Mexico.




WKAQ-TV, WAPA-TV and WLII are some of the primary television stations in Puerto Rico.

Telemundo is the brand name for WKAQ-TV, Televicentro for WAPA and TeleOnce for WLII.


NetSpan is Telemundo's former name when it began in the United States in 1984.



América 2, Canal 7, Canal 9, Telefe and Canal 13 are the primary television services in Argentina.



Venevisión is the oldest television service in Venezuela.

Universidad Católica de Chile Televisión (UCTV/Canal 13), Televisión Nacional de Chile (TVN), Megavisión and Chilevisión (CHV) are some of the main television services in Chile.



Cadena Radial Colombiana (Caracol) and Radio Cadena Nacional (RCN) are the private television broadcasters in Colombia, doubling as production companies.

Radio Televisión Interamericana, usually RTI Colombia, is also a Colombian television production company, on par with both Caracol and RCN.





Like Televisa, TV Azteca, Univision, Venevisión, Telemundo and many others, Caracol, RCN and RTI Colombia also endure a worldwide presence for Spanish speakers.





Inravisión, which stands for the Instituto de Radio y Televisión, served as Colombia's former national public broadcaster for 4 decades from the 1960's to before 2005.

Panamericana Televisión, América Televisión, Frecuencia 2, Andina de Televisión (ATV) and Global Televisión are the largest commercial television broadcasters in Peru.






Specifically-produced programs for television broadcasters in Hispanic countries are some of the most widely-syndicated overseas like core Anglophone nations.



Jugoslavenska Radio-Televizija (JRT), which is translated into the English language as Yugoslav Radio Television, includes 8 subnational radio and television broadcast centres.




Télé-Liban is the main public broadcaster in Lebanon.

Compagnie Libanaise de Télévision (CLT) and Télé-Orient are the former private television stations in Lebanon which merged in 1977 to form Télé-Liban.



Future Television and the Lebanese Broadcasting Corporation International (LBCI)


The South African Broadcasting Corporation (SABC) is South Africa's public broadcaster, officially related to the BBC.

Electronic Media Network (M-Net) is South Africa's leading pay television service.






Radio Television Luxembourg (RTL) is one of the oldest privately-run television stations in Europe.

Compagnie Luxembourgeoise de Télédiffusion (CLT) is the company running RTL.







Alto Broadcasting System (ABS) and Chronicle Broadcasting Network (CBN) are two of the Filipino broadcasters that merged to form ABS-CBN in the late-1960's.

Having been the dominant media empire in the Philippines, ABS-CBN also spans the globe.



Global Media Arts (GMA) or GMA Network, which is ABS-CBN's rival, spans the globe likewise.






Many call signs starting with DW and DZ represent all stations in Metro Manila and parts of Luzon.

Plus, call signs starting with DY represent all outlets in the Visayas, and portions of both Palawan and Masbate, while calls beginning with DX represent all stations in Mindanao.




The National Telecommunications Commission (NTC) regulates broadcasting in the Philippines.

Like the FCC and the CRTC, the NTC is a broadcast regulator.





Asia Television Limited (ATV) and Television Broadcasts Limited (TVB) are two of the flagship and primary television services in Hong Kong.





Taiwan Television (TTV), China Television (CTV) and the Chinese Television System (CTS) are the primary television broadcasters in Taiwan.

MediaCorp is Singapore's main broadcaster.







Channels 3, 5 and 7, Modernine TV, National Broadcasting Services of Thailand (NBT) and the Thai Public Broadcasting Service (Thai PBS) are six of Thailand's main television services.






Wheel of Fortune, Jeopardy!, Survivor, The Apprentice, Idols, The Tonight Show, Saturday Night Live, Star Trek, Miami Vice and Iron Chef are some non-news franchises on television.

Dragon's Den and The Real World are also non-news franchises.




The European Broadcasting Union (EBU) is the world's leading public service media alliance.

L'Union Européenne de Radio-Télévision (UER) is the French name for the European Broadcasting Union.





Since its establishment in 1950, the EBU/UER has believed in unity, solidarity and collaboration.

During the Cold War, the EBU/UER simply comprised broadcasters from Western Europe, such as the BBC, ORTF, Antenne 2, FR3, RAI, ARD, ZDF, SRG SSR, ORF, NOS, BRT, RTBF and JRT.

Yugoslavia was the sole socialist nation among the founding members of the EBU/UER.



Eurovision (est. 1954) is the television network of the EBU/UER, whose goal is to share and produce television programs across Europe.




Organisation Internationale de Radiodiffusion et de Télévision (OIRT) positioned itself as the Eastern Bloc's response to the EBU/UER during most of the Cold War period.

January 1, 1993 was when this OIRT group merged with the EBU/UER and all of the OIRT members across Eastern Europe were being transferred to the EBU/UER.




Intervision, the television network of this OIRT group, was the Eastern Bloc's response to Eurovision during the Cold War.

Both Eurovision and Intervision merged in 1993 as well.



La Organización de Telecomunicaciones de Iberoamérica (OTI) is the Ibero-American response to the EBU/UER.




The BBC World Service is the international service of the BBC.

Having been the world's largest external broadcaster in terms of reception area, language selection and audience reach, the BBC World Service reports the news from a pro-British perspective.




CNN International is CNN's worldwide version.

With CNN being one of the largest news organizations in the world, CNN International is the leading international news channel in viewership.

Reporting the news from a pro-American perspective, CNN International is seen around the world.



Deutsche Welle (DW) is a state-owned international broadcaster from Germany.

Funded by federal law, Deutsche Welle has always maintained its editorial independence.



Euronews is a television channel, reporting the news from a pro-European perspective.

Channel NewsAsia is an English-language television news channel from MediaCorp and an Asian alternative to Western-based international media.





The American Forces Radio and Television Service (AFRTS) is a body to provide radio and television services to American military personnel around the world.

With many of its stations in countries around the world where English is not a language, AFRTS is the most successful ambassador for the American way of life in the post-WWII era.



The American Forces Network (AFN) is the operational arm of AFRTS.

For years, US foreigners (and citizens all across the world) used AFN as an alternative to the national public broadcasters since US culture was rare in the early stages of the post-WWII era.



Newscasts via AFRTS are compiled from American networks, wired services and other sources.





The British Forces Broadcasting Service (BFBS) is AFN's British answer.

Like AFN, BFBS offers programs to British military personnel worldwide.



With many of its stations in nations across the globe where English is not a language, BFBS is the most successful ambassador for the British way of life in the post-WWII era.

The Services Sound and Vision Corporation (SSVC) had run BFBS.



Rundfunk im amerikanischen Sektor (RIAS) joins both AFN and BFBS.

Central European Media Enterprises (CME) is a media empire that introduces Western-style (Western European and American) principles to the Eastern Bloc.






RCA Records, Capitol Records, Columbia Records, Atlantic Records, Zomba, Arista, Jive and Fable Music are some iconic music labels.

Commodore and Compagnie Générale de la Télégraphie Sans Fil (CSF) are industrial forces.




The New York Times, the Washington Post, the Los Angeles Times, the Chicago Tribune, the Chicago Sun-Times and the Detroit News are US newspapers.

Playboy, Time, Life and Newsweek are world-famous magazines.



Dalmo-Victor is a technological empire.

Ampex, which is a spin-off of the Dalmo-Victor company, is known around the world as an iconic and famous technological innovator.


Industrial Light and Magic (ILM) is one of the best visual effects companies in the world.



Quantel, Discreet, Autodesk and Adobe are high-end motion graphics forces.

Alias, Wavefront, Softimage, Maya, LightWave 3D, 3D Studio Max, Blender and Cinema 4D are some software creating 3D computer graphics.




Silicon Graphics, Inc. (SGI) is a former high-end/high-performance computing manufactuer.

Discreet's Inferno, Flame and Flint products are high-end compositiing and visual effects apps.



Pacific Data Images (PDI) and Pixar Animation Studios are some of the iconic 3D computer graphics firms in the world.

The New York Institute of Technology (NYIT), the University of Utah and the Ohio State University (OSU) are world-famous educational institutions.




WPP, Publicis, Omnicon and IPG are the world-famous Big Four agency companies.





The Olympic Games and the FIFA World Cup are the world's leading international sporting events.




Revived in 1896 after a long absence of the ancient Olympics, the modern Olympics have summer and winter sports competitions; they foster international cooperation and cultural exchange.

Hosting the Olympics can also bring significant economic benefits and issues to the host city, affecting infrastructure, tourism and local communities.





Every two years, the Olympics and its media exposure offers athletes their chance to earn national and international fame.

Plus, the Olympics provide an opportunity for the host city and country to showcase themselves to the world.




Meanwhile, the FIFA World Cup has been the most prestigous association football competition in the world, but also the world's most widely watched and followed sporting event.

Since 1930, the FIFA World Cup has generated economic growth and investment in a nation, but also positive social change.



The Eurovision Song Contest (ESC) is the flagship event of the EBU/UER.

Having been an annual television tradition since the 1950's, the Eurovision Song Contest is one of the world's most popular non-sporting events ever, attracting more viewers than the Super Bowl.





NTSC, PAL and SECAM are colour television standards.

Both PAL and SECAM have 625 lines, a hundred lines more than NTSC; PAL uses 50 frame rates per second, while NTSC has 60.



PAMS, JAM Creative Productions, TM Studios, Score Productions, Tuesday Productions, Telesound, HLC/Killer Music, Not Just Jingles (NJJ) and VideoHelper are some jingle houses.





Television by Design (TVbD), jcbD, DESIGNefx, Novocom/GRFX and Pittard Sullivan are just some high-end broadcast graphics firms in the United States.

Lambie-Nairn is one of the British-based motion graphics firms having a worldwide presence.




On/Off Productions, Velvet mediendesign, Ostra Delta and View are some of the high-end motion graphics firms based in mainland Europe.

Cuppa Coffee Studios and Big Studios are some high-end motion graphics firms in Canada.





The Video Paint Brush Company, Animal Logic, Zero Plus, Conja, Centro Digital Pictures, Fat Lizard, Critica and Mojo are high-end motion graphics firms in Asia.





Associated Production Music (APM), Universal Production Music, 5 Alarm Music, Current Music and Nichion are stock music distributors.

Promusic, TRF Music and MusiCues Corporation are defunct stock music distributors.




Westwood Village Memorial Park is the final resting place for many famous Hollywood stars.



The Hollywood Studio Symphony is the credited name of the symphony orchestra behind many major soundtracks.

Although the Hollywood Studio Symphony title would make listeners believe that it is something of a traditional symphony orchestra, its members are session musicians in Los Angeles.




Van Nuys High School and University High School (Uni) are schools.





CityTV began its operations in September 1972 with a commitment and a vision to provide Canadian teenagers and young adults with many unconventional programs.





Marilyn Monroe (1926-1962) is one of the most famous, regarded and influential pop culture and sex symbols in history, but also a legendary and an unconventional figure in beauty and fashion.

Having been a pop culture and sex icon, Marilyn Monroe influences the world in many ways.



The iconic and world-famous trends of Marilyn Monroe include platinum blonde hair in curls, full red lips, alabaster skin, blue eyes and a curvaceous figure.

Plus, Marilyn Monroe's speaking and singing voice has a soft, smooth, breathy and velvety tone.




Charisma, charm, beauty, glamour, grace, class, courage, youth, wit and sex appeal, among others, are some enduring qualities that have made Marilyn Monroe an iconic sex symbol.

Furthermore, Marilyn Monroe also exudes sex, rebellion and the post-WWII American experience.



June 1, 1926 was when Marilyn Monroe was born, making her a Gemini.



Marilyn Monroe breaks taboos around sexuality, but is also sexually exploited by the industry.

In addition, Marilyn Monroe's life is also marked by tragedy, including mental health issues, substance abuse and marriage collapses.





While her legacy is complex and problematic in some ways, Marilyn Monroe is still considered a good role model for young women.

Los Angeles and New York are two cities in which Marilyn Monroe lives and spends her life.






From her humble beginnings as a small-town girl, Marilyn Monroe has become a world-famous star.

Even without an Academy Award, Marilyn Monroe's status as a pop culture and sex symbol stems from her powerful image, performances, and lasting influence on fashion, beauty and self-expression.

In short, Marilyn Monroe has had a profound impact on pop culture.




Norma Jeane Mortenson and Norma Jeane Baker are the real names for Marilyn Monroe.

The Blonde Bombshell and MM are some of Marilyn Monroe's nicknames.



James Dean (1930's-1950's) is also a famous, regarded and influential pop culture and sex symbol in history, like Marilyn Monroe.

As one of the first teen idols, James Dean is also a rebel helping to shape youth culture.



The iconic James Dean trademarks include his light brown hair greased black, his impulsive emotional acting style and his squinty, sleepy blue eyes.

Like Marilyn Monroe, James Dean exudes sex, rebellion and the post-WWII American experience.





In addition, James Dean uses qualities in common with Marilyn Monroe, among which are charisma, charm, grace, class, courage, youth, wit and sex appeal.

Having been cool, James Dean is also hot, sexy, sultry and gorgeous.



Generally a positive figure in pop culture, James Dean is also a role model for youth and boys/men.

James Dean has had a profound impact on pop culture, influencing fashion, acting and others.




Elvis Presley (1930's-1977) is also a pop culture icon, like both Marilyn Monroe and James Dean.

Like both Marilyn Monroe and James Dean, Elvis Presley has had a profound impact on Western pop culture, influencing fashion, acting and music, being known as the "King of Rock and Roll."



Using his charisma, charm and rebellious spirit, Elvis Presley electrifies America with his soulful voice.






The Beatles are the best-known and most successful and influential British rock music band.

John Lennon (d. 1980), Paul McCartney (b. 1942), Ringo Starr and George Harrison (d. 2001) are the core members of The Beatles.




Making its arrival in the United States in the mid-1960's, The Beatles have had a profound impact on pop culture, influencing fashion, music styles and social trends.

For example, The Beatles contributed to the album earning dominance in record consumption, rather than singles.

Liverpool is the base for The Beatles.







The Rolling Stones are the most fierce competitors of The Beatles.

Mick Jagger and Keith Richards (b. 1942) are the sole original core members of The Rolling Stones.





Jesus Christ, Cleopatra (69 BC-30 BC), Napoleon and Joan of Arc (b. circa 1412) are historic icons.

Leonardo da Vinci (b. 1450's), Raphael (b. 1480's), Vincent van Gogh (d. 1890), Michelangelo, Pablo Picasso (d. 1973) and Donatello (b. circa 1386) are artists.

William Shakespeare and Charles Dickens (b. 1812) are famous writers in the English language.






Aretha Franklin (1942-2010's) is also a pop culture icon, as are Marilyn Monroe, James Dean, Elvis Presley and The Beatles.



Having been one of the most famous singers of the 20th century and beyond, Aretha Franklin is also a trailblazing music icon in both the 20th and the 21st centuries.

With her soulful mezzo-soprano singing voice, her four-octave vocal range and her iconic hits, Aretha Franklin, known as the "Queen of Soul," has had a profound impact on pop culture.





By coincidence, both Elvis Presley and Aretha Frankin have connections to Memphis and died on the sixteenth of August, but are also integral to American pop culture.

Plus, both Elvis Presley and Aretha Frankin are among the greatest voices in modern music history.



Etta James (1938-2010's) is likewise a pop culture icon, as are Marilyn Monroe, James Dean, Elvis Presley, The Beatles and Aretha Franklin.




James Brown (b. 1933), Marvin Gaye (1930's-1984) and Stevie Wonder (b. 1950) are likewise black music trailblazers.

Sam Cooke (1930's-1960's) and Otis Redding (1941-1960's) are also black music trailblazers.





Dionne Warwick, Dee Dee Warwick (1942-2020) and Cissy Houston (1933-2020's) are likewise black women shaping American music.

Roberta Flack (1937-2025) Chaka Khan (b. 1953) and Gladys Knight are also black trailblazers.




Having been a backup singer for Aretha Franklin and Elvis Presley, both of whom have connections to Memphis, Cissy Houston has a soulful voice.



Christopher Columbus (b. 1450's), John Cabot (1450's-1490's), Jacques Cartier (b. 1490's), Amerigo Vespucci (b. 1454), Samuel de Champlain and James Cook (b. 1720's) are also explorers.

Ferdinand Magellan (b. 1480), Henry Hudson, Abel Tasman and Pedro Alvares Carbral are likewise explorers.



Jean Harlow (d. 1937) is Hollywood's first blonde bombshell and a sex symbol of the 1930's.




Some Jean Harlow trends are her bleached blonde hair, her dark lips, her skinny eyebrows, etc.

Enduring qualities making Jean Harlow a sex icon include wit, beauty, sex appeal, etc.



Known as the "Laughing Vamp," Jean Harlow's image and influence on Hollywood's blonde bombshell archetype, despite her short career, continues to endure.

Plus, Jean Harlow is a childhood idol of Marilyn Monroe, who later emulated the earlier's image.







Danny Thomas (1912-1990's) is one of the Americans having Lebanese ancestry,




Clark Gable (1901-1960) is also a Hollywood symbol, having worked with the likes of both Marilyn Monroe and Jean Harlow in their last films.

Loretta Young (b. 1913) is also a Hollywood icon, whose partner Clark Gable had worked with both Marilyn Monroe and Jean Harlow in their last films.





Milton Berle (1900's-2002), Lucille Ball (d. 1989) and Desi Arnaz (1917-1986) are notable television trailblazers.

Dave Garroway (1913-1980's), Ralph Edwards (1913-2005) and Bob Barker (1920's-2020's) are also television trailblazers.





Betty White (1920's-2021), Mary Tyler Moore (1936-2017), Marlo Thomas (b. 1937) and Diahaan Caroll (1930's-2010's) are television's other trailblazing women.






Stephen J. Cannell (1941-2010), Glen A. Larson (1937-2014), Steven Bochco (d. 2010's), Anthony Yerkovich and Michael Mann are television's creative masters.





Michael Jackson (1950's-2009) is also a pop culture icon, as are Marilyn Monroe, James Dean, Elvis Presley, The Beatles and Aretha Franklin.




Being the King of Pop, some of Michael Jackson's enduring qualities include charisma, charm, energy, youth, wit and sex appeal, among others.

Plus, Michael Jackson has popularized and expanded the music video art form through MTV.





In short, Michael Jackson has had a profound impact on pop culture, influencing fashion, acting and music.




Madonna (b. 1950's) is likewise a pop culture icon, as are Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin and Michael Jackson.

Usuallly known as the Queen of Pop, Madonna has popularized crop tops in music videos.




One of the most enduring inspirations for Madonna is Marilyn Monroe.


Glen Campbell (1936-2017) and Leon Russell (1942-2010's) are likewise pop culture icons.




Whitney Houston (1960's-2010's), Mariah Carey (b. 1969) and Celine Dion (b. 1960's) are pop culture icons as well, like Marilyn Monroe, James Dean, Elvis Presley, The Beatles and Aretha Franklin.




Some of the trademarks of Whitney Houston include her beautiful smile and her powerful and soulful rhythm & blues-indebted mezzo-soprano vocals.





Oversinging is a trend aimed at vocal styles dominating the music they are performed in.

Riffs, runs, melisma and belting are some vocal styles most frequently associated with the oversinging trend, all which Whitney Houston popularized.

In addition, Whitney Houston further popularized the trope called "big voice, little woman," which her honorary aunt Aretha Franklin, a close friend of her mother Cissy Houston, also used.





Charisma and charm are some of Whitney Houston's enduring qualities.

Having been Cissy Houston's daughter, Whitney Houston has had a profound impact on pop culture, influencing fashion and music.





Mariah Carey has her unique singing voice that features her five-octave vocal range, her melismatic singing style and her signature use of the whistle register, among others.

Known as the "Songbird Supreme," Mariah Carey has had a profound impact on pop culture.



Hailing from Canada, Celine Dion is a master of the power ballad genre.



Whitney Houston, Mariah Carey and Celine Dion are frequently regarded as the Vocal Trinity for their powerful, emotive and soulful singing voices and significant impact on the music industry.



Selena (d. 1990's) is likewise a pop culture icon, like Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin, Whitney Houston, Mariah Carey and Celine Dion.



Brigitte Bardot (b. 1930's) and Sophia Loren (b. 1930's) are European sex symbols.

While Brigitte Bardot uses a youthful, playful French nymphette image, Sophia Loren uses her sophisicated and glamorous image.




Together, both Brigitte Bardot and Sophia Loren embody the sexual freedom overturning the strict and old-fashioned morality of the 1950's.

Plus, the sultriness and beauty of both Brigitte Bardot and Sophia Loren shake the Western world.



Farrah Fawcett (d. 2009) is also a pop culture and sex icon, as are Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin, Whitney Houston, Mariah Carey and Celine Dion.

Some Farrah Fawcett trademarks include her wide smile, her blue eyes and her winged blonde hair.






The Spice Girls are likewise pop culture icons, like Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin, Whitney Houston, Mariah Carey and Celine Dion.






Geri Halliwell (b. 1972), Victoria Beckham (b. 1974), Emma Bunton, Melanie Chisholm (b. 1974) and Melanie Brown (b. 1975) are members of The Spice Girls.


Plus



Britney Spears (b. 1981) and Christina Aguilera (b. 1980) are also pop culture icons, like Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin and Michael Jackson.

Known for reviving teen pop, The Spice Girls and Britney Spears have also popularized crop tops, like Madonna.





While Britney Spears uses a girl-next-door image, focusing on youthful and trendy looks, Christina Aguilera has a more provocative image, incorporating retro elements.



Plus, Britney Spears is portrayed as a good girl, while Christina Aguilera is portrayed as a bad girl.

Furthermore, Britney Spears was signed to Jive/Zomba, while Christina Aguilera was signed to RCA Records label.




Having been a 9th cousin of Marilyn Monroe, Britney Spears has similar looks/qualities to this iconic film star.

Christina Aguilera is inspired by Marilyn Monroe's look, including her style, hair and makeup.






Destiny's Child is a rhythm & blues girl group.

Beyoncé Knowles (b. 1981) and Kelly Rowland (b. 1981) are some of the famous Destiny's Child members.



Some idols for Christina Aguilera include the Vocal Trinity of Whitney Houston, Mariah Carey and Celine Dion, plus Aretha Franklin.




Alicia Keys (b. 1981) is also a pop culture icon, like Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin, Whitney Houston, Mariah Carey and Celine Dion.




Heidi Klum (b. 1973), whose birth was a year before what would have been Marilyn Monroe's 48th birthday, but also 36 years after Morgan Freeman's 1937 birth, is likewise a pop culture icon.

Alanis Morissette (b. 1974), whose birth was on what could have been the 48th birthday of Marilyn Monroe and also a year after Heidi Klum, is likewise a pop culture icon.



June 1, 1937 and June 1, 1973 were when both Morgan Freeman and Heidi Klum were born as Gemini celebrities in years of the Chinese zodiac Ox.





Kylie Minogue (b. 1960's), whose idol is Madonna, is one of the leading music artists in Australia.

Elton John and David Bowie (d. 2010's) are world-famous British individual singers likewise.




Bob Marley (1945-1981) is also a pop culture symbol, like Marilyn Monroe, James Dean and Elvis Presley.



John Mayall (1933-2020's) is the namesake of a British blues rock band formed in the 1960's.

Eric Clapton (b. 1945), Mick Fleetwood, John McVie (b. 1945) and Peter Green (d. 2020) are some members forming John Mayall & the Bluesbreakers.



Mick Fleetwood, John McVie and Peter Green formed a rock band spun off from John Mayall & the Bluesbreakers in the 1960's.

Christine McVie (d. 2022) is John McVie's wife.



Lindsey Buckingham (b. 1949) and Stevie Nicks (b. 1949) are members of an eponymous duo.

Fleetwood Mac added the likes of both Lindsey Buckingham and Stevie Nicks to the group in 1974.





Manfred Mann is the namesake of a British rock band, for whom he plays the keyboard.




Paul Jones (b. 1942) and Mike d'Abo are the main singers of the eponymous Manfred Mann band. 

Klaus Voormann (b. 1938), Jack Bruce (d. 2014), Mike Hugg, Dave Richmond (b. 1938) and Mike Vickers are the other members of the eponymous Manfred Mann band.




Dave Clark (b. 1930's) is the namesake of another British rock band, for whom he plays the drums.




Spencer Davis (1930's-2020) is the namesake of a British rock band, for whom he plays the guitar.

Pete York (b. 1942), Muff Winwood and Steve Winwood (b. 1948) are just some of the other notable members of The Spencer Davis Band.



The Yardbirds are an instrumental rock band.



Muhammad Ali (1942-2010's) is also a pop culture icon, like Marilyn Monroe, James Dean, Elvis Presley.




Pilot (1973-1977) and Simple Minds (1977-present) are Scottish rock bands.

David Paton (b. 1949), Billy Lyall (1953-1989), Stuart Tosh (b. 1948) and Ian Bairnson (1953-2020's) forged Pilot.

Jim Kerr (b. 1950's) is one of the Simple Minds members.





Kiss (1973-2020's) is an American rock band.

Paul Stanley (b. 1950's), Gene Simmons (b. 1949), Ace Frehley (b. 1950's), Peter Criss (b. 1945), Eric Carr (1950-1990's) and others are Kiss members.


Dorothy Stratten (1960-1980) is a woman formerly poised to be "the next Marilyn Monroe."





Cindy Crawford (b. 1966) is likewise a pop culture and sex symbol, like Marilyn Monroe, James Dean, Elvis Presley, Aretha Franklin, The Beatles, Whitney Houston and Mariah Carey.




Some Cindy Crawford trademarks include her mole/beauty mark above her mouth, her natural brunette hair, her deep sultry voice, her curvaceous, buxom figure and her topless photos.

Making reference to the late Gia Carangi, Cindy Crawford is known as "Baby Gia."



Plus, Cindy Crawford shares similarities with Marilyn Monroe, such as their mole/beauty marks, their iconic status and their work with magazines.




Halle Berry (b. 1966) is likewise a pop culture and sex icon, like Marilyn Monroe, James Dean, Elvis Presley, Aretha Franklin, Farrah Fawcett, The Beatles, Whitney Houston and Mariah Carey.

Pamela Anderson (b. 1960's) is also a pop culture and sex symbol, like Marilyn Monroe, James Dean, Elvis Presley, Aretha Franklin, Farrah Fawcett, The Beatles, Whitney Houston and Mariah Carey.





Shakira (b. 1977) and Sofia Vergara (b. 1972) are also pop culture icons, like Marilyn Monroe, James Dean, Elvis Presley and The Beatles.



Barranquilla is where both Shakira and Sofia Vergara were born.

Plus, both Shakira and Sofia Vergara are ambassadors for Colombia, helping to showcase the nation's strength and beauty.

Mixing rock and pop with Latin rhythms and her powerful voice, Shakira is an innovator in the Latin American alternative rock music scene.



1966 and 1977 are years of the 20th century, the last two numbers of which include angel numbers.



Taylor Swift (b. 1989) is likewise a pop culture symbol, like Marilyn Monroe, James Dean, Elvis Presley and The Beatles.

Using her soft, sweet and soothing voice, Taylor Swift has had a profound impact on pop culture.



Swifties are the dedicated fan base of Taylor Swift.






Catalina Sandino Moreno (b. 1981), Juanes (b. 1972), J. Balvin (b. 1980's), Fanny Lu (b. 1973) and Maluma (b. 1990's) join Shakira and Sofia Vergara as Colombian exports.





June 1, 1926 and June 1, 1974 were when both Marilyn Monroe and Alanis Morissette were born as Gemini celebrities in years of the Chinese zodiac Tiger.



Benjamin Franklin, George Washington (b. 1730's), Thomas Jefferson, John Adams (b. 1730's) and James Madison (b. 1750's) are some of the US Founding Fathers.





Jim Henson (1936-1990), Frank Oz, Dave Goelz, Jerry Nelson, Richard Hunt, Kevin Clash (b. 1960), Steve Whitmire (b. 1950's) and Carroll Spinney (1933-2010's) are puppeteers.





Dick Van Dyke (b. 1925), Ted Knight (1920's-1986), Edward Asner (1929-2021), Gavin MacLeod (1930's-2021) and Jerry Van Dyke (1930's-2010's) are also television icons.






Phyllis Diller (1917-2010's), Valerie Harper (1930's-2010's) and Cloris Leachman (1926-2021) are also women.



George C. Marshall (d. 1950's) is an army officer, who supported an eponymous American post-WWII initative to rebuild and provide foreign aid to Western Europe.





Ai Carina Umena (b. 1981), usually known as Ai, is an American-born Japanese singer-songwriter and rapper.

Having been the Queen of Hip-Hop Soul in Japan, Ai has her soulful singing vocals.





Kyla (b. 1981) is Asia's Rhythm & Blues Queen, plus a pioneer in rhythm & blues/soul music in the Philippines.

Idols for Kyla are Aretha Franklin, Whitney Houston, Mariah Carey, Beyoncé Knowles and others.



Jay R (b. 1981) is, like his friend and partner Kyla, a Filipino rhythm & blues/soul music symbol.

Born in Los Angeles, the other side of the Pacific, Jay R has soulful vocals


Together, both Kyla and Jay R are the greatest music soulmates in Filipino rhythm & blues music.



Corrinne May (b. 1973) and Jacintha Abisheganaden (b. 1957) are famous Singaporean singers.



Aishwarya Rai (b. 1973), Diana Hayden (b. 1973), Preity Zinta (b. 1975), Shilpa Shetty (b. 1975) and Priyanka Chopra (b. 1980's) are Indian girls.

Malaika Arora (b. 1973), Ruby Bhatia (b. 1973) and Sonali Bendre (b. 1975) are also Indian girls.



Demet Akalin (b. 1972), Gulben Ergen (b. 1972) and Petek Dincoz (b. 1980) are Turkish singers.

Eunice Olsen (b. 1977), Vernetta Lopez (b. 1973), Jamie Yeo (b. 1977) and Jean Danker (b. 1978) are Singaporean girls.





Tara Charendoff (b. 1973) and Wendee Lee (b. 1960) are voice actresses.

Luci Christian (b. 1973), Hilary Haag (b. 1973), Caitlin Glass (b. 1981), Christine Auten (b. 1969) and Jessica Boone (b. 1984) are some voice actresses.

Gwendoline Yeo (b. 1977) and Stephanie Sheh (b. 1977) are also girls.






Hiroyuki Sakai (b. 1942) and Chen Kenichi (1950's-2020's) are famous Japanese chefs.

Michiba (b. 1930's), Yutaka Ishinabe (b. 1948), Masaharu Morimoto (b. 1950's) and Masahiko Kobe (1969-2010's) are also Japanese chefs.



Yoko Akino (b. 1957), Yuko Asano (b. 1960), Megumi Oishi (b. 1973), Keiko Saito (b. 1961), Naomi Hosokawa (b. 1974), Sae Isshiki (b. 1977) and Yumi Adachi (b. 1981) are Japanese girls.

Kayoko Kishimoto (b. 1960) and Tamlyn Tomita (b. 1966) are also Japanese girls.




Takeshi Kaga (b. 1950), Kenji Fukui (b. 1953), Dr. Yukio Hattori (1945-2020's) and Shinchiro Otha are Japanese stars.

Asako Kishi (1920's-2010's) and Kazuko Hosoki (1938-2021) are also Japanese stars.



Shinchiro Kurimoto (b. 1941), Tamio Kageyama (d. 1998), Tenmei Kanoh (b. 1942) and Toshiro Kandagawa (1930's-2021) are likewise Japanese stars.



Ludwig van Beethoven, Johann Sebastian Bach (b. 1750) and Johannes Brahms (d. 1897) are major Western musicians making up The Three Bs of Music.




Richard Wagner (b. 1813), Richard Strauss (1860's-1949) and Gustav Mahler (b. 1860) are notable innovators in Western music.

Johann Strauss I (1800's-1849) and Johann Strauss II (d. 1890's) are also music icons.





Wolfgang Amadeus Mozart (b. 1750's), Robert Schumann (b. 1810's) and Johann Pachelbel are also famous icons in music.

Franz Schubert and Joseph Haydn (1730's-1809) are also famous symbols in music.






Claude Debussy (1862-1918), Camille Saint-Saens (d. 1921) and Erik Satie (1866-1925) are French music innovators.




Mily Balakirev, Cesar Cui (d. 1918), Modest Mussorgsky, Nikolai-Rimsky Korsakov (d. 1900's) and Alexander Borodin are music innovators as well.





Pyotr Ilyich Tchaikovsky (d. 1893) is the first Russian composer earning an international reputation.

Igor Stravinsky, Sergei Prokofiev (1890's-1953) and Sergei Rachmaninoff are also music innovators.



Dmitri Shostakovich (d. 1975) and Fryderyk Chopin (1810-1849) are also music legends.

Bela Bartok (d. 1945), Antonin Dvorak (1841-1900's) and Jean Sibelius (1860's-1957) are also music innovators.




Henry Purcell and Edward Elgar (d. 1930's) are England's early music composers.

Ralph Vaughan Williams (d. 1950's), Gustav Holst (d. 1930's) and Percy Grainger (d. 1961) are iconic English nationalist music composers.




Arnold Schoenberg (d. 1950's), Alban Berg (d. 1930's) and Anton Webern (d. 1945) are in the Second Viennese School in the early-20th century, but are also the Three As of music.

Felix Weingartner (1860's-1942), Franz Lehar (d. 1948) and Edmund Eysler (d. 1949) are three of the little-known Austrian musicians.





Gioachino Rossini (d. 1860's), Giuseppe Verdi (1813-1901) and Giacomo Puccini (d. 1924) are major Italian composers making up The Three Gs of music.




Henry Cowell (1897-1960's) and Carl Orff (1890's-1980's) are likewise music innovators.

Many techniques that Henry Cowell have either invented or pioneered are relevant to modern music.



Darius Milhaud (1890's-1974) and Paul Dukas (1860's-1930's) are also music innovators.

Leos Janacek (d. 1920's), Bedrich Smetana, Ildebrando Pizzetti (d. 1960's) and Alexander Scriabin are music innovators as well.




Arthur Honegger (1890's-1950's) and Olivier Messiaen (1900's-1990's) are also music innovators.



George Antheil (1900-1950's) and Charles Ives (d. 1954) are likewise music innovators.

Stephen Foster (d. 1860's), Nadia Boulanger and Rubin Goldmark (d. 1936) are likewise some music innovators.





John Philip Sousa (d. 1930's) and Joseph Carl Breil (d. 1926) are music composers from the United States.

Kenneth J. Alford (d. 1945) is the British answer to John Philip Sousa.






Aaron Copland (1900-1990) put American music on the music map of the world.

Igor Stravinsky, Arnold Schoenberg, Darius Milhaud and American music, together with both Nadia Boulanger and Rubin Goldmark, are some influences for Aaron Copland's music style.





Howard Hanson (1896-1981), Gyorgy Ligeti (b. 1920's) and Ottorino Respighi (d. 1936) are likewise music innovators.



John Cage (1912-1990's), Karlheinz Stockhausen (b. 1920's) and Pierre Boulez (1925-2010's) are also music innovators.



Miles Davis (1926-1990's) is one of the most innovative music figures ever.

Herbie Hancock, Wayne Shorter (1933-2020's), John McLaughlin (b. 1942), Joe Zawinul (b. 1930's) and Chick Corea (1941-2021) are in Miles Davis' band.





Philip Glass (b. 1937), Michael Nyman, Steve Reich (b. 1936), La Monte Young (b. 1930's) and Terry Riley (b. 1930's) are minimalist music innovators.

John Adams and Louis Andriessen (1930's-2021) are also minimalist music masters.



Ivor Kirchin (1905-1997), Basil Kirchin (1920's-2005) and Brian Eno (b. 1948) are music legends who hail from the United Kingdom.




Max Steiner, Erich Wolfgang Korngold (1897-1957) and Alfred Newman (b. 1900), together with both Camille Saint-Saens and Joseph Carl Breil, are film music pioneers.

Franz Waxman (1906-1960's), Bernard Herrmann (d. 1975), Miklos Rozsa (1900's-1990's) and Dimitri Tiomkin (b. 1890's) are also Hollywood film music innovators.





Hugo Friedhofer (1901-1981) joins Max Steiner, Erich Wolfgang Korngold, Alfred Newman, Franz Waxman, Bernard Herrmann and Miklos Rozsa, among others, as film music innovators.



Ennio Morricone (1920's-2020), John Barry (1933-2010's) and Jerry Goldsmith (b. 1929) are also film music innovators.

Mario Nascimbene (1913-2002), Maurice Jarre (1924-2009), Lalo Schifrin (b. 1930's) and Francis Lai (1930's-2010's) are film music innovators as well.

John Williams (b. 1930's) and James Horner (1953-2010's) are also Hollywood film music innovators.




Hans Zimmer (b. 1957), Brad Fiedel (b. 1950's) and Alan Silvestri (b. 1950) are also Hollywood film music trailblazers.




Dave Grusin (b. 1930's), Elmer Bernstein (b. 1920's), Henry Mancini (1924-1990's) and Oliver Nelson (1930's-1975) are also film and television composers.

Gabriel Yared (b. 1949), Michel Legrand (1930's-2010's) and Michel Colombier (b. 1930's) are French film music composers as well.





Muir Mathieson (d. 1975) and André Previn (1929-2010's) are film music figures.

Ken Darby (1909-1990's), Herbert W. Spencer (1905-1990's), Alexander Courage (d. 2008), Morton Stevens (1929-1990's) and Arthur Morton (b. 1900's) are also figures in film music.

Lionel Newman (d. 1989), Emil Newman (d. 1984), David Newman (b. 1954), Randy Newman and Thomas Newman (b. 1950's) are some Alfred Newman children.








Eric Serra (b. 1950's), John Corigliano (b. 1938) and Elliot Goldenthal (b. 1954) are likewise film composers.





William Loose (d. 1990's) and John Seely (b. 1920's) are American film and television composers.

During WWII, William Loose was an arranger for the US Army Air Forces Orchestra in New York.





Mario Castelnuovo-Tedesco (1890's-1960's) and Jakob Gimpel (1906-1989) are likewise film music figures.




Carl Stalling (1890's-1972), Milt Franklyn (1897-1962), Scott Bradley (1890's-1977) and Hoyt Curtin (b. 1920's) are well-known cartoon music masters.




Nelson Riddle (1921-1980's), Neal Hefti (1920's-2008) and Billy May are likewise film and television composers.



Hugo Riesenfeld (d. 1930's), Albert Ketelbey (d. 1950's) and Erno Rapee (1890's-1945) are also early figures in film music.

Edward Kassner (1920-1996) and Ralph S. Peer (1890's-1960) are music pioneers in the post-war era.

Cyril Langlois (1893-1957), Jack Shaindlin (1909-1978) and Robert McBride are likewise musicians.






Marty Paich (1925-1990's) is also a film and television music figure.





Juan Garcia Esquivel (1918-2002) and Stanley Wilson (b. 1917) are also American film and television composers.

Harry Bluestone (1900's-1990's), Emil Cadkin (1920-2020), Philip Green (d. 1980's) and Harry Lubin (1906-1977) are also film and television composers.



Mike Post and Pete Carpenter (d. 1980's) are American television composers.

Earle Hagen (d. 2008), George Chase (1909-1972) and William Lava are likewise American film and television composers.





Jerry Leiber (1933-2010's) and Mike Stoller (b. 1933) are also innovators in pop music.

With both Jerry Leiber and Mike Stoller, rhythm & blues, formerly limited to black clubs, increased its audience share in areas formerly reserved for high-culture and/or conservative music tastes.





Quincy Jones (1933-2020's), David Foster (b. 1949), Diane Warren (b. 1950's), Narada Michael Walden (b. 1950's), Walter Afanasieff (b. 1950's) and Max Martin are masters in pop music.

Carole King (b. 1942) and Gerry Goffin (1930's-2014) are also pop music masters.



Toto (1977-2008, 2010's, 2020-present) mixes pop, rock, rhythm & blues, soul, funk and others.

David Paich (b. 1954), Jeff Porcaro (1954-1990's), Steve Porcaro (b. 1957), Steve Lukather (b. 1957), Bobby Kimball and David Hungate (b. 1948) are iconic Toto members.

Los Angeles, where Marilyn Monroe was born, is the base for Toto.




Paul Shaffer (b. 1949) and Howard Shore are Canadian musicians based in the United States.




Oingo Boingo is an American new wave band.

Danny Elfman (b. 1953) and Steve Bartek (b. 1950's) are some Oingo Boingo members.



In addition to Oingo Boingo, Danny Elfman is also a film music innovator, with his friend and Oingo Boingo collaborator Steve Bartek doing the orchestrations.



Alan Menken (b. 1949) is also a film music figure, but also a Broadway musician.

Howard Ashman (1950-1990's) is Alan Menken's first collaborator.



Richard Addinsell (1900's-1977), Ron Goodwin (b. 1925) and Roger Webb (1930's-2002) are likewise British film and television composers.

Christopher Young (b. 1950's) and Daniel Licht (1957-2017) are also film and television composers.



Humberto Gatica (b. 1950's) and Jerry Hey (b. 1950) are also Los Angeles session musicians.

Suzie Katayama (b. 1962) and James Newton Howard (b. 1950's) are also session musicians in Los Angeles.



In addition, James Newton Howard and Howard Shore are also film score composers.






Sam Fox, John Stepan Zamecnik (d. 1953) and Roy Webb (d. 1980's) are also film music figures.

The Sam Fox Music Publishing Company (est. 1906), a.k.a. Sam Fox Film Rights, Inc., is the first to publish original film scores in the United States, founded by its namesake Sam Fox.

David Chudnow (1902-2002) is also an American film and television music composer/producer.







Born in Italy, Mario Castelnuovo-Tedesco deflected to the United States in the late-1930's or after 1938 after his home nation introduced anti-Semitic laws.





Joe Hisaishi (b. 1950), having been the most celebrated film music composer in Japan, is also his home nation's answer to John Williams.



Yoko Kanno (b. 1960's) and Takayuki Hattori (b. 1960's) are also Japanese composers.

Leo Arnaud (1900's-1990's), Philippe Sarde (b. 1948) and Alexandre Desplat (b. 1961) are also French composers.





Robert Farnon (1917-2005) and John Cacavas (1930-2014) are musicians born in North America, both spending most of their lives in the United Kingdom

Dennis Farnon (1920's-2010's) and David Farnon (b. 1950's) are Robert Farnon's brothers.




Robert Moog (1930's-2005), Ross S. Snyder (1920-2008) and Les Paul (d. 2009) are likewise music innovators.

Dave Smith (1950-2022), John S. Bowen and Tom Oberheim (b. 1936) are also music innovators.



Peter Vogel (b. 1954), Kim Ryrie, John Chowning (b. 1930's) and Ray Kurzweil (b. 1948) are music innovators as well.




The BBC Radiophonic Workshop (1950's-1998) is one of the BBC's sound effects units.

Having a huge influence on pop music, the BBC Radiophonic Workshop had been regarded as British electronica's unsung heroes.





Phil Spector (1930's-2021) and Joe Meek (1929-1960's) are pop music innovators.

Ahmet Ertegun (b. 1920's), Jerry Wexler (1917-2008) and Tom Dowd (1925-2002) are also pop music innovators.

Herb Abramson (d. 1990's), Nesuhi Ertegun (1917-1989) and Arif Mardin (b. 1930's) are likewise pop music innovators.







George Martin (1926-2010's), Adrian Kerridge (1938-2010's) and Alan Parsons (b. 1948) are likewise innovative audio engineers.

Hugh Padgham (b. 1950's), Roy Thomas Baker, Stephen Lipson and Gary Langan (b. 1950's) are also well-known audio engineers.

Dick James (1920-1986) and Brian Epstein (1930's-1960's) are likewise individuals in music.





Eric Tomlinson (1930's-2010's), Alan Snelling (b. 1950's) and Ken Townsend (b. 1930's) are likewise audio engineers.

John Timperley, Denis Preston and Keith Grant (1941-2010's) are likewise British audio engineers.



The Wrecking Crew is a loose collective of session musicians in Los Angeles, serving as Phil Spector's house band, The Wrecking Crew is versatile and able to improvise.

Keyboardist Glen Campbell and guitarist Leon Russell are two of the most successful members of The Wrecking Crew who would later become popular solo singers.





Meyer De Wolfe (d. 1960's) is a Dutch composer and conductor, who moved to the British Isles in the 1900's and founded the eponymous label in 1909.





James De Wolfe (1924-2017) is Meyer De Wolfe's younger son, and also the person whose successful attempts at WWII missions led to the globalization of his father's own label.

Warren De Wolfe (b. 1961), who is Meyer De Wolfe's grandson, as well as James De Wolfe's son, has been with Meyer De Wolfe's label since 1978, when he was a teenager.



Robert William Keith and William Prowse (b. 1801) formed the eponymous agency.

Peter Maurice, a British songwriter-publisher active in the 1930's, led the eponymous music publishing company.




John Boosey and William Henry Hawkes are also British music publishers and namesakes of the music publishing empite.





Samuel Chappell (b. 1780's) is also a British music publisher.

Max Dreyfus (d. 1960's) and Louis Dreyfus (d. 1960's) are American citizens who brought Samuel Chappell's eponymous music publishing empire to new heights.






William Francis, James Francis, David Day (d. 1929) and Harry Hunter (d. 1906) are likewise British music publishers, the earlier two from Samuel Chappell's eponymous music publishing empire.

Francis, Day & Hunter was sold to EMI in 1972.





Robin Phillips (b. 1930's), whose father is James Phillips or John Turner, is also a music innovator.

Peter Phillips (1930's-2010's) is Robin Phillips' older brother and James Phillips' younger son.






John Parry (d. 2010's), Nick Farries (b. 1953) and Arthur Edwin Bosworth (d. 1920's) are individuals coming from Samuel Chappell's eponymous music publishing empire.



The Shadows serve as Cliff Richard's backing band.

Hank Marvin (b. 1941), Bruce Welch (b. 1941), Alan Hawkshaw (1937-2021), Brian Bennett, Warren Bennett (b. 1962), Alan Tarney (b. 1945) and John Farrar are some members of The Shadows.

Vic Flick (1937-2020's), Kenny Salmon (1933-1990's) and Ray Russell, aside from its namesame, are some of the members of The John Barry Seven.





Keith Mansfield, Johnny Pearson (1925-2010's) and John Fiddy (d. 2017) are British musicians.

John Cameron, Anne Dudley (b. 1950's), Nick Ingman (b. 1948) and Frank Ricotti (b. 1949) are British musicians likewise.

Trevor Bastow (b. 1949), Geoff Bastow (b. 1945), Tristan Fry and Steve Gray (d. 2008) are also British musicians.




Bruce Campbell, Trevor Duncan (1924-2005), Cecil Milner (1905-1989), Steve Race (1921-2009), Syd Dale (1924-1990's) and Cyril Watters (1900's-1984) are also British musicians.

Johnny Hawksworth (1924-2009) and Jack Parnell (1920's-2010) are also British musicians.




Ivor Slaney (1921-1998), Dennis Berry (1921-1990's) and Angela Morley (1924-2009) are also British musicians.

Andrew Powell (b. 1949) and Tim Souster (d. 1990's) are also British music composers.



Frank McDonald, Chris Rae and Terry Devine-King (b. 1960's) are also British musicians.

Paul Greedus (1948-2010's), Barry Blue (b. 1950) and John Batt (1929-2017) are likewise British musicians.





Charles Williams (1893-1978) and Sam Fontyen (1925-1990's) are also British musicians.

Barry Gray (1900's-1984), Ronald Hanmer (1917-1990's) and Barry Stoller (b. 1945) are also British musicians.





Herbert Chappell (1930's-2010's) and Simon Park are also British musicians.

Reg Tilsley (1926-1980's), Pete Moore (1924-2013) and Malcolm Lockyer (b. 1920's) are also British musicians.

Aaron Rodney Blaize Harry (b. 1950's) is also a British musician.




Eric Coates (d. 1957), Cedric King Palmer (1913-1990's), Clive Richardson (1909-1998) and Stanley Myers (1930-1993) are also British musicians.



Gerhard Narholz (b. 1937) and Gregor F. Narholz (b. 1969) are Austrian-born American musicians.

Pierre-Alain Dahan (d. 2013), Marc Chantereau (d. 2020's), Sauveur Malia (b. 1949), Mathias Camison (b. 1941) and Alan Feanch (1930-1990's) are French musicians.



Haruomi Hosono, Ryuichi Sakamoto (1950's-2020's) and Yukihiro Takahashi (1950's-2020's) are three Japanese musicians.

Yoav Goren (b. 1962) and Jeffery Fayman (b. 1950's) are also musicians.




Ron Hicklin (b. 1937) and Joe Lubinski (b. 1950's) are musicians.




The Ron Hicklin Singers are Ron Hicklin's vocal group, comprising studio singers in Los Angeles.

As the vocal answer to and often working with The Wrecking Crew, the Ron Hicklin Singers perform backup vocals in studio circles in Los Angeles.



John Bahler, Tom Bahler, Jim Gilstrap, Sally Stevens (b. 1930's), Robin Ward (b. 1941) and Al Capps (1930's-2010's) are some members of the Ron Hicklin Singers.




Alfonso Corelli (b. 1900) and Fred Jacobs (1917-1997) put Meyer De Wolfe's label on the US map.

Corelli-Jacobs, Inc., the eponymous company co-run by Alfonso Corelli and Fred Jacobs, served as the North American distributor of Meyer De Wolfe's empire for 60 years from 1953 to 2013





Emil Ascher (d. 1920's) is a German-based American composer and pop music publisher. 

Morton Ascher (1900-1981), Adolph Ascher (b. circa 1890's) and Everett Ascher (b. 1936) are Emil Ascher's younger brothers.




Sam Spence (1920's-2010's), William Charles Soden Jr. (b. 1942), David Robidoux (b. 1969) and Tom Hedden (b. 1960's) are the music composers for NFL Films.





Robert A. Israel (b. 1920's) is one of the best and most successful jingle makers in the world.

Charles Fox, Walter Levinsky (1929-1990's), Edd Kalehoff (b. 1945), Chuck Loeb (1950's-2017), Gary Anderson and Michel Camilo (b. 1954) are Robert A. Israel's partners.





Frank Gari is also one of the world's best and most successful jingle makers.

Danny Baker, Danny Pelfrey (b. 1950's), Rick Rhodes (1950's-2005), Linda Lawley (b. 1949), Mark Stephen Ross and Artie Schroeck (b. 1938) are Frank Gari's partners.




William B. Meeks Jr. (1921-1990's), Euel Box (1920's-2017), Tom Merriman (1924-2009), Al Ham (1925-2001), Jim Long (d. 2022) and Jonathan M. Wolfert (b. 1950's) are also musicians.

Kenneth R. Deutsch (b. 1950's) and Benjamin Freedman (1949-2013) are likewise musicians.




John Pepper, William B. Tanner (1930-2005), Otis Conner and Kevin Gavin are likewise musicians.

Tom DiNoto, Michael Sheehy (b. 1950's) and Dain Blair are also musicians from California.



Paul Meacham, Ken Justiss, Doug Farner, Jerry Atchley, Marshall Such (1950's-2017) and Mary Lyn Wolfert (b. 1950) are also musicians.






Hal Brown (b. 1950) and Donald Bradley Kelley (b. 1950's) are also jingle makers.

Randall Thornton (b. 1950's), Bryan Hofheins (b. 1950's) and Michael Dowdle (b. 1957) are likewise jingle makers.



Scott Schreer (b. 1953), Phil Garrod (b. 1960's) and Reed Hays (b. 1960's) are New York-based jingle makers.





Andrew P. Mark (1950-2009), John Kiehl (b. 1950) and Robert Cavicchio are jingle makers from both Philadelphia and Boston.

Greg Wardson (b. 1953), Erik Huber and Steve Thomas are likewise jingle makers.



Ferdinand J. Smith (b. 1945) and Casey Fillaci (b. 1950's) are also television composers.





Craig Palmer, Lars Clutterham (b. 1948), Stefan Olesten, Larry Groupe (b. 1957), Larry Wolff, Bruce Donnelly, John Ottman (b. 1960's) and Marti Amado (b. 1960's) are also musicians.

Ken Nelson, Joel Beckerman, Joel Goodman, Daniel E. Stein and Daniel Holter are also musicians.



Andrew Jacobs (b. 1950's), Mitchel Greenspan (b. 1960) and Jerry LaRosa (b. 1950's) are individuals involved with Corelli-Jacobs, Inc., which distributed the De Wolfe Music catalogue.




Johnny Johnston (d. 1998) and Alan Fawkes (1930-2010) are British jingle makers.

Alain J. Leroux, Sam Trust (b. 1930's) and Len Beadle (b. 1930's) are involved with music.





Ron Mendelsohn (b. 1960) and John Carlo Dwyer (b. 1950's) are musicians as well.

Ivy Tombak (b. 1950's) is an attorney and Paramount's former legal head.




Jack Waldenmeier (b. 1950's), Steven Wenger (b. 1960's), Neal Davenport (b. 1950's), Kevin Janosky (b. 1960's), Joseph Saba and Robert Casinghino (b. 1950's) are likewise musicians.








Herbert von Karajan (1900's-1989), Eugene Ormandy (1890's-1980's), Zubin Metha (b. 1936), Serge Koussevitzky (d. 1950's) and Georg Solti (1912-1997) are music conductors.



Leopold Stokowski (d. 1977) and Leonard Bernstein (1918-1990) are also conductors.

Erich Kunzel (1930's-2009), Arthur Fiedler (b. 1890's) and Arturo Toscanini (1860's-1957) are also conductors.




King Crimson (1960's-1974, 1981-1984, 1990's, 2008, 2013-2021) and Jethro Tull (1960's-2010's) are influential progressive rock bands.



Robert Fripp is King Crimson's sole constant member.

Ian Anderson is Jethro Tull's sole constant member.




Greg Lake (d. 2010's), Peter Sinfield (d. 2020's), Michael Giles (b. 1942) and Ian McDonald (d. 2022) worked for King Crimson as well. 



Keith Emerson (d. 2010's), Lee Jackson and David O'List (b. 1948) are the members of The Nice.




Arthur Brown (b. 1942) is the namesake of the semi-known rock band.

Carl Palmer (b. 1950) and Vincent Crane (d. 1989) are the other members of the eponymous rock band formed by Arthur Brown.


Marlon Brando (b. 1924) is also an influential pop culture and sex icon, like Marilyn Monroe, James Dean and Elvis Presley.



Like Marilyn Monroe, James Dean and Elvis Presley, Marlon Brando is a sex icon.

In addition, Marlon Brando uses qualities in common with Marilyn Monroe, James Dean and Elvis Presley, among which are charisma, charm, grace, class, courage, youth, wit and sex appeal.



Generally a positive figure in pop culture, Marlon Brando is also a role model for youth.





Being pop culture and sex symbols, Marilyn Monroe, James Dean, Elvis Presley, Brigitte Bardot and Sophia Loren are also world-famous icons.







Hugo de Groot (1897-1986) and Jan Stoeckart (1920's-2017) are some Dutch musicians.

Frans Mijts (1938-2022), Dolf van der Linden (d. 1990's) and Els van Epen (d. 1990's) are also Dutch musicians.







Having been one of the most successful songwriters ever, Diane Warren usually writes power ballads.





The Alan Parsons Project (1975-1990) is the eponymous music group founded by Alan Parsons.

Eric Woolfson is another core member of The Alan Parsons Project.





With Alan Parsons and Eric Woolfson, the studio band for The Alan Parsons Project comprise Pilot.

Doing the orchestral arrangements for The Alan Parsons Project is Andrew Powell.



Lasting from 1975 to 1990, The Alan Parsons Project made songs that have become ubiquitous in the music industry.




Kraftwerk is one of the most progressive, innovative and influential electronic bands ever.

Florian Schneider (d. 2020), Ralf Hutter, Wolfgang Flur and Karl Bartos (b. 1950's) are regarded as the most successful Kraftwerk members.




Tangerine Dream (formed 1960's) is, like Kraftwerk, one of the most influential electronic bands.

Edgar Froese (d. 2010's), Christopher Franke (b. 1953) and Peter Baumann (b. 1953) are known as the most successful Tangerine Dream members. 




Mike Oldfield (b. 1953) has had an impact on developing new age, and later, electronic music.

Vangelis (d. 2022) is a electronic music composer, whose music is "symphonic electronica," due to his usage of synthesizers in an orchestral fashion.



Jean-Michel Jarre (b. 1948), whose father is Maurice Jarre, is also an electronic music pioneer.

Giorgio Moroder joins Kraftwerk, Tangerine Dream, Mike Oldfield, Vangelis and Jean-Michel Jarre as electronic music legends.




Keith Emerson, Greg Lake and Carl Palmer are namesakes of a progressive rock supergroup.



Blue Mink (1969-1977) were a six-piece group.

Roger Cook, Madeline Bell (b. 1942), Herbie Flowers (1938-2020's), Barry Morgan (b. 1930's), Ray Cooper, Mike Moran and Alan Parker are some Blue Mink members.




Curved Air blends progressive rock with other elements.

Sonia Kristina (b. 1949), Francis Monkman (1949-2020's) and Eddie Jobson (b. 1950's) are Curved Air members.


John Williams (b. 1941) and Kevin Peek (d. 2013) are Australian guitarists.



Gryphon are a progressive rock group. 

Richard Harvey (b. 1953) is one of the Gryphon members.




Biddu (b. 1945) is one of the pioneers of the disco music genre.

Trevor Horn (b. 1949) and Geoff Downes (b. 1950's) are Biddu's session musicians.






Sky (1978-1990's), an English-Australian instrumental rock supergroup, features John Williams, Kevin Peek, Herbie Flowers, Francis Monkman and Tristan Fry.






Hedy Lammar (b. 1914) is an Austrian-born American actress.





Eric Idle, Terry Gilliam, Terry Jones (1942-2020), John Cleese (b. 1930's), Michael Palin and Graham Chapman (1941-1989) are Monty Python members.





Diana, Princess of Wales (1961-1997) is an icon, like Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin, Whitney Houston, Mariah Carey and Celine Dion.

Having a mostly positive legacy, Princess Diana touches many people's lives with joy and comfort.
















Louis Lumiere (1860's-1948) and Auguste Lumiere (1862-1954) are film innovators.

D.W. Griffith (d. 1948), Léon Gaumont (b. 1860's) and Charles Pathé (1860's-1957) are likewise film innovators.

Eadweard Muybridge (d. 1900's) and Louis Le Prince (1841-1890/1897) are film innovators as well.




Guglielmo Marconi (d. 1937), Reginald Fessenden (1866-1930's), Philo T. Farnsworth (b. 1906), John Logie Baird and Vladimir K. Zworykin (d. 1980's) are radio and television inventors.

Karl Ferdinand Braun (d. 1918), Paul Nipkow (b. 1860) and Jagadish Chandra Bose (d. 1937) are also inventors in telecommunications.





Adolph Zukor, Jesse L. Lasky (d. 1950's) and William Wadsworth Hodkinson are some of the best and most influential media moguls in history.

Barney Balaban, A.J. Balaban (d. 1962) and Sam Katz (1890's-1961) are movie-exhibition pioneers.



William Fox (d. 1950's) and Darryl F. Zanuck (b. 1902) are likewise media moguls.

Jack Warner (1890's-1978) is also one of the most successful media moguls ever, whose other brothers include Sam Warner (d. 1920's), Harry Warner (d. 1950's) and Albert Warner (d. 1960's).



Benjamin Franklin Keith (d. 1914), Edward Franklin Albee II (d. 1930) and Martin Beck (b. 1860's) are likewise film pioneers.



Samuel Goldwyn (d. 1974), Louis B. Mayer (d. 1957) and Marcus Loew are the other media moguls.

Carl Laemmle (d. 1930's), Harry Cohn (1890's-1950's) and J. Arthur Rank (d. 1972) are likewise media moguls.






David O. Selznick (1902-1960's), Cecil B. DeMille (d. 1950's) and Merian C. Cooper (1893-1973) are likewise film pioneers.

Billy Wilder (1906-2002) and Otto Preminger (1905-1986) are Austrian-American film directors.




Michael Curtiz (d. 1962), William Wyler (1902-1981) and John Huston (1906-1980's) are also famous Hollywood directors.

Elia Kazan (b. 1909) and Arthur Miller (d. 2005) are trailblazers in both Broadway and Hollywood.



George Cukor (1890's-1980's), Victor Fleming (d. 1949), Sam Wood (d. 1949) and Fred Zinnemann (1900's-1997) are also Hollywood trailblazers.





Steven Spielberg, Francis Ford Coppola (b. 1930's) and George Lucas (b. 1942) are Hollywood's most influential visionaries.

Peter Bodganovich (1930's-2022) and William Friedkin (1930's-2020's) are also Hollywood directors.





Robert Zemeckis (b. 1950's), Bob Gale (b. 1950's), Lawrence Kasdan (b. 1949), Steve Starkey, Wendy Finerman (b. 1960) and Albert S. Ruddy (1930-2020's) are also Hollywood visionaries.

James Cameron (b. 1954) and John Landis (b. 1950) are likewise Hollywood visionaries.





Ridley Scott (b. 1937), Hugh Hudson (b. 1936), Adrian Lyne (b. 1941) and Alan Parker (d. 2020) are British film directors in Hollywood.






Marc Abraham (b. 1949), Armyan Bernstein and Thomas A. Bliss (b. 1950's) are likewise Hollywood producers.


Blake Edwards (1920's-2010), Sergio Leone (1929-1989), John G. Avildsen (1930's-2017) and Randal Kleiser are also film directors.



Akira Kurosawa (d. 1998) and Sergei Eisenstein (1898-1948) are also influential filmmakers.

John Grierson (1898-1972) and Alexander Korda (1893-1950's) are British film pioneers.





Walt Disney (1901-1966) is the namesake of a media empire, with its characters becoming ubiquitous across different media types and myriad consumer products.





Leon Schlesinger (d. 1949) is the namesake of a cartoon studio, with its cartoon characters becoming ubiquitous across different media types and myriad consumer products as well.

Friz Freleng (1905-1990's) and Chuck Jones (1912-2002) are usual Leon Schlesinger aides.



Edward Selzer (b. 1893) and David H. DePatie (1929-2021) are some of the producers of the Leon Schlesinger cartoon series.



William Hanna (d. 2001) and Joseph Barbera are namesakes of the cartoon studio, with its characters becoming ubiquitous across different media types and myriad consumer products likewise.

Sid Krofft (b. 1929) and Marty Krofft (1937-2020's) are also television creators.




Margaret Loesch and Lee Gunther (1930's-1998) are also in animation.





Lou Scheimer (1920's-2013) and Norm Prescott (1920's-2005) are also in animation.

Arthur Rankin Jr. (1924-2014) and Jules Bass (1930's-2022) are the namesakes of the innovative and groundbreaking animation studio.

Stephen Bosustow (d. 1981) and John Hubley (1914-1977) are individuals involved with animation.




Phil Roman (b. 1930) and Bill Melendez (d. 2008) are involved with animation likewise.

Don Hahn (b. 1950's), Ron Clements (b. 1953), John Musker (b. 1953), Gary Trousdale (b. 1960), Kirk Wise (b. 1960's), Roger Allers (b. 1949) and Marc Revoy (b. 1953) are also in animation.





Grant Simmons (b. 1912), Ray Patterson (d. 2001) and Robert L. Lawrence are also involved with the animation world.

Arlene Klasky (b. 1949) and Gabor Csupo (b. 1950's) are likewise animators.




John Reith, David Sarnoff, William S. Paley (1901-1990) and Leonard Goldenson (1905-1990's) are media trailblazers.




Moses Znaimer (b. 1942) and Robert Pittman (b. 1953) are trailblazers in youth-oriented media and in youth-oriented television, whose certain principles they established.

Israel "Izzy" Asper (b. 1930's) is a Canadian media executive with a worldwide presence.




Barry Diller (b. 1942) and Michael Eisner (b. 1942) are notable Leonard Goldenson protégés.

Robert E. Kintner (1909-1980), Roone Arledge (1930's-2002), Aaron Spelling (b. 1920's), Brandon Tartikoff (1949-1997) and Bob Iger (b. 1950's) are the other Leonard Goldenson protégés.

Tom Werner (b. 1950) and Marcy Carsey are also Leonard Goldenson protégés.



Don Ohlmeyer (1945-2017) and Dick Ebersol are Roone Arledge's first partners.

Chuck Howard (1933-1996), Chet Forte (1930's-1996), Dennis Lewin and Bill Morris are some usual Roone Arledge collaborators.




Michael Dann (1921-2010's), James T. Aubrey (1918-1990's), Fred Silverman (1937-2021), Bud Grant (1930's-2010's) and Oscar Katz (1913-1996) are television trailblazers as well.





John D. Rockefeller (d. 1937) and George Foster Peabody (d. 1938) are influential businessmen.

Thomas Edison (d. 1930's) and George Westinghouse (d. 1914) are electrical pioneers.




Carl Bertelsmann was the founder of the eponymous media empire.

Reinhard Mohn (1921-2009), who was a great-grandson of the late Carl Bertelsmann, transformed the latter's own company from a medium-sized house into a global media giant.

Mark Woessner (b. 1938) maintained Reinhard Mohn's vision to make Bertelsmann a global force.




Edgar Brandt (d. 1960) and Marcel Dassault (1892-1986) are also influential French businessmen.

Kalman Tihanyi (b. 1897) and Kenjiro Takayanagi (1890's-1990) are also television innovators.







John Duflon Hutchinson (d. 1920) is one of Hong Kong's most influential businessmen.

Elihu Thomson (d. 1937), Edwin Houston (d. 1914) and Benjamin Hotchkiss are likewise American businessmen.




Li Ka-Shing (b. 1920's) is, like John Duflon Hutchinson, one of Hong Kong's best and most influential businessmen.

Richard Li (b. 1966), who is Li Ka-Shing's younger son, is likewise a Hong Kong businessman.







Werner von Siemens (d. 1890's), Robert Bosch (1861-1942) and Gerard Philips (d. 1942) are likewise influential businessmen.








Joseph E. Seagram (b. 1841) is a Canadian businessman.

Samuel Bronfman and Edgar Bronfman (1929-2013) are influential businessman.




Donald McGannon (1920-1984) and Hyman Rosenblum (d. 1996) are likewise media trailblazers.




William Randolph Hearst (1860's-1950's) and Joseph Pulitzer are also media trailblazers.

Frank Gannett (d. 1957), James Edward Scripps (d. 1906), Edward Willis Scripps (d. 1926) and Charles Phelps Taft (d. 1929) are likewise media trailblazers.

Powel Crosley Jr. (d. 1961) and John Kluge (1914-2010) are likewise media trailblazers.




Ellen Browning Scripps (d. 1930's), who is James Edward Scripps' sister, also has to be Edward Willis Scripps' half-sister.

Roy W. Howard (d. 1960's) is a part of the Edward Willis Scripps media empire. 




Joseph Medill (d. 1890's) and Robert R. McCormick (d. 1950's) are likewise media trailblazers.

Eugene Meyer (d. 1950's), Phil Graham (d. 1960's) and Katharine Graham (1917-2001) are likewise media trailblazers.





Mitchell Wolfson (1900-1980's), Sidney Meyer (1890's-1960's) and Edmund Ansin (1936-2020) are likewise trailblazers in media.



Ward L. Quaal (d. 2010) and Bob Leider (d. 2010's) are trailblazing local television executives.




Howard Thomas (1909-1986), Lew Grade (1906-1998), Brian Tesler (1929-2020's), Norman Collins (1900's-1980's) and Sidney Bernstein (1890's-1993) are shapers of the British television industry.

Bryan Cowgill (1920's-2008) and Paul Fox (1925-2020's) are likewise media executives who shaped television in the United Kingdom.


Anne Wood (b. 1937) is a children's television executive.




Leonard Plugge (d. 1981) is a media executive who broke the BBC's radio monopoly in the 1930's.

Hugh Carleton Greene (d. 1980's) is a media executive who modernized the BBC during the 1960's.






Frank Packer (1906-1974), Kerry Packer (1937-2005) and Kerry Stokes are some Australian media trailblazers.

Paul Ramsay (1936-2014) and Bruce Gordon (b. 1929) are also Australian media trailblazers.





Emilio Azcarraga Vidaurreta (1890's-1972), Raul Azcarraga Vidaurreta (b. 1890's), Emilio Azcarraga Milmo (1930-1997) and Emilio Azcarraga Jean (b. 1960's) are Hispanic media trailblazers.

Romulo O'Farill (b. 1917) and Guillmero Gonzalez Camarena (1917-1960's) are also Hispanic media trailblazers.

Eugenio Garda Sada (1890's-1973), Roberto Marinho (b. 1900's) and Joe Wallach (b. 1920's) are also Latin American media trailblazers.






Fernando Londoño Henao (1921-2013) and Carlos Ardila Lülle (1930-2021) are also Hispanic media trailblazers.

Julio Enrique Sánchez Vanegas (1930-2020's) and Jorge Barón (b. 1948) are likewise Hispanic media trailblazers.






Bernardo Romero Pereiro (d. 2005), Fernando Gonzalez Pacheco (1930's-2014) and Diego Fernando Londoño are also Hispanic media trailblazers.

Diego Cisneros (d. 1980) and Gustavo Cisneros (1945-2020's) are also Hispanic media trailblazers.




Raoul A. Cortez (b. 1905) and Emilio Nicolas (1930-2010's) are also Hispanic trailblazers.

Goar Mestre (1912-1990's), Rene Anselmo (1926-1990's) and Ángel Ramos (1902-1960) are likewise trailblazers in Hispanic media.

Eugenio Lopez (1901-1975), Eugenio Lopez Jr. (1920's-1990's) and Eugenio Lopez III (b. 1950's) are Filipino media trailblazers.





Saul Bass (1920-1996), Pablo Ferro (1930's-2010's), Maurice Binder (1918-1990's), Wayne Fitzgerald (1930-2010's) and Stephen Frankfurt (1930's-2010's) are motion graphics trailblazers.





John Oxberry (1918-1974) is also a motion graphics trailblazer.

The eponymous animation company by John Oxberry is known for its eponymous animation stand that was used before the digital age.

Backlit animation and slit-scan techniques are in the Oxberry animation stand.





Harry Marks (1930's-2010's) is the founder of the modern broadcast design trend.




John Whitney (1917-1990's), David C. Evans (1924-1998) and Ivan Sutherland (b. 1938) are all three computer animation pioneers.

Robert Abel (1937-2001), Con Pederson (b. 1930's), John Whitney Jr., Gary Demos (b. 1950), Edwin Catmull (b. 1945), Alvy Ray Smith, Jim Clark and Jim Blinn (b. 1949) are also CGI pioneers.




Charles Csuri (1920's-2022), Alexander Schure (1920-2009) and Edward Fredkin (1930's-2020's) are likewise computer animation pioneers.

John Lasseter (b. 1957), David DiFrancesco (b. 1949) and Glenn McQueen (1960-2002) are likewise computer animation trailblazers.

Dean Winkler and John Sanborn are also computer animation trailblazers.



Phil Mittelman (1925-1990's), Louis "Bo" Gehring (b. 1941) and Bob Goldstein are also computer animation pioneers.



Richard Greenberg (d. 2010's) and Robert Greenberg (b. 1948) are also motion graphics trailblazers.

Kyle Cooper (b. 1962) and Nina Saxon are also motion graphics trailblazers.




Francis Mechner (b. 1930's) and Eugene Leonard are also trailblazers in television graphics.

Carl Rosendahl (b. 1957), Richard Chuang (b. 1957), Glenn Entis (b. 1954), Gary Yost (b. 1950's), Tim Jenison (b. 1950's) and Paul Mongomery (1960-1990's) also computer animation trailblazers.

Perry Kivolowitz (b. 1961) is also a computer graphics trailblazer.



Mike Luckwell (b. 1942), Paul Docherty, Chris Briscoe and Paul Brown are also computer graphics trailblazers.

Kim Davidson (b. 1950's) and Greg Hermanovic are likewise trailblazers in computer animation.




Clifford Brown, John Pennie (b. 1930's), Junaid Sheikh and Phil Bennett are likewise motion graphics trailblazers.




Peter Michael (b. 1938), Richard Szalwinski (b. 1949) and Gary Tregaskis (b. 1950's) are trailblazers in the post-production trend.

Lee Harrison III (1929-1998) and Ed Kramer (b. 1950's) are also post-production trailblazers.




Floyd Gillis, Art Durinski, Jeff Kleiser (b. 1953) and Diana Walczak (b. 1961) are also CGI pioneers.

Jonathan Keeton (b. 1950's), Peter Corbett (b. 1949) and Phil Price (b. 1957) are also high-end motion graphics trailblzers.





Doug Towey (d. 2009), John Ridgway (b. 1950's), jcbD (b. 1957), brother James (b. 1950's) and Billy Pittard (b. 1954) are likewise broadcast design trailblazers.




Ruth Dial (b. 1957) and Maria LoConte (b. 1954) are also broadcast design trailblazers.

Melanie Goux (b. 1950's), Jay Antzakas (1950's-2010's) and Jay Cordova (b. 1960) are also broadcast design trailblazers.

Earl Quimby Vance (b. 1950's), shortened to E.Q. Vance, is also a trailblazer in broadcast design.


Kenny Mirman, Jeff Doud and Dale Herigstad



John Sewell (1926-1981), Bernard Lodge (b. 1933), Alan Jeapes (1937-2010), Charles McGhie, Martin Lambie-Nairn (1945-2020) and Colin Cheesman are also broadcast design trailblazers. 

Graham McCallum, John Kennedy and Paul D'Auria are also broadcast design innovators.





Stafford Garner, Stewart MacLennan and Steve Bristow are likewise motion graphics trailblazers.

Matthias Zentner (b. 1950's) and Marc Caplan (b. 1950's) are also motion graphics trailblazers.




Hans Donner (b. 1948), Rudi Boehm, Sylvia Trenker, Nilton Nunes (b. 1930's), Jose Dias and Roberto Shimose are likewise trailblazers in motion graphics.




Xavier Oon and Josef Lee are also motion graphics trailblazers from Singapore.

Stanley J. Beck (1917-2017), Ed Feldman, Fred Diamond and Peter Diaferia (1920's-2014) are also broadcast design trailblazers.







David Hebel (1973-2020's), Jun Rung, Collis Ta'eed and Cyan Ta'eed are trailblazers in stock motion graphics.



Tom Lewis (1901-1980's), married to Loretta Young, whose partner Clark Gable had worked with both Marilyn Monroe and Jean Harlow in their last films, is an American media trailblazer.







Julio Cortazar (1914-1984), Carlos Fuentes (1920's-2010's), Mario Vargas Llosa (b. 1936) and Gabriel Garcia Marquez (1920's-2014) are notable writers of the Latin American Boom.



Mark Goodson (d. 1990's) and Merv Griffin (b. 1925) are game show trailblazers.

Bill Todman, Jack Barry (1918-1984), Dan Enright (1917-1990's), Richard S. Kline (d. 2020), Merrill Heatter (1925-2017), Bob Quigley (1912-1989) are also game show trailblazers.




Alexis de Tocqueville (b. 1800's) and Alistair Cooke (b. 1900's) were notable observers of American popular culture.



Charles King (1912-1972) and Roger King are also influential television executives.

Warren Spellman (1930's-2017), George Schweitzer (b. 1950's) and Michael Mischler (b. 1950's) are likewise television executives.




J. Walter Thompson (d. 1920's) is the namesake of the world-famous advertising agency.

Maurice Saatchi and Charles Saatchi are namesakes of the equally world-famous advertising agency called Saatchi & Saatchi.





James Doyle (1902-1989), Maxwell Dane (b. 1906) and Bill Bernbach (d. 1980's) are namesakes of an equally world-famous advertising agency called DDB Worldwide.




Daniel Lord (d. 1930) and Ambrose Thomas are also namesakes of the advertising agency.

Albert Lasker (d. 1950's) is a pioneer of the modern advertising trend.



Maurice Needham (d. 1966), John J. Louis (1890's-1950's) and Melvin Brorby (1890's-1996) are the namesakes of the Chicago-based advertising agency.




Emerson H. Foote (1906-1990's), Fairfax H. Cone (1900's-1977) and Don Belding (1897-1969) are the namesakes of the advertising agency called FCB, which rose from the ashes of Lord & Thomas.

John Pearce, Ronnie Dickenson and John Collett are the namesakes of another advertising agency.



Frank Lowe (b. 1941) worked at Collett Dickenson Pearce before starting the eponymous agency.

David Ogilvy (d. 1990's) and Edmund Mather are the namesakes of another advertising agency.




William G. Tragos, Claude Bonnange, Uli Wiesendanger and Paolo Ajroldi use the first letter of their surnames for the advertising agency called TBWA.



Marcel Bleustein-Blanchet (1906-1996) and Maurice Levy (b. 1942) are also advertising trailblazers.

Frank Campbell (d. 1950's), Henry Ewald (d. 1953) and Karl Eller (1920's-2010's) are also advertising executives.




Jay Chiat (1930's-2002) is one-half of the eponymous advertising agency.

Chiat/Day developed its own innovative advertising style fused with popular culture.





George Batten (d. 1918), Bruce Barton (d. 1960's), Roy Sarles Durstine (d. 1962) and Alex Faickney Osborn (d. 1966) are namesakes of the advertising agency called BBDO.




Hill Blackett (1890's-1960's) and John Glen Sample (b. 1890's) are also advertising masters.

Frank Hummert (d. 1966), Howard M. Dancer and Clifford Fitzgerald are also involved in an agency being co-run by Hill Blackett and John Glen Sample.



John Orr Young and Raymond Rubicam (1890's-1978) are also advertising masters.





Alan Morris (b. 1942) and Allan Johnston are namesakes of an advertising agency called Mojo.

Mojo created its own unique cinematic style imitated by other agencies in the advertising business.



Known as the John Lennon and Paul McCartney of Australian advertising, both Alan Morris and Allan Johnston from Mojo changed the advertising world.





Brian Monahan, Lyle Dayman and Phillip Adams (b. 1930's) are namesakes of another agency.

In the late-1980's, Monahan Dayman Adams (MDA) merged with Mojo, which, in turn, merged with Chiat/Day in 1989.




Mojo/MDA was sold by Chiat/Day to FCB in the early-1990's or before 1993, after its 1989 merger.

Another three years after Mojo/MDA's early-1990's sale to FCB, TBWA merged with Chiat/Day in the mid-1990's or before 1996.



John Bartle, Nigel Bogle and John Hegarty are namesakes of the world-famous advertising agency,

Ian Batey (b. 1937) and Michael Ball (1936-2010's) are men who changed advertising in Asia.




William Morris (d. circa 1929) and William Morris Jr. (1890's-1989) are some entertainment agents.

Michael Ovitz, Ronald Meyer, Nat Lefowitz (1905-1980's) and Ted Ashley (1920's-2002) are the other entertainment agents.



Suzie Kennedy (b. 1977) is one of the most successful Marilyn Monroe impersonators.



The Shaw brothers are influential media moguls in Asia and the world.

Run Run Shaw (1900's-2014) is one of the world's best media moguls, whose other brothers are Runje Shaw (1896-1975), Runde Shaw (1898-1973) and Runme Shaw (1901-1980's).

Chua Lam (b. 1941) and Raymond Chow (1920's-2010's) are also Asian film trailblazers.







Johnny Unitas (1933-2002), Bart Starr (1930's-2010's), Joe Namath, Roger Staubach (b. 1942), Terry Bradshaw (b. 1948), Joe Montana (b. 1957) and Troy Aikman (b. 1966) are pro football legends.

Len Dawson (1930's-2022) and Earl Morrall (1930's-2014) are also legends of pro football.


Merlin Olsen (d. 2010), Dan Fouts (b. 1950's) and Matt Millen (b. 1950's) are also pro football icons.



Franco Harris (1950-2022) and Don Maynard (1930's-2022) are also pro football icons.




Frank Gifford (1930-2010's) and Pat Summerall (1930-2013) are NFL players who are also legends.

John Elway (b. 1960), Dan Marino (b. 1961) and Jim Kelly (b. 1960) are also football greats.




Tom Brady (b. 1977), Peyton Manning and Patrick Mahomes (b. 1990's) are also pro football greats.

Don Meredith (1938-2010), Alex Karras (1930's-2010's) and Dan Dierdorf (b. 1949) are likewise pro football legends.




George Halas (1890's-1980's), one of the best sports individuals, also drove the vision for the NFL.

Lamar Hunt (b. 1930's), also one of the best sports individuals, is the primary founder of the AFL.




Bert Bell (1890's-1950's) and Pete Rozelle (1926-1996) are influential commissioners of the NFL.





Paul Brown (1900's-1990's) is one of the most influential NFL head coaches.

Weeb Ewbank (1900's-1998) and Blanton Collier (1906-1980's) are assistants of Paul Brown, who also became influential NFL head coaches of their own.




Jim Lee Howell (1914-1990's) is likewise one of the most influential head coaches in sports.

Vince Lombardi (b. 1913) and Tom Landry (b. 1924) are Jim Lee Howell's coordinators also becoming influential NFL head coaches of their own.



Sid Gillman is likewise one of the most influential pro football head coaches.

Al Davis (1929-2010's) is one of the NFL individuals citing Sid Gillman as his mentor.



Chuck Noll (1930's-2010's), John Madden (1936-2021), Bill Walsh (b. 1930's), George Seifert, Mike Holmgren (b. 1948), Dick Vermeil (b. 1936) and Andy Reid (b. 1950's) are in the Sid Gillman tree.

John Harbaugh (b. 1962) and Sean McDermott (b. 1974) are in the Sid Gillman tree likewise.




Bill Russell (1930's-2022) and George Mikan (1924-2005) are early NBA superstars.

Larry Bird (b. 1950's), Magic Johnson (b. 1950's), Julius Erving (b. 1950), Michael Jordan (b. 1960's), Scottie Pippen (b. 1960's) and Dennis Rodman (b. 1961) are pro basketball legends.

Pat Riley (b. 1945) and Phil Jackson (b. 1945) are legendary coaches in pro basketball.





Adolph Rupp (1901-1977), John Wooden (d. 2010), Mike Krzyzewski and Dick Vitale (b. 1930's) are legends in college basketball.





Babe Ruth (1890's-1948), Lou Gehrig (1900's-1941) and Joe DiMaggio (1914-1990's) are some of the legendary baseball players.


Casey Stengel (1890-1975), Joe McCarthy (d. 1978), Billy Martin (1920's-1989), Joe Torre, Tony La Russa and Tommy LaSorda (1920's-2021) are legendary baseball managers





Jean Beliveau (1930's-2014), Maurice "Rocket" Richard (b. 1921), Wayne Gretzky (b. 1961), Mark Messier (b. 1961) and Mario Lemeiux (b. 1960's) are NHL legends.









Glenn Sather, Mike Keenan (b. 1949), Toe Blake (1912-1990's), Scotty Bowman (b. 1933), Al Arbour (1930's-2010's), Don Cherry (b. 1930's) and Harry Neale (b. 1937) are NHL coaches.





Ayrton Senna (1960-1990's) and Dale Earnhardt (1950's-2001) are legends in the motorsports world.

Pele (d. 2022), Franz Beckenbauer (d. 2020's) and David Beckham (b. 1975) are soccer icons.





Felix Baumgartner (b. 1969) and Alan Eustace (b. 1957) are some individuals making record-breaking jumps.


Jess Oppenheimer (1913-1980's).

Karl Freund (1890-1969)



James Wong Howe (b. 1890's) is one of the most innovative cinematographers in Hollywood.

Having begun his Hollywood career as an assistant to Cecil B. DeMille, James Wong Howe had many innovations like wide-angle lenses, deep-focus photography, low-key lightning and others.



Gordon Willis (1930's-2014) is also one of the most innovative cinematographers in Hollywood.



Russell Mulcahy (b. 1953), Brian Grant, David Mallet (b. 1942) and Scott Millaney are trailblazing masters in the music video industry.

Steve Barron (b. 1950's) and Bob Giraldi (b. 1930's) are likewise music video masters.





Danny Dark (b. 1938) and Ernie Anderson (1920's-1997) are the continuity announcers for America's iconic and world-famous Big Three broadcasters.





Fred Facey (b. 1930), Howard Reig (1921-2008) and Bill Rice (1929-2010's) are iconic and famous announcers for the news divisions of the Big Three broadcasters in the United States.

Harry Kramer (d. 1996) and Bob Hite (b. 1914) are announcers for the CBS Evening News.





Don Robertson (1920's-2021), Les Marshak (b. 1948) and Jim Fagan (d. 2017) are iconic and famous announcers for the sports divisions of the Big Three broadcasters in the United States.

Ed McMahon (1920's-2009), Don Pardo (1918-2014) and Edd Hall (b. 1950's) are iconic and famous announcers for late-night television on NBC.







Todd Storz (1924-1960's) and Gordon McLendon (1921-1986) are top forty radio founders.

Rick Sklar (1929-1990's), Bill Drake (1937-2008), Gene Chenault (d. 2010), Chuck Blore (1929-2021) and Mike Joseph (1920's-2010's) are likewise top forty perfectors.




Jack Kerouac (1920's-1969) is one of the three notable writers of The Beat Generation.

1997 was when two of the other notable writers of The Beat Generation died; one has the given name William (1914-1997), the other being the surname Ginsberg (1926-1997).

Neal Cassady (1926-1960's) is also in The Beat Generation and the counterculture movement.








William Edward Boeing (d. 1950's), James Smith McDonnell (1890's-1980) and Donald Wills Douglas (1890's-1981) are aviation pioneers.



Ludwig Mies van der Rohe (d. 1969), Le Corbusier (d. 1960's), Walter Gropius (d. 1969), Frank Lloyd Wright (1860's-1950's) and Louis Sullivan (d. 1924) are modern architecture pioneers.

Edward Durell Stone (1902-1978) and John C. Austin (d. 1960's) are also modern architects.




Raymond Hood (d. 1930's) is one of the Art Deco architects.

Donald Deskey (1890's-1989) and Raymond Loewy (1893-1986) are industrial designers.




Louis Skidmore (1897-1962), Nathaniel Owings (1900's-1984) and John O. Merrill (1896-1975) are namesakes of the architectural empire.




Richard Avedon (b. 1920's) is one of the best and most influential fashion and portrait photographers in history, whose work defined the image of beauty and style.





Before Richard Avedon's work, static poses are used in fashion photography.

With Richard Avedon's work, dynamic and expressive poses are used in fashion photography.





Herb Ritts (1950's-2002) are some influential fashion and portrait photographers.







Mario Testino (b. 1954), Max Vadukul (b. 1961) Matthew Rolston (b. 1950's), Helmut Newton (b. 1920),



Jean-Marc Le Pechoux (b. 1953) is a French-born Australian photographer.




Ronald Lauder, who is one of the heirs of the Estee Lauder company co-founded by its namesake, is a businessman, but also US Ambassador to Austria, starting in 1986.

Mark Palmer (1941-2013) was US Ambassador to Hungary, also starting in 1986, lasting until 1990.










Cliff Richard, Marty Wilde (b. 1930's), Adam Faith, Tommy Steele (b. 1936) and Lonnie Donegan (1930's-2002) are also pioneers in British rock music.









Gia Carangi (1960-1986) is the first supermodel in both America and the world.

With her edgy looks and her tough-as-nails attitude, Gia Carangi has changed the way the modelling industry is being made.







Tricia Helfer (b. 1974), Sandrine Holt (b. 1972) and Shalom Harlow (b. 1973) are likewise Canadian fashion models.

Estella Warren (b. 1978) and Rachel Roberts (b. 1978) are Canadian fashion models as well.




Paulina Porizkova (b. 1960's), Eva Herzigova (b. 1973) and Karolina Kurkova (b. 1984) are the most famous Czech fashion models ever.










Plus, Princess Diana has qualities on par with Marilyn Monroe, James Dean, Elvis Presley and The Beatles, like charisma, charm, beauty, grace and class.

In addition, Princess Diana's life is also marked by negative aspects, including loneliness.





Hugh Hefner (1926-2017) is likewise a pop culture icon, as are Marilyn Monroe, James Dean, Elvis Presley, The Beatles, Aretha Franklin, Whitney Houston and Mariah Carey.




The Supremes are an influential rhythm & blues singing group.

Diana Ross, Mary Wilson (d. 2021), Cindy Birdsong (b. 1930's) and Florence Ballard are some of the members of The Supremes.


Patti LaBelle and Martha Reeves (b. 1941) are namesakes of the girl groups in rhythm & blues.




The Ronettes are another influential singing group.

Veronica Bennett (d. 2022), Estelle Bennett (1941-2009) and Nedra Talley are the members of The Ronettes.



Marion Harris (b. 1897) is the first well-known white singer to perform jazz and blues songs.

Timi Yuro (b. 1941) and Chris Clark are some of the first white girls singing rhythm & blues.



Rod Stewart (b. 1945) is likewise a famous icon.

Dusty Springfield (1930's-1990's), Janis Joplin and Teena Marie (1950's-2010) are the other blue-eyed soul singers.



Bruce Lee (d. 1973) is likewise a pop culture icon.




Metric is a Canadian rock band.

Emily Haines (b. 1974) and James Shaw are Metric members.



Amanda Brunker (b. 1974) and Andrea Roche (b. 1977) are sexy girls from Ireland.

Glenda Gilson (b. 1981), Rosanna Davison (b. 1984) and Nadia Forde (b. 1989) are likewise sexy girls from Ireland.





Douglas Fairbanks (d. 1930's), Charlie Chaplin (d. 1977) and Mary Pickford (b. 1890's) are legendary Hollywood stars in the silent era.






Edward R. Murrow (1900's-1960's) and Walter Cronkite (d. 2009) are notable trailblazers in broadcast journalism.



Lowell Thomas (1890's-1981) and Douglas Edwards (1917-1990) are trailblazing newscasters.

Chet Huntley (d. 1974) and David Brinkley (b. 1920) are trailblazing newscasters as well.



William L. Shirer (1900's-1993), Eric Sevareid (1912-1990's) and Howard K. Smith (1914-2002) are some of the original associates being hired by Edward R. Murrow.

George Polk (1913-1948) is one of the later associates being hired by Edward R. Murrow.




Herbert Morrison (1905-1989) and John Cameron Swayze (1906-1990's) are likewise trailblazers in broadcast journalism.







Tom Brokaw, Dan Rather (b. 1930's) and Peter Jennings (1938-2005) are the Big Three newsmen who dominated American evening network news from the mid-1980's or before 1984 to 2005.




Roger Mudd (1920's-2021), Hughes Rudd (1921-1990's), Bill Plante (1938-2022) are notable news reporters.




Barbara Walters (1929-2022) and Katie Couric (b. 1957) are American newswomen.





John Facenda (1913-1984) and Tom Snyder (b. 1936) are trailblazers in local television news.

Irv Weinstein (1930-2017), Jerry Dunphy (1921-2002) and Larry Kane (b. 1942) are some other local television news trailblazers.





Bill Kurtis, Walter Jacobson (b. 1937), Fahey Flynn (b. 1980's) and Joel Daly (1930's-2020) are some other local television news trailblazers.

Dave Moore (1924-1998) and Ralph Renick (1920's-1990's) are also local news trailblazers.




Marciarose Shestack (b. 1930's), Trudy Haynes (1926-2022), Dorothy Fuldheim (1893-1989), Jean Enersen and Ann Bishop (1930-1997) are some trailblazing women in local television news.







Don Hewitt (1920's-2009) and Fred W. Friendly (d. 1998) are innovators in broadcast journalism.

Al Primo (1930's-2022), Mel Kampmann (1930-2010's) and Joel Cheatwood (b. 1950's) are notable innovators in local television news.



Philip McHugh (1917-1993), Peter Hoffman (1930-2022) and Frank N. Magid (1930's-2010) are some television news consultants.




Alan Freed (1921-1960's) and Murray the K (1920's-1980's) are influential top forty disc jockeys.

Don Steele (1936-1997), Robert W. Morgan (1937-1998), Wolfman Jack (1936-1990's), Casey Kasem (1930's-2014) and Rick Dees (b. 1950) are likewise influential top forty disc jockeys.

Gary Bautell (1942-2022) and Chris Noel (b. 1941) are influential disc jockeys as well




Lloyd Robertson (b. 1930's) and Peter Mansbridge (b. 1948) are Canadian television news legends.

Earl Cameron (d. 2005) and Harvey Kirck (1920's-2002) are also Canadian news trailblazers.



Jennifer Hedger (b. 1975), Holly Horton (b. 1975), Jody Vance (b. 1960's), Teresa Hergert-Kruze, Kate Beirness (b. 1984) and Leah Hextall (b. circa 1981) are Canadian sports girls.





Richard Dimbleby (1913-1960's) is an influential broadcast journalist outside the United States.

Kenneth Kendall (1924-2010's), Richard Baker (1925-2010's) and Robert Dougall (1913-1990's) have been the first three regular faces and voices of television news from the BBC.

David Dimbleby (b. 1938) and Jonathan Dimbleby are Richard Dimbleby's well-known and respected children, but also likewise renowned broadcast journalists outside the United States.



Cliff Michelmore (d. 2010's) is also an influential broadcaster outside the United States.



Peter Sissons (1942-2010's), Martyn Lewis (b. 1945), Philip Hayton, Andrew Harvey, Michael Buerk, John Humphrys and Richard Whitmore (b. 1933) are also British newsmen.

Sue Carpenter (b. 1950's), Angela Rippon, Moira Stuart (b. 1949), Anna Ford, Julia Somerville, Sonia Ruseler (b. 1960's), Sue Lawley and Selina Scott (b. 1950's) are British newswomen.



David Frost (1938-2013), Michael Parkinson (b. 1930's) and Eammon Holmes (b. 1950's) are the other British television icons.





Jasmine Lowson (b. 1972/1978), Mishal Husain (b. 1973) and Nina Hossain (b. 1975) are also British television newswomen.





Charles Mitchel (1920-1996) is the first face and voice of television news in Ireland from RTÉ.

Bryan Dobson (b. 1960) and Eammon Lawlor (b. 1950's) are the other Irish journalists.




Anne Doyle (b. 1950's), Eileen Dunne (b. 1950's) and Sharon Ni Bheolain are Irish newswomen.

Una O'Hagan (b. 1962), Grainne Seoige (b. 1973) and Amanda Bryam (b. 1973) are likewise Irish newswomen.

Keelin Shanley (1960's-2020) and Caitriona Perry (b. 1980) are also Irish newswomen.




Miriam O'Callaghan (b. 1950's/1960) is also an Irish television woman.



James Dibble (1920's-2010) is the ABC's face and voice of television news.

Brian Henderson (1930's-2021) and Brian Naylor (1930's-2009) are the main newscasters on the Nine Network in both Sydney and Melbourne during their eras.

Eric Pearce (1905-1997) is also a legendary Australian newscaster.



Tracey Spicer (b. 1960's), Ann Sanders (b. 1960), Anne Fulwood (b. 1950's), Jennifer Keyte (b. 1960), Melissa Downes (b. 1973) and Tracey Curro (b. 1960's) are Australian newswomen.




Philip Sherry (1933-2021), Bill Toft (1925-1975) and Dougal Stevenson (b. 1942) are television news trailblazers in New Zealand.

Angela D'Audney (d. 2002) is the first regular female news anchor in New Zealand.





Richard Long (b. 1950's) and John Hawkesby are the other regular New Zealand newsmen.

Miriama Kamo (b. 1973), Kate Hawkesby (b. 1973) and Hilary Barry (b. 1969) are some New Zealand television girls.



Harry Gasser (1936-2014) is the Filipino face and voice of television news during the pre-EDSA era.

Vicky Morales (b. 1969) is one of the Filipino newsgirls.






Pierre Sabbagh (1918-1990's) is France's first face and voice of television news.





Anne-Sophie Lapix (b. 1972) and Mélissa Theuriau (b. 1978) are French newsgirls.





Karl-Heinz Koepcke (1920's-1990's) is a trailblazer in television news across the DACH region.

Gerhard Klarner (1920's-1990), Heinz Wrobel (1929-2010's) and Peter Kloppel (b. 1950's) are likewise news legends in Germany.

Norbert Anwander (b. 1960) is also a German newsman.






Jacobo Zabludovsky (1920's-2010's) is one of the Hispanic television news trailblazers.




Maria Celeste Arraras (b. 1960) and Myrka Delianos (b. 1960's) are Hispanic American newsgirls.

Teresa Rodriguez (b. 1957), Maria Elena Salinas (b. 1954) and Carmen Dominicci (b. 1972) are also Hispanic American newsgirls.




Claudia Palacios (b. 1977), Inex Maria Zabarian (b. 1969) and Maria Cristina Uribe (b. 1960's) are also Hispanic newsgirls.

Mara Patricia Castañeda (b. 1966) and Martha Debayle (b. 1960's) are likewise Hispanic newsgirls.






John Peel (b. 1930's), David Jensen (b. 1950), Noel Edmonds (b. 1948), Gary Davies (b. 1957), Mike Smith (b. 1950's), Kenny Everett (d. 1990's) and Steve England are British radio disc jockeys.

Mike Read, Steve Wright (1954-2020's) and Paul Gambaccini (b. 1949) are the other radio DJs.




Howard Cosell (1918-1990's), Jim McKay (1921-2008) and Harry Kalas (1936-2009) are some of the famous sportscasters.

Bryant Gumbel (b. 1948) and Bob Costas (b. 1950's) are also sportscasters.





Nina Blackwood and Martha Quinn (b. 1950's) are two of the original female MTV video jockeys.











Tim Moseley (1902-1997) and Alexander M. Poniatoff (1890's-1980) are innovators in media.

Lee Perry (1936-2021), known by his nickname Scratch, is a music innovator.




Bill Putnam (1920-1989), Bruce Swedien (1930's-2020), Tom Hidley (b. 1930's) and James Bullough Lansing (1902-1949) are likewise innovative engineers.

Gary Kellegren (1930's-1997), Chris Stone (1930's-2010's) and Joseph Tarsia (1930's-2022) are audio innovators as well.






Sidney Harman (1918-2010's), Bernard Kardon (1914-1993), Francis F. Lee (1920's-2020's) and Tutti Camarata (1913-2005) are audio innovators.

Fritz Pfleumer (d. 1945) and John T. Mullin (1913-1990's) are innovative media engineers.





Gerhard Narholz (b. 1937) is an Austrian-American musician.


Treg Brown (1890's-1984), Greg Watson, Pat Foley and Brian Niemens (b. 1950's) are sound effects creators.



Julian Aberbach (b. 1909) and Jean Aberbach (d. 1990's) are businessmen in music.

Freddy Bienstock (1920's-2009) is a cousin of both Julian Aberbach and Jean Aberbach.




Miriam Kahan (1920's-2010's) is the wife of both Herb Abramson and Freddy Bienstock.

Caroline Bienstock (b. 1950's) is the daughter of both Freddy Bienstock and Miriam Kahan, the latter being Herb Abramson's former wife.

Johnny Bienstock (b. 1920's) is Freddy Bienstock's brother.



Dave Miller (1925-1980's) is a person playing a role in creating rock music.



101 Strings is a studio orchestra created by Dave Miller, who played a role in creating rock music.

The trademark sound created for 101 Strings focuses on melody with a laid-back ambiance, frequently featuring strings; its work was performed by several German orchestras.

Early experiments in symphonic-pop hybridization are some of the 101 Strings projects.




John Mauceri (b. 1945), John Axelrod (b. 1966) and Keith Lockhart (b. 1950's) are likewise music conductors.



Andrew J. Kuehn (b. 1937) revolutionized the film trailer business in the 1960's and beyond.

Steve Golin (1950's-2010's) was a trailblazer in bringing the MTV style everywhere.















The Second City and The Groundlings are world-famous comedy torups like Monty Python.

Bill Murray (b. 1950), Dan Aykroyd (b. 1950's), Eugene Levy and Harold Ramis (d. 2014) are some members of The Second City.










Namie Amuro (b. 1977), BoA (b. 1986) and A-Mei Chang (b. 1972) are some of the Asian answers to Madonna.

Tata Young (b. 1980) and Lee Hyori are the Asian answers to Britney Spears.





Lynda Trang Dai (b. 1960's) and Minh Tuyet are unconventional Vietnamese singers.

Both Lynda Trang Dai and Minh Tuyet embrace the modern and sexual trends, in contrast to the other Vietnamese female singers sticking to traditions.




While Lynda Trang Dai is the Vietnamese Madonna, Minh Tuyet is the Vietnamese Britney Spears.




Having taken cues from Madonna, Lynda Trang Dai is one of the first Vietnamese singers to go against convention by using crop tops and full-on Western-style makeup.

Due to her status as the Vietnamese Madonna, Lynda Trang Dai sings English and Vietnamese.





Minh Tuyet, meanwhile, takes cues from Britney Spears, Mariah Carey and Beyoncé.

Plus, Minh Tuyet is one of the first Vietnamese singers in the 21st century to use crop tops and full-on Western-style makeup on stage.




Thanh Lam (b. 1969), Hong Nhung, My Linh (b. 1975) and Tran Thu Ha (b. 1977) are the four singing divas in Vietnam.

My Tam (b. 1981), Ho Ngoc Ha (b. 1984) and Ho Quynh Huong (b. 1980) are also famous Vietnamese singers.



Suboi (b. 1990) is the first successful female Vietnamese rapper and is Vietnam's hip-hop queen.

Bao Han (b. 1973), Tu Quyen (b. 1977), Thanh Ha (b. 1969), Nhu Quyen and Nhu Loan (b. 1981) are some other singers among the Vietnamese diaspora.









The melodramatic work being made by Max Steiner changed the way film scores are made, and he is highly-regarded as as a role model for many composers who followed him.

Furthermore, Max Steiner is credited with popularizing the click track technique, which allowed film score composers to sync music and film more precisely.




Gustav Mahler and Richard Strauss are some influences for Max Steiner's film scoring work.



Erich Wolfgang Korngold is the first music composer with an international reputation to create music specially-made for films; in fact, he set a new standard for adventure films.

Many of the swashbuckling film scores that Erich Wolfgang Korngold have composed use strong and powerful brass, romantic melodies and lush strings.

Plus, Erich Wolfgang Korngold was able to adapt to new technical expectations, and achieve mastery similar to his opera work.




Richard Wagner, Richard Strauss, Gustav Mahler, Igor Stravinsky and Giacomo Puccini are just a few notable influences for Erich Wolfgang Korngold's film scoring work.



Alfred Newman is one of the first composers to make original film music in Hollywood.



Some notable influences for Alfred Newman's film scoring work are Richard Wagner, Igor Stravinsky, Max Steiner, Erich Wolfgang Korngold and others.





Franz Waxman's influences for his film music work include Richard Strauss, Gustav Mahler and Erich Wolfgang Korngold, plus jazz and English music.




Some of the influences for Bernard Herrmann's film music work include Max Steiner, Erich Wolfgang Korngold, Charles Ives and Percy Grainger.






European and American music, Alexander Glazunov and others influence Dimitri Tiomkin.

Dimitri Tiomkin is the first film music composer to make both the title theme and the score.





Victor Young's influences include Broadway and Sergei Rachmaninoff.

Hugo Friedhofer was honoured to work with Max Steiner, Erich Wolfgang Korngold and others.



Alex North's influences include Aaron Copland and Duke Ellington, along with French and Russian composers, jazz and vinyl records.




Miklos Rozsa is the last survivor of a group of ten Hollywood composers shaping film music.

Some influences for Miklos Rozsa's film scoring work include Bela Bartok and Hungarian music.



In addition, Aaron Copland is also a film score composer.

The music sound being made by Aaron Copland nearly serves as a precursor to modern film music; his sound is the unequivocal "American" sound and this tradition goes on in many film scores.




Jerry Goldsmith is one of the first composers to use modernist techniques in film music.

Besides both Miklos Rozsa and Bela Bartok, other influences for Jerry Goldsmith's film scoring work include Aaron Copland, Igor Stravinsky, Alban Berg and Bernard Herrmann.






Plus, John Williams revived the symphonic film score tradition.

Gustav Holst, Igor Stravinsky, Richard Wagner and Erich Wolfgang Korngold are some of the major influences for John Williams.

Furthermore, Max Steiner and Bernard Herrmann are the other influences for John Williams.



Some Ennio Morricone influences include John Cage, Karlheinz Stockhausen, Pierre Boulez and La Monte Young, among others.




John Williams. Jerry Goldsmith, Henry Mancini, André Previn and Marty Paich are some of the film music figures who studied composition and counterpoint under Mario Castelnuovo-Tedesco.

Besides Jerry Goldsmith, Hoyt Curtin studied composition under Miklos Rozsa.



By doing the music for many of the action-adventure series being created by Hanna-Barbera, Hoyt Curtin is the cartoon action-adventure theme music answer to John Barry.




Immediate Music is an epic music company co-led by Yoav Goren and Jeffrey Fayman.

The main influences for Yoav Goren's epic music work include Ennio Morricone, John Barry, Jerry Goldsmith, classical music and The Beatles.



Brand X Music is another epic music empire led by John Sponsler and Tom Gire.






The Thomson-Houston Electric Company merged in the early-1890's with the Edison General Electric Company to form GE, which also formed its worldwide division Thomson Houston International.

During 1893, Compagnie Française Thomson-Houston (CFTH) was established as GE's partner.



Hotchkiss-Brandt merged with CFTH in 1966 to form Thomson-Houston-Hotchkiss-Brandt, renamed Thomson-Brandt.

Just two years after this 1966 merger transaction, in the late-1960's or before 1969, Thomson-Brandt's electronic business merged with CSF to form Thomson-CSF.





From its 1926 launch to its 1986 sale, NBC was owned by RCA.

RCA was co-founded prior to the 1920's by GE, the Westinghouse Electric Corporation, the American Telephone & Telegraph Company and the United Fruit Company.



Suffering complaints that cross-licensing agreements between RCA, GE and Westinghouse have made illegal monopolies, antitrust charges were brought against them in 1930.





Both GE and Westinghouse divested their ownership of RCA in the early-1930's or before 1933.

With both GE and Westinghouse divesting their ownership in the early-1930's or before 1933, RCA declared its independence.




The Orpheum Circuit was owned by Martin Beck and merged with the holdings of Benjamin Franklin Keith and Edward Franklin Albee II in the late-1920's to form Keith-Albee-Orpheum (KAO).

Film Booking Offices of America (FBO), which was run by Joseph P. Kennedy, joined forces with the Keith-Albee-Orpheum circuit by arrangement with RCA to form Radio-Keith-Orpheum (RKO).

Radio-Keith-Orpheum (RKO), also known as RKO Radio Pictures or RKO Pictures, is one of the Big Five studios, joining Paramount, Warner Bros., MGM and 20th Century-Fox Film Corporation.



WBKB, whose calls stood for its owner Balaban and Katz, was the first commercial television station located outside the Eastern United States.




DuMont Laboratories (1930's-1960), which was founded and held by its namesake (1901-1960's), and partly-run by Paramount from the 1930's to the 1950's, was likewise a media pioneer.

WABD, WTTG and WDTV are the flagship television stations of the DuMont Television Network.





Many of the acting stars during Hollywood's Golden Age have used stage names through Hollywood's dream factories, while some others kept their own names.

The New Hollywood movement began in the 1960's.



Johannes Gutenberg brought letterpress printing to Europe with his movable-type printing press, which spreads all across the world; his work led to the information revolution.





MCA's Revue Studios was the largest independent television production company in the US.

Desilu, the eponymous television company from Lucille Ball and Desi Arnaz, was the second-biggest independent television company in the US behind MCA's Revue Studios.



With Universal's 1962 sale to MCA and Revue's transformation into Universal's television arm, Desilu became and remained the largest independent television production company in the United States.

Gulf+Western (then Paramount's parent company) took Desilu and transformed itself into Paramount's television production arm, rebranding the company as the original Paramount Television.






United Paramount Theatres (UPT), founded in 1949 by Barney Balaban's friend and protégé Leonard Goldenson, was a company independent from Paramount's movie-exhibition arm.

Balaban and Katz, which is named after A.J. Balaban and Sam Katz, was a division of the Paramount empire since 1926, and later UPT since 1949.






Arthur Judson founded United Independent Broadcasters in the late-1920's or after 1926.

Not long after its launch in the 1920's or after 1926, Columbia Records invested in United Independent Broadcasters, becoming the eponymous Columbia Phonographic Broadcasting System (CPBS).

Issac and Leon Levy purchased CPBS from Arthur Judson and Columbia Records in the late-1920's or before 1929.




William S. Paley, who was an in-law of the Levy brothers, turned the CPBS network into the Columbia Broadcasting System (CBS), and became its majority owner.

Paramount took 49% of the CBS network in 1929, but the Great Depression forced the studio to sell its shares back to the network in the early-1930's or before 1933.




Edward J. Noble took control of the NBC Blue Network after 1942, after a decree from the FCC stating that RCA divested itself of one of its networks, and changed its name to ABC.

Under Edward J. Noble, ABC tried to be an innovative and competitive broadcaster, but financial issues and the pressure to rival longer-established NBC and CBS hampered the network.






By 1953, Leonard Goldenson's UPT merged with Edward J. Noble's ABC.

Not only did UPT's 1953 merger with ABC save the latter network from extinction, it also sounded the eventual death knell for the DuMont Television Network.

Having been Barney Balaban's protégé, Leonard Goldenson persuaded Hollywood film studios to start filming programs for television.




After network service formally ended, DuMont Labs spun off two of its remaining owned-and-operated television stations, WABD and WTTG, to shareholders as the DuMont Broadcasting Corporation.

In 1957, in order to distance itself from the DuMont branding, which was seen as a failure, the DuMont Broadcasting Corporation became the Metropolitan Broadcasting Corporation.



Metropolitan Broadcasting's shares was purchased by John Kluge from Paramount in the late-1950's or after 1957, becoming Metromedia in 1961 or the early-1960's or after 1960.



Under John Kluge, Metromedia diversified its interests.



Rupert Murdoch, who previously acquired 20th Century Fox, also acquired the independent television stations owned by John Kluge's Metromedia empire.

All of the former independent television stations held by John Kluge's Metromedia empire formed the nucleus of the Fox Broadcasting Company.



Plus, the UPT-ABC merger forced Balaban and Katz to sell WBKB to CBS, which also owned WBBM radio; this resulted in the change to WBBM-TV.

Still in Chicago, WGN-TV became an exclusive DuMont affiliate until the mid-1950's or before 1957.



With the format demise of the DuMont network, WGN-TV began using a general entertainment format typical of the other indpendent television stations in the United States and Canada.

Blending sitcoms, dramas, cartoons, films and religious programs with locally-produced newscasts and others, WGN-TV became an alternative to Chicago's network-owned stations.

In addition, WGN-TV became the leading independent station in Chicago for nearly 4 decades.




The UPT/ABC merger also led DuMont Labs to sell WDTV to locally-based Group W/Westinghouse Broadcasting and change its calls to KDKA-TV in 1954.



Barry Diller, whose mentor is Leonard Goldenson, pioneered the made-for television movies and the television miniseries while at ABC.








Donald McGannon, who worked at the DuMont Television Network as assistant director and General Manager, also worked at Group W/Westinghouse Broadcasting as its President, later Chairman.

Under Donald McGannon's leadership, Group W/Westinghouse Broadcasting was one of the best and most innovative media companies in the world.





Through Donald McGannon's lobbying efforts at Group W/Westinghouse Broadcasting, the Federal Communications Commission created the Prime Time Access Rule.

What the Prime Time Access Rule means is that the television networks would return early-evening programming half an hour to local stations.




Many effects of the Prime Time Access Rule, some of which have been felt still, have an impact on television:



  • The Big Three networks changed the traditional start time for prime time programming, both on weekdays and Saturdays, from 7:30pm to 8:00pm, adopted by later entrants like Fox.


  • But the Prime Time Access Rule was also a factor in the mass cancellation of various television programs geared towards older and rural audiences, known as the rural purge.


  • With this rural purge, the networks decided to target younger audiences that were deemed more desirable to advertisers.




Powel Crosley Jr. held the eponymous media empire based in Cincinnati, with most of its broadcast stations using the three call letters WLW.




For many years, Charles Phelps Taft and Hulbert Taft edited the Cincinnati Times-Star newspaper.

The Cincinnati Times-Star purchased WKRC from CBS in the late-1930's or after 1938; this purchase marked the entry of the Tafts into broadcasting through their subsidiary Radio Cincinnati.



WCPO-TV is the flagship station of the locally-based E.W. Scripps Company.

KDKA-TV is the former flagship station of the broadcast division of the locally-based Westinghouse Electric Corporation.





South Florida's television industry underwent major changes in the 1980's decade.

Mitchell Wolfson's death in the mid-1980's or before 1984 triggered Wometco Enterprises' buyout by Kohlberg Kravis Roberts (KKR), which, not long after, also acquired Storer Communications.




A joint venture between NBC and General Electric acquired WTVJ from KKR in the late-1980's.

With NBC's acquisition of WTVJ from KKR, for the first time in North American television history, a broadcast network directly acquired an affiliate of a competing network.





Taft Television and Radio Company sold its independent stations to TVX in the late-1980's.

Not long after, CBS acquired WCIX from TVX; this move displaced Fox from WCIX, which recently signed longtime NBC affiliate WSVN up as a replacement.




January 1, 1989 (New Year's Day 1989) was the day when a major television affiliation exchange that affected the South Florida region occurred.


Marilyn Monroe's iconic cooing voice is a tactic she used to overcome a childhood stutter; in fact, her voice is a gentle breeze.






Niagara, Gentlemen Prefer Blondes and How to Marry a Millionaire are three of Marilyn Monroe's breakout movies, all released in 1953.

The Seven Year Itch and Some Like It Hot are Marilyn Monroe's films directed by Billy Wilder.




For the Seven Year Itch, Marilyn Monroe plays an unnamed commercial actress and former model.

George Axelrod, who wrote The Seven Year Itch's original 1950's play iteration, also co-wrote its film version with Billy Wilder, in which Marilyn Monroe plays an unnamed actress and former model.



Marilyn Monroe dons a white dress for the most well-known scene of The Seven Year Itch.

In the most well-known scene of The Seven Year Itch, Marilyn Monroe's white dress is blown up by a subway grate wind, revealing her legs and under garments.

Known as a pop culture moment, the flying dress scene being featured in The Seven Year Itch is often associated with Marilyn Monroe's image as well.




Since her death, pictures of Marilyn Monroe's white dress in The Seven Year Itch have been utilized in many of the imitations, representations and posthumous depictions of the actress.





For Gentlemen Prefer Blondes, Marilyn Monroe performs Diamonds Are a Girl's Best Friend.



Marilyn Monroe dons a pink dress for her iconic and world-famous Diamonds Are a Girl's Best Friend version being utilized in Gentlemen Prefer Blondes.

Pictures of Marilyn Monroe's shocking pink dress in Gentlemen Prefer Blondes have also been used in many imitations, representations and posthumous depictions of the actress since her death.





William Travilla created two iconic and world-famous dresses used by Marilyn Monroe, both for The Seven Year Itch and Gentlemen Prefer Blondes.



Directed by Henry Hathaway, Niagara is one of the dramatic films for Marilyn Monroe.

Rose Loomis is the character which Marilyn Monroe plays in Niagara.




For Some Like It Hot, Marilyn Monroe plays Sugar Kane Kowalczyk.

Marilyn Monroe sings four songs in Billy Wilder's Some Like It Hot film: I Wanna Be Loved by You, Runnin' Wild, I'm Thru with Love and the title track.





Bus Stop, the 1950's film iteration of the William Inge play of the same name (which George Axelrod wrote for its film adaptation) stars Marilyn Monroe as Cherie.

A television adaptation of the William Inge play Bus Stop features a woman whose name is similar to Marilyn Monroe, who plays Cherie in its mid-1950's film version.




The Prince and the Showgirl (1957) is the first film by Marilyn Monroe's own production company.

For The Prince and the Showgirl (1957), Marilyn Monroe plays American showgirl Elsie Marina.





When married to Arthur Miller, Marilyn Monroe preferred to be known as Marilyn Monroe Miller, and used the initials Mmm.

The interjection Mmm expresses pleasure, often in connection with food or other sensory experiences.




In fact, Marilyn Monroe looks like a teenage girl.



Just like James Dean and Princess Diana, Marilyn Monroe is eternally youthful.

What makes Marilyn Monroe eternally youthful is her face free of wrinkles and her hair never turning grey.

Marilyn Monroe is also destined to meet her maker early like Jesus Christ; her overdose makes her an immortal figure, as Jesus Christ's cross did for him.




Candle in the Wind (1973) pays tribute to Marilyn Monroe; its 1997 iteration pays tribute to Princess Diana, who died in August 1997.





Rebel Without a Cause is James Dean's best film.

Moss Mabry creates a costume for James Dean, which uses white T-shirts, blue jeans and red leather jackets, which modern teenagers use.




30 Rockefeller Plaza, which is the main tenant of the Rockefeller Centre complex based in New York's Midtown Manhattan portion, has been an iconic structure since its opening in 1933.

Designed in Art Deco by Raymond Hood, 30 Rockefeller Plaza is sometimes called 30 Rock.




Having been the world headquarters of its main tenant RCA, then General Electric (GE), and currently Comcast, 30 Rock is also the world headquarters of NBC, doubling as its East Coast headquarters.

Just before 30 Rockefeller Plaza, NBC's former headquarters was based in a Beaux Arts-style building designed by Floyd Brown, located at 5th Avenue, also in New York's Midtown Manhattan portion.




Radio City Music Hall, which is also based in the Rockefeller Centre complex in New York's Midtown Manhattan portion, is the world's largest indoor theatre, but also a famous structure.

Opened in the early-1930's or before 1933, Radio City Music Hall hosts concerts and events.



Edward Durell Stone and Donald Deskey co-designed Radio City Music Hall, also in Art Deco.

The location for Radio City Music Hall is 1260 Avenue of the Americas.



NBC Colour City Studios is NBC's former West Coast headquarters from the 1950's to 2014.

The NBC Tower, designed in Art Deco by Skidmore, Owings and Merrill, serves as NBC's Chicago headquarters.



Based in downtown Chicago, the NBC Tower is similar to 30 Rockefeller Plaza in New York.

Until the 1989 relocation to the NBC Tower, the Merchandise Mart, likewise an Art Deco structure in downtown Chicago, served as NBC's former Chicago studios.



NBC's Washington headquarters, located on Nebraska Avenue, serves as NBC's Washington studios, doubling as NBC News' former Washington base from the 1950's to 2020.




The CBS Broadcast Centre is the primary East Coast production headquarters for CBS.



Located at West 57th Street on the West Side of Midtown Manhattan in New York, the CBS Broadcast Centre was once the most modern and efficient broadcast facility of its kind in the world.

Before moving to West 57th, CBS' primary East Coast production hub was at Grand Central Terminal, also based in New York's Midtown Manhattan portion.




CBS Television City, or simply Television City, is based at 7800 Beverly Boulevard in Hollywood.

Midwest Plaza, located at the corner of 8th and Nicollet Mall in downtown Minneapolis, serves as the exterior location for the fictional WJM-TV station in Mary Tyler Moore.




The Progressive Club, which is a former Jewish country club located at Techwood Drive in midtown Atlanta, serves as Turner Broadcasting System's headquarters.

Plus, the Progressive Club served as CNN's former headquarters during its first seven years.




Still in Atlanta, the Omni International Complex, located in its downtown core, served as CNN's main headquarters, known as CNN Centre, from the 1980's or after 1986 to the 2020's or after 2022.



The Texaco Star Theatre is a program with Texaco as its title sponsor, first aired on radio from 1938 to 1949, and then on television from 1948 to the mid-1950's or before 1957.

With Milton Berle serving as the host of the television version of The Texaco Star Theatre, television's popularity increased.



Having been the host of the television incarnation of The Texaco Star Theatre, Milton Berle is the first major American television star, and is nicknamed Mr. Television.

Each and every Tuesday night on NBC, people all across the United States would be able to tune in to Milton Berle's television version of The Texaco Star Theatre in their homes/living rooms.





I Love Lucy, which stars the husband-and-wife duo of Lucille Ball and Desi Arnaz, is television's first scripted program to be shot on thirty-five millimetre film before a live studio audience.

Filming on thirty-five millimetre film, other than the traditional video tape at the time, ensured I Love Lucy's longevity on syndication.



Jess Oppenheimer is I Love Lucy's creator, head writer and producer; some people regard him as the creative force behind I Love Lucy and its success.

Karl Freund, the cinematographer for I Love Lucy, perfected the use for multi-camera sitcoms.





If The Texaco Star Theatre's television iteration, with Milton Berle, is television's first big hit, I Love Lucy, co-starring Lucille Ball and Desi Arnaz, is television's first bona fide blockbuster.







The Mary Tyler Moore Show (or simply Mary Tyler Moore) is also a television trailblazer.

Besides Mary Tyler Moore, some of the other actors in this eponymous sitcom include Ed Asner, Ted Knight, Gavin MacLeod, Valerie Harper, Cloris Leachman, Betty White and Jerry Van Dyke.



Hill Street Blues and Miami Vice are also game-changers in television, the earlier being produced by Mary Tyler Moore's MTM Productions.

Anthony Yerkovich was involved with both Hill Street Blues and Miami Vice.



Miami Vice, known as MTV Cops, is innovative for its cinematic approach to television, featuring its quick editing, its glossy look, its focus on urban culture and fashion and its cutting-edge music.

But Miami Vice has also contributed to revitalizing Miami's reputation as a fun and exciting place for young people to visit and a global tourist destination.




Indeed, Miami Vice revolutionized television by appealing to younger and urban viewers.

Although Anthony Yerkovich created Miami Vice, Michael Mann's influence as its showrunner was significant, shaping its distinctive style and tone.






Playboy's first ever issue features Marilyn Monroe as the cover girl; this issue also includes a full-page nude photograph of her, as well as her other images.

Both Marilyn Monroe and Dorothy Stratten are Playboy cover girls.



Michael Jackson's three Epic albums are Off the Wall, Thriller and Bad, all of which are critical and commercial successes and have earned legendary status.




From 1948 to 1973, John Facenda was WCAU-TV's main news anchor, and for over two decades, his newscasts were the highest-rated in Philadelphia and the Delaware Valley.

John Facenda pioneered the format for the local newscasts: news, weather, sports and sign-off.



With the opening of its Charleston branch, located miles away from Huntington, WSAZ pioneered the two-city news format, used by many television stations across America and around the world.






The CBS World News Roundup is the longest-running radio news program in the United States.

For its first edition in March 1938 as a one-time special in response to growing tensions in Europe, the CBS World News Roundup presented, for the first time, Edward R. Murrow's voice to the world.




Lowell Thomas was the regular narrator of the Movietone News series from 20th Century-Fox Film Corporation from the 1930's to the 1950's.

In addition, Lowell Thomas was also the radio newscaster from 1930 to between 1975 and 1977.



The newscast anchored by Lowell Thomas was sponsored by Sunoco.



During his run as a famous radio newscaster, Lowell Thomas also offered the first television news broadcast and the first regularly-scheduled television news program.

For his regularly-scheduled television newscasts before 1941, Lowell Thomas' own Sunoco News program aired over WX2BS (now WNBC) as a camera simulcast of his radio program.



Your Esso Reporter was a sydicated radio news program sponsored by Esso.




The War As It Happens, which came before WWII's 1945 end, began as a local program, but was later being fed to Philadelphia and Schenectady on the NBC Television Network on a weekly basis.

With its feed, The War As It Happens was the first regularly-seen news program in multiple US cities.



I Can Hear It Now 1933-1945 (1948) is the first documentary record to become widely popular, which Edward R. Murrow narrated (and co-produced with Fred W. Friendly).

With the huge success of this first I Can Hear It Now record and two follow-ups in 1949 and 1950, the Edward R. Murrow and Fred W. Friendly pair parlayed them into a weekly program for CBS.



Hear It Now, which used a magazine format, was originally known as Report to the Nation, but had its name changed to capitalize on the high popularity of the albums from Edward R. Murrow.

See It Now, which is the television answer to Hear It Now, is one of the earliest documentary series on television, but also the program setting standards in broadcast journalism via Edward R. Murrow.



Unlike other news programs using newsreel companies to record events, See It Now utilized its own camera crews to coordinate filming on location.

Plus, See It Now had no rehearsed interviews, plus no background music to accompany the visuals.




Although See It Now relied on news correspondents from around the world, the first autonomous news unit was organized by Edward R. Murrow and Fred W. Friendly.

Don Hewitt, Joseph Wershba and Palmer Williams were involved in the first autonomous news unit for See It Now, which Edward R. Murrow and Fred W. Friendly organized.




Person to Person, which Edward R. Murrow hosted, uses celebrities in their homes from a comfortable chair in his New York studio, pioneering the celebrity interview concept.



60 Minutes blends the elements made by the two television projects in which Edward R. Murrow was involved: See It Now and Person to Person.







The NBC Television Newsreel was the new name for The War As It Happens in 1945.

Just a year after WWII's 1945 end, the NBC Television Newsreel gained a sponsor in Esso and became known as the Esso Newsreel, rescheduled to two nights a week.

In February 1948, Esso left and Camel Cigarettes entered the NBC Television Newsreel, becoming the Camel Newsreel Theatre, with John Cameron Swayze as its narrator.




CBS News decided to put Douglas Edwards in front of the camera in May 1948; this launched the first regularly-scheduled television news program featuring an on-camera anchor on a network level.

Before Douglas Edwards, WCBS-TV newscasts were local television broadcasts only in New York.




Whereas the NBC Television Newsreel was simply film footage with voice narration, CBS Television News featured an on-camera anchor.





December 1948 was when NBC acquired an 11-story building at the Pathé complex based near Park Avenue, becoming NBC's Uptown Studios.

NBC had immediate access to filmed news stories from around the world through Pathé.



John Cameron Swayze jumped on Douglas Edwards' bandwagon in February 1949, and the Camel Newsreel Theatre underwent its expansion.

The Camel News Caravan is an expanded version of the Camel Newsreel Theatre.



In 1950, CBS Television News was renamed Douglas Edwards with the News, which was also the first television news program to be simulcast on both the East and West Coasts a year later.

A new coaxial cable connection was the reason for Douglas Edwards with the News marking a historic moment for television.




Chet Huntley and David Brinkley teamed up for the national political conventions in the mid-1950's or before 1957, leading to NBC's eponymous flagship newscast called The Huntley-Brinkley Report.

Using the two-city news format that WSAZ pioneered with the opening of its Charleston branch, miles away from Huntington, The Huntley-Brinkley Report had become a cultural landmark.

Reuven Frank was the driving force behind The Huntley-Brinkley Report's huge success.




Chet Huntley offers national and international news on The Huntley-Brinkley Report from NBC's 30 Rockefeller Plaza studios in New York; David Brinkley focuses on Washington reports.

For The Huntley-Brinkley Report, Chet Huntley was portrayed as a straightforward newsman; David Brinkley had a lighter, more compressed and more whimsical approach.






Douglas Edwards was succeeded by Walter Cronkite on CBS' flagship newscast in April 1962.

In his first year, Walter Cronkite anchored what was known as Walter Cronkite with the News.





Just one year later, in the mid-1960's or after 1962, the newscast, which was renamed the CBS Evening News, expanded its running time from the typical quarter-hour to 30 minutes or a half-hour.

With the mid-1960's expansion of its running time from a quarter-hour to a half-hour, the CBS Evening News with Walter Cronkite became network television's first daily half-hour weeknight newscast.

CBS' rivals NBC and ABC followed the example of the CBS Evening News' half-hour expansion.



The move to 30 minutes or a half-hour on the CBS Evening News with Walter Cronkite revolutionized journalism, allowing for more in-depth reporting and analysis.




From 1962 to 1981, the CBS Evening News with Walter Cronkite had become a cultural landmark; his signature sign-off is "And that's the way it is," followed by the date.

Dan Rather succeeded Walter Cronkite on the CBS Evening News in March 1981 (lasting for 24 years until March 2005).




Having begun at KYW-TV in Cleveland, the Eyewitness News name was also used by Westinghouse's other television stations for their local newscasts during the 1960's.

After the KYW-TV calls, management and some staffers moved to Philadelphia from Cleveland in the mid-1960's or before 1966, its then-news director Al Primo created the Eyewitness News format.



Vince Leonard was still KYW-TV's main news anchor when Al Primo's Eyewitness News format was introduced, but was augmented by the harder-hitting and more urgent Tom Snyder.

Marciarose Shestack and Trudy Haynes are trailblazing newswomen at KYW-TV.






With Al Primo's Eyewitness News format, KYW-TV became the ratings leader at the time, displacing longtime leader WCAU-TV.

The huge success of the Eyewitness News format, made by Al Primo for KYW-TV, also spurred rival news executive Mel Kampmann to create Action News for WFIL-TV (now WPVI-TV).

In 1977, with the Action News format, WPVI-TV won the ratings battle over KYW-TV, and has been number one ever since.




Al Primo then took the Eyewitness News concept with him to WABC-TV in New York City, where he perfected/refined the one that he had created while at KYW-TV in Philadelphia.

By perfecting/refining the Eyewitness News format that Al Primo had created, WABC-TV became the ratings leader for the first time in its history, displacing longtime leader WCBS-TV.




McHugh & Hoffman has spread the Eyewitness News concept to many national and local television stations in the United States and the world.

Frank N. Magid Associates has likewise spread the Action News concept to many national and local television stations in the United States and the world.




Lee Hanna, who also worked at WCBS-TV since 1966, created NewsCentre for WNBC.





Together, Eyewitness News, Action News and Newscentre helped break the notion that a news anchor simply reads the headlines.




Dave Garroway, a radio disc jockey at WMAQ-AM, moved to television with the eponymous program known as Garroway at Large, which began in 1949.

Garroway at Large, which aired every week at 10pm from the WMAQ-TV studios in Chicago, notably introduced an innovative presentation and staging to television through Dave Garroway.

Saturday is when Garroway at Large Dave Garroway, aired, and later, Sundays and Fridays.





When television first began in New York City, programs seen on the medium used/adopted the frequent theatrical proscenium concept, separating the stage from the audience area.

After World War II, several programs originated from Chicago, where Dave Garroway was a radio disc jockey on WMAQ-AM.




Through his own innovative Garroway at Large television program, Dave Garroway circumvented the conventions for a more casual approach in which the reality of the studio was acknowledged.

Followed by a single camera, Dave Garroway, in his own Garroway at Large program, walked around large studios and simple abstract sets as he directly talked to guests and television viewers.



Known as the Chicago Style, this live staging technique, made for Dave Garroway's own Garroway at Large program, was developed further through his other innovative program called Today.





During its initial years, NBC's Today program emanated from the RCA Exhibition Hall.

In the first ever studio used for NBC's Today program from the RCA Exhibition Hall was an open-plan working area with teletypes, wall clocks and workstations all visible (and audible) on the air.





Many people all around the United States described this open-plan working area in the first studio ever utilized for NBC's Today program from the RCA Exhibition Hall as television's command centre.

Plus, this open-plan working area in the first studio ever used for NBC's Today program from the RCA Exhibition Hall was described by Dave Garroway as "the nerve centre of the world."



Based at Rockefeller Plaza and West 49th Street in New York's Midtown Manhattan portion, the RCA Exhibition Hall was down the block from the current studio used for NBC's Today program.





Over the years, the nerve centre in the first ever studio used for NBC's Today program from the RCA Exhibition Hall has become working newsrooms, though not as immersive as its original space.

Instead, working television newsrooms are often placed directly behind the news anchor desk, with a physical or a imaginary divider between the studio and newsroom area.



Layouts for working television newsrooms even include a wall of glass separating the spaces.



However, designs placing news anchors in the middle of the newsroom have been used by numerous programs over the years - in varying degrees.

To put it another way, newsrooms are used as a backdrop during newscasts.




Plus, TV stations/networks frequently do camera positions placed more inside newsroom areas; often called flash cams, they are used for live reports/updates, as well as taped teases/promos.

Newsrooms are used by TV stations for temporary sets, while primary studios are being renovated or updated with a new set or equipment.




A similar idea is also often used for working weather centres in modern television studio sets.



When NBC's Today program started in the 1950's, weather centres did not utilize chroma key, since it requires, by definition, colour cameras.

Upon its debut in early-1950's, NBC's Today program utilized panels, with printed maps, handwritten notations and movable cutout pieces to symbolize weather conditions.




On many local news studio sets, the weather team works in the studio from built-in workstations and video panels, while usually starting/ending their weather reports from in front of a working area.

Many weather centres use a desk or pod allowing weather forecasters to appear on screen, facing the camera, while also viewing computer monitors and manipulating graphics/maps in realtime.



Street-level and windowed studios, meanwhile, are still used from now on.



Technically, all Big Three networks have their morning newscasts from street-level studio sets.




Local US television stations also have street-level and windowed studios, though they often serve as secondary sets or double as a satellite operation for the station's main newsroom.




In many ways, however, these street-level and windowed studios serve more as a highly visual public showcase for the local station rather than using the view as a primary backdrop.

Many of these street-level and windowed studios feature sets, built inside of a traditional windowless studio and having looked much indifferent for all intents and purposes.




Plus, modern and efficient news tickers were not created or launched until CNN Headline News' own SportsTicker in 1993, nor fully popularized until September 11, 2001.





The news ticker used when NBC's Today program first began in the early-1950's or before 1953 was an actual piece of paper with typewritten headlines superimposed on the lower third of the screen.


J. Fred Muggs, a chimpanzee, is a mascot of  NBC's Today program from 1953 to 1957.

Although his tenure as a mascot of NBC's Today program was short-lived, J. Fred Muggs was popular among children.



During its first 48 years from the early-1950's or before 1953 to before 2001, NBC's Today program ran for two hours from 7 a.m. to 9 a.m. Eastern Time.



NBC's two competitors ABC and CBS jumped on the Today bandwagon.




AM America is ABC's first attempt at a morning television program, airing in 1975.

Lasting from January 1975 to October 1975 (Halloween 1975), the unsuccessful AM America program was notable for featuring Monty Python.



Good Morning America (GMA) is ABC's second and most successful attempt to have an early-morning television program.

Having started its long run in November 1975, Good Morning America has won ratings success.



David Hartman, who was an actor, was Good Morning America's first host.



When it began in 1975, Good Morning America changed morning television with a living room set.

Plus, Good Morning America provided a more entertainment-oriented approach, reflected by having a former actor in David Hartman as host.

Charles Gibson replaced David Hartman in the late-1980's on Good Morning America.




On the other hand, CBS entered early-morning television with The Morning Show.




TV-am was ITV's early-morning television franchise.

David Frost, Anna Ford, Angela Rippon, Robert Kee and Michael Parkinson are TV-am's founders.




Roland Rat is TV-am's mascot, like J. Fred Muggs did for NBC's Today program.










Mary Tyler Moore's 1973 episode, called Son of "But Seriously, Folks," deals with the idea that a new approach in local television news is to present it from the actual open-plan working newsroom.

In Mary Tyler Moore's Son of "But Seriously, Folks" episode, which aired in 1973, the idea to present local news from the newsroom is a failure.



The newsroom set of the fictional WJM News in Minneapolis features two school-teacher style desks pushed next to each other; these desks are often used for live updates from the newsroom.

Despite the newsroom set failure in Mary Tyler Moore's Son of "But Seriously, Folks" episode, many real-life television stations across America and around the world did adopt this trend successfully.



For example, WBBM-TV and KNXT (now KCBS-TV) are among the local television stations in the United States to adopt this newsroom-studio combination.

Having pioneered this newsroom-studio combination on a local basis, WBBM-TV's use of this trend lasted longer than KNXT's, but it expanded and many copycats sprung up.







KIRO-TV used this newsroom-studio combination similar to WBBM-TV during the 1980's.

Still in the Pacific Northwest, the newsroom set being used by BCTV from 1975 to 2010 served as the template for CNN's newsroom-studio approach, also lasting from 1980 to 2010.




 newsroom takes a cue from CNN, in what is known as the Newsplex.






The NewsCentre format used a futuristic studio set in the style of a space-age control room, which was designed by Fred Harpman.

Fred Harpman's NewsCentre studio set, in the style of a space-age control room, television news.


While at ABC News, Roone Arledge also began the masthead banner trend, used in news studio sets.





During its last years as an ABC station, WTHR utilized its unconventional local television news format called Eyewitness Newscentre.

For the Eyewitness Newscentre format, WTHR combined the elements made by Al Primo's Eyewitness News format with overtones of the NewsCentre look that NBC stations used.

WTHR's Eyewitness Newscentre concept served as the template for CityPulse.




Robert Wussler is an individual who had put the newsroom set trend on the local television news map through WBBM-TV in 1973, but also on the cable news map through CNN in 1980.






During the mid-to-late-1980's era, NC9 utilized the newsroom-studio combination, the first Japanese television news program to adopt this approach.




Two of Dave Garroway's own television projects, Garroway at Large and Today, influenced modern broadcast design, like CNN and CityTV/MuchMusic.







The Tonight Show is also one of the most successful programs on NBC.

Having been the late-night companion for The Today Show, The Tonight Show doubles as late-night television's primary source in North America and the world.




Late-night television use a formula:



Opening monologues used by late-night talk shows are delivered by their hosts, plus interviews with celebrities, comedy bits and performances by musicians and comedians.

Horn sections are being included in a house band for late-night talk shows.




From 1962 to the early-1990's or before 1993, Johnny Carson was the host of The Tonight Show.





During its first decade with Johnny Carson as its host, The Tonight Show was based at 30 Rockefeller Plaza in New York, with some episodes recorded at NBC Colour City Studios.

May 1972 was when, after a decade in New York starting in 1962, The Tonight Show Starring Johnny Carson made the move to NBC Colour City Studios as its main base.

The main reason for The Tonight Show's relocation to NBC Colour City Studios was Johnny Carson's preference for access to Hollywood stars.





However, The Tonight Show Starring Johnny Carson would continue to have episodes recorded at 30 Rockefeller Plaza for several weeks over the next 12 months in 1972-1973.

After May 1973, however, The Tonight Show Starring Johnny Carson remained permanently at NBC Colour City Studios until the early-1990's or before 1993.






Alternatives to The Tonight Show on NBC include Late Night, the Late Show and the Late Late Show.



David Letterman created the Late Night franchise (which he also hosted in its first incarnation from its inception in the early-1980's or after 1981 to June 1993 on NBC).

Having been the first alternative late-night talk show, Late Night with David Letterman did not use the conventions that the Tonight Show used.



For instance, Late Night with David Letterman could not use old-school guests in show business, horn sections in a house band and sidekicks of the late-night talk show hosts.

Usual segments on Late Night with David Letterman include the Top Ten list and Viewer Mail.



Before Late Night with David Letterman, Tomorrow, which was hosted by former news anchor Tom Snyder, was the lead-out program of the Tonight Show on NBC.




Using an intimate interview concept without a live studio audience, Tomorrow with Tom Snyder was a softer and quieter one than The Tonight Show.

Lasting from 1973 to 1981, NBC's Tomorrow with Tom Snyder was a precursor to Late Night.






Though his run on The Late Show was short, Arsenio Hall performed well among young adults.

Due to his short, but well-earned tenure on The Late Show, Arsenio Hall was given his own talk show, which began in January 1989.




Especially aimed at (but not limited to) a younger urban audience, this original iteration of The Arsenio Hall Show was the place for entertainers to go to in order to reach the MTV Generation.

In addition, this original incarnation of The Arsenio Hall Show quickly appealed to young people of all different races and began attracting a wide variety of guests uncommon on other talk shows.




The huge success of this original version of The Arsenio Hall Show was a catalyst for Johnny Carson's retirement as host of NBC's The Tonight Show in the early-1990's or before 1993.




Plus, The Late Show was revived by CBS in 1993 for an unrelated franchise for David Letterman.

Coming from the Ed Sullivan Theatre in New York City's Midtown Manhattan portion, The Late Show with David Letterman lasted from August 1993 to the mid-2010's or after 2014.




By the same token, David Letterman co-created The Late Late Show on CBS.

During Tom Snyder's reign as its host, The Late Late Show used a format similar to his old Tomorrow program on NBC from 1973 or between 1972 and 1974 to 1981.



Former ESPN anchor Craig Kilborn began hosting The Late Late Show.

With Craig Kilborn assuming his position as its host, The Late Late Show was reformatted to resemble David Letterman, Jay Leno and other late-night talk shows, appealing to a younger audience.




Saturday Night Live is likewise one of the most successful programs on NBC.

Launched in October 1975, Saturday Night Live uses comedy sketches often spoofing contemporary American culture and politics, performed by a cast of repertory and newer cast members.

Each Saturday Night Live episode is hosted by a celebrity guest who frequently delivers the opening monologue and performs in sketches with the cast, with musical guests being featured.




Plus, each Saturday Night Live episode begins with a cold open, usually based on current events.

Saturday Night Live's cold open frequently ends with an iconic and famous proclaimation: "Live from New York, it's Saturday Night!"




Lorne Michaels created Saturday Night Live, which he co-developed with Dick Ebersol.

The Saturday Night Live Band features the rhythm & blues, jazz and rock genres.




Don Pardo was the primary announcer for Saturday Night Live, in his best-known work, from its 1975 launch to his 2014 death, except when he took a break.



Weekend Update is the longest-running recurring sketch on Saturday Night Live.

Usually seen when Saturday Night Live's second and last half starts immediately after the first musical performance, Weekend Update positions itself as a news program.

The signature sign-off catchphrase being used at the end of each and every Weekend Update sketch on Saturday Night Live is "That's the news...good night, and have a pleasant tomorrow."




Oprah Winfrey was at WLS-TV





NBC Saturday Night at the Movies was television's first anthology series to air relatively recent films coming from major Hollywood studios in colour.




During television's early stages, major Hollywood studios did not release their films on television.

Instead, films shown on television during its early stages were typically low-budget B movies or older monochrome academy ratio films that have already lost their value in theatres.

By the 1950's decade, movies were on local television stations or during non-primetime line-ups.



Famous Film Festival and Hollywood Film Theatre are movie series on ABC in the 1950's decade.




While Famous Film Festival presented British films made during and after WWII, Hollywood Film Theatre presented some pre-1948 films by RKO.

RKO sold some pre-1948 films to ABC, while others were syndicated to local television stations.



Together, Famous Film Festival and Hollywood Film Theatre, both on ABC in the 1950's, aired films lasting 90 minutes, which meant some have to be severely either edited or aired in 2 parts.

NBC Saturday Night at the Movies was the first network movie anthology series to run two hours (or occasionally longer), so that almost all films can be aired on one night.



Don Stanley was the main announcer of NBC Saturday Night at the Movies and recorded the opening credits and bumpers at NBC Colour City Studios.




Each of the first three NBC Saturday Night at the Movies seasons begin with a Marilyn Monroe film.



How to Marry a Millionaire, the first film on NBC Saturday Night at the Movies, is also the first colour and CinemaScope film on primetime network television, a year before Marilyn Monroe's death.

Gentlemen Prefer Blondes made its television debut as a tribute to Marilyn Monroe, but also started the second NBC Saturday Night at the Movies season.

The Seven Year Itch, notable for Marilyn Monroe's iconic and world-famous flying subway skirt scene, launched the third NBC Saturday Night at the Movies season.





Spurred by the ratings success of NBC Saturday Night at the Movies, NBC and its rivals added more movie series to the primetime schedule.




Hollywood Special is ABC's supposed mid-season replacement for Bus Stop in 1962.

The ABC Sunday Night Movie, which began airing on a regular basis in the mid-1960's, was the new name for its short-lived and irregular Hollywood Special series.

For Hollywood Special, ABC purchased films released by United Artists in the late-1950's period.



The CBS Thursday Night Movies serves as the network's response to both NBC Saturday Night at the Movies and The ABC Sunday Night Movie.




In addition, the popularity of some of the network movie anthology series on television also offered a windfall to the film studios.






During the 20th century and beyond, Hollywood films, plus other popular culture forms, have spread Western culture and triggered pro-Western sentiments all around the world.

The Chicago School of Television is a term being used by its performers and production staff, whose guiding axiom was that television was neither film nor theatre, but a unique, new medium.





September 1975 was when HBO was the first television service to offer programs all around the nation being delivered via satellite, making cable television a program provider.

HBO's future sister station, held by Ted Turner, under the call letters of WTCG, went national between 1975 and 1977.




Just like HBO's national satellite uplink launched satellite-delivered cable television in 1975, WTCG's national satellite uplink launched the basic cable television industry.

The national satellite uplink led WTCG to become WTBS, also known as SuperstationWTBS.





Earlier on, in 1978 or after 1977, Ted Turner made a deal with a student-operated radio station at MIT to acquire the rights to the WTBS calls.




Not long after its national satellite uplink being held between 1975 and 1977, in the late-1980's or after 1986, SuperstationWTBS became Superstation TBS to emphasize its national prominence.

In 1989, Superstation TBS became TBS Superstation, reflecting the national standing of the channel.



1990 was when Superstation was dropped from TBS' on-screen branding and promotions.

December 1996 was when TBS marked its 20th anniversary as a national cable television service, and reincorporated the Superstation moniker into its name, becoming TBS Superstation again.







June 1, 1980 was CNN's launch, but also could have been Marilyn Monroe's 54th birthday.

Under Robert Pittman's leadership at Warner-Amex, MTV became the first and most profitable cable television channel ever.





On August 12, 1981, ABC and Group W/Westinghouse Broadcasting announced plans to launch the Satellite News Channel (SNC).




SNC's format consisted of rotating newscasts every 18 minutes, with the remaining time allocated for regional newscasts in each half-hour block.

HLN used a concept similar to SNC's, but with newscasts every 30 minutes.





March 1986 was when Ted Turner took Metro-Goldwyn-Mayer from Kirk Kerkorian.

However, due to concerns involving his companies, Ted Turner sold MGM back to Kirk Kerkorian on August 26, 1986.




But Ted Turner kept MGM's pre-May 1986 film and television library, forming Turner Entertainment Company in the same month of August 1986.



Films made in black-and-white were colourized via Turner Entertainment; partly due to Ted Turner's colourization, the Library of Congress established the National Film Registry in 1989.

Since 1989, the National Film Registry has preserved American films in their original format.






Hanna-Barbera was the most successful animation studio in the television business.

Plus, Hanna-Barbera was one of the first Western-based studios to outsource their animated work to animation studios in foreign nations.





1966 was when Taft Broadcasting acquired Hanna-Barbera.

Hanna-Barbera was sold in the early-1990's or after 1990 to Turner Entertainment and Apollo Global Management; Turner then took over a 50% stake in Hanna-Barbera held by Apollo in 1993.





Arthur Rankin Jr. and Jules Bass co-held the eponymous animation studio since its 1960 inception.

Originally called Videocraft International, the animation studio, co-led by Arthur Rankin Jr. and Jules Bass, changed its name in the late-1960's or before 1969.




Nearly all Rankin/Bass animation was outsourced to Japanese animation companies.

In other words, Rankin/Bass was one of the first studios based in the Western world to outsource their animated work to animation studios in foreign nations, just like Hanna-Barbera was.

Rankin/Bass Productions was the first American animation outfit to exploit the Canadian voice acting community as well.



With Warner Bros. Cartoons closing its doors in the mid-1960's or after 1962, David H. DePatie joined Friz Freleng to form the eponymous company in the mid-1960's or after 1962.





Arlene Klasky and Gabor Csupo led the eponymous studio in the early-1980's or after 1981.

Klasky-Csupo is the most imaginative and innovative animated studio ever.




Hanna-Barbera's worldwide divisions are in Australia (1972-1980's), the Philippines (1980's-2001) and Taiwan (1978-present).



Disneyland is the first theme park opened by the Walt Disney Company.

Besides Disneyland, other parks that were opened by the Walt Disney Company include Walt Disney World, Disneyland Paris, Tokyo Disneyland, Hong Kong Disneyland, etc.




Universal Studios Hollywood and Universal Studios Florida are the main theme parks for Universal's theme park unit.

Others include Universal Studios Singapore and Universal Studios Japan.






Cable television had reached households in the United States, and started drawing significant viewing audiences away from the US-based Big Three networks by the early-1980's.

All Big Three networks found ways to expand into cable television (in order to protect and grow their viewing audiences) and they all experimented with niche programming on cable.




For example, NBC launched the Consumer News and Business Channel (CNBC) in April 1989.

Rivalling CNBC was the Financial News Network (FNN), which began on November 30, 1981.




Merging CNBC with FNN in the early-1990's or after 1990 marked the start of the real CNBC.




Louis D. Snader (b. 1897) ran the eponymous company called Snader Telescriptions.

Soundies and Scopitones, besides Snader Telescriptions, are also forerunners of MTV.









Roone Arledge, who joined ABC Sports in 1960, moved to ABC News in 1977.

Under Roone Arledge, ABC News became the top-rated television news organization in America, and developed 20/20, World News Tonight, Nightline, This Week, PrimeTime Live and others.





A Current Affair, which began in July 1986, is the American forerunner of tabloid television and a key example of the rise of tabloid journalism on television.

Inside Edition and Hard Copy follow A Current Affair's example; both began in 1989.




During its first 30+ years, WTVJ had earned unusual levels of stability.

Some of the factors for WTVJ's stability during its first 30+ years include Mitchell Wolfson's Wometco leadership, its CBS affiliation, and Ralph Renick, its first news director and lead anchor.

Having been the main news anchor for WTVJ, and having spent its first 30+ years doubling as its news director and Vice President, Ralph Renick was also a personal friend of Mitchell Wolfson.





Ralph Renick's resignation from WTVJ in the mid-1980's stemmed from the loss of support caused by Mitchell Wolfson's death and KKR stripping most internal managerial power from him.







With changes affecting South Florida television in the late-1980's, WSVN hired Joel Cheatwood as its news director.





Under Joel Cheatwood, WSVN dropped the lighter and softer newscast format in favour of a different newscast format à la Miami Vice, which WSVN aired during its last years as an NBC station.

For WSVN, its Miami Vice-style newscast format, which Joel Cheatwood had created, is described as being fast-paced and visually-driven, emphasizing tabloid journalism and crime coverage.



Inside Story started on January 2, 1989 as a local tabloid news program for WSVN.

Created to fill one of the holes left when NBC left WSVN and CBS acquired WCIX, Inside Story was similar to A Current Affair, and anchored by Penny Daniels.



As an NBC station, WSVN was a station notorous for its.

But as an independent station, under the efforts of Joel Cheatwood, Ed Ansin and Bob Leider, WSVN changed its news format to attract younger viewers.






Ted Baxter, Mary Richards, Lou Grant, Murray Slaughter, Rhoda Morgenstern, Phyllis Lindstrom, Sue Ann Nivens and Wes Callison are some characters on Mary Tyler Moore.









Most flagship television newscasts from around the world conclude with the weather forecast, whereas others conclude with a recap of the day's main news stories after the weather.




AFN has been the best and most effective way people all around the world could get American culture since May 26, 1942; in fact, many of the best global celebrities were influenced by AFN.







May 1942 was when Tom Lewis, married to actress Loretta Young, whose partner Clark Gable had worked with both Marilyn Monroe and Jean Harlow in their last films, began AFRTS.

1953 was when AFRTS entered television, with a station at Limestone Air Force Base in Maine.





From 1942 to 1954, AFRTS was called the Armed Forces Radio Service (AFRS).

By adding television to this mission, AFRS became known as the Armed Forces Radio and Television Service (AFRTS) in 1954.



In 1969 or the late-1960's, a small name change for AFRTS resulted in it being known as the American Forces Radio and Television Service; in the early-1980's or after 1981, its name reverted to Armed.

AFRTS reverted its name to American before 2001; in 2017 or the late-2010's, AFRTS became AFN.






The American Forces Network Europe, usually known as AFN Europe, is one of the affiliates of the worldwide AFRTS system.




AFN Munich is one of the AFN Europe stations.

Southern European Broadcasting (SEB) and the Blue Danube Network (BDN) are the other AFRTS outlets based in Europe.


From its 1942 inception, Hollywood was the base for AFRTS.



In 1986, AFRTS relocated its operations to the Sun Valley portion of Los Angeles.

With this relocation of its operations from Hollywood to Sun Valley in 1986, the AFRTS Programming Centre became the AFRTS Broadcast Centre (AFRTS-BC).







The AFRTS Broadcast Centre moved to Riverside, also based in Southern California, in the mid-1990's period or before 1996.




Initially, AFN Europe came from London, using equipment and studio facilities from the BBC.

Soon, AFN Europe's operational headquarters moved to Paris, though its administrative headquarters remained in London.



Moving from London to Frankfurt, where it operated from a confiscated house, in August 1945, AFN Europe then moved its headquarters to Frankfurt's medieval Höchst Castle a year later.




Frankfurt's Höchst Castle was/is the first ever proper headquarters for AFN Europe located in post-war Germany, but also the most remembered and well-loved location AFN had ever had.

In 1966, AFN Europe relocated its headquarters from this well-loved Höchst Castle to its new home in Dornbusch, which is north of Frankfurt's downtown core.

Built in a more modern and open design than the famous and well-loved Höchst Castle, AFN Europe's headquarters at Dornbusch in Frankfurt lasted 38 years since its move in 1966.





The main AFN Europe headquarters, based at Frankfurt's Dornbusch quarter, is close to Broadcasting House Dornbusch, which is the main headquarters of Hessischer Rundfunk.





Just before 2005, after nearly 60 years at its iconic and famous Frankfurt home, AFN Europe made the relocation of its headquarters to Coleman Barracks in Mannheim.

2014 was when (after a decade at Coleman Barracks in Mannheim) AFN Europe made the move of its headquarters to Sembach Kaserne, which is located in Sembach near Kaiserslautern.



Since November 1945, BDN had been popular among American troops and Austrian citizens with its American programming line-up, but ended in the mid-1950's after 1954.





Having been the largest of AFN's Asia-Pacific operations, AFKN had been serving American military personnel across South Korea since 1953.






From its primary headquarters at District 1 in Saigon, AFVN served US military personnel in South Vietnam from 1962 to March 1973.

Some AFVN detachments were in Da Nang, Nha Trang, Hue, Quang Tri and so forth.



Udorn Royal Thai Air Force Base, located in Udon Thani, was the main headquarters for AFTN.



Plus, the AFRTS station in Taiwan since 1957 was the Armed Forces Network Taiwan (AFNT).

Due to the United States ending diplomatic relations with the Republic of China, based in Taiwan, in a year between 1978 and 1980, AFNT became International Community Radio Taipei (ICRT).




FEN began its operations in 1945, sharing studios with NHK from 1945 to the early-1950's.

SCN was the oldest network in the AFRTS system from 1941 to the late-1990's or after 1998, whereas CPN was the only civil AFRTS station.



Although famous Hollywood stars have kept US troops entertained through the AFRTS system, it also introduced American citizens to famous faces involved with AFN.







Gary Bautell is one of the former AFN disc jockeys, having worked at AFN Europe since 1962.




During Gary Bautell's first few decades, German radio played conservative music.

Though broadcasting was limited to American military personnel, both Gary Bautell and AFN Europe introduced American music to German listeners.





Having worked in Germany for over 50 years, Gary Bautell had been involved in promoting relations between Germany and the United States.

Plus, Gary Bautell, once known as "the voice of the U.S. military in Europe," influenced German pop culture, especially introducing elements in American pop culture.




Chris Noel is also a former AFN disc jockey, having worked at the American Forces Vietnam Network during the 1960's, but also sometimes called "the next Marilyn Monroe."

From 1966 or the mid-1960's to before 1972, Chris Noel hosted her own radio program on AFVN.




Tom Lewis scraped personnel and equipment to begin AFRTS via Loretta Young, whose partner Clark Gable had worked with both Marilyn Monroe and Jean Harlow in their last films.





Joel Aldred was hired by the CBC in 1945 as its own radio announcer.

But in 1949, the CBC fired Joel Aldred, after calling this broadcaster a socialistic monopoly.




From the CBC, Joel Aldred moved to Hollywood.

While in Hollywood, Joel Aldred had become one of its highest-paid and most in-demand advertising broadcasters, performing live commercials for sponsors on television programs.

Along with Ted Rogers Jr., Joel Aldred formed the eponymous media company.







Telegram Corporation is the name of a company co-run by John Bassett and John David Eaton.

With Foster Hewitt, Telegram Corporation and Aldred Rogers Broadcasting launched CFTO-TV.





Niagara Television was the name for Ken Soble's media empire.




Ken Soble launched CHCH-TV in June 1954; it was initially an affiliate of the CBC network.

Seven years after its June 1954 launch, in 1961, CHCH-TV severed its relationship with the CBC, and became Canada's first fully independent television station.


There are three reasons for CHCH-TV's disaffiliation from the CBC:

  • Hamilton is in the Toronto market, and Toronto-based CBLT had already offered full network service to some of CHCH-TV's viewing area.

  • CBLT also planned to increase its transmitting power and change frequencies, a situation that resulted in a near-total overlap with CHCH-TV.

  • The CHCH-TV managers wanted to produce more local programs, instead of the CBC.



Douglas Gale (1930-2010's) and Sydney J. Bibby (1918-1981) both worked with CHCH-TV since its 1954 inception; their efforts turned CHCH-TV into a station for American imports.







United Program Purchase (UPP), a consortium of television stations around Canada, which purchased some program rights separately from the CTV and CBC networks, was led by CHCH-TV.

By 1966, UPP was gaining media coverage as the potential framework for a third Canadian television network.





In 1966, Ken Soble's Niagara Television empire began proposing a new national network to be fed via satellite from a central station to 96 repeaters across Canada.

In this original proposal that Ken Soble had began, CHCH-TV would serve as the flagship station of a national 97-station satellite-fed television network proposed by Niagara Television.



Not long after Niagara Television started to propose a new national satellite-fed television network in autumn 1966, with CHCH-TV as the planned flagship, Ken Soble died in 1966.

Frances Soble then assumed her father Ken Soble's place as Niagara Television's president, just a few weeks after Ken Soble's 1966 death.




Ken Soble's employee Al Bruner shepherded the first official licence proposal for a national network flagshipped at CHCH-TV, which was proposed by Niagara Television.

In the first official proposal for a national network flagshipped at CHCH-TV, Niagara Television had developed a separate French-language network to widen its national satellite-fed network.

Niagara Television's plan for a separate French-language network had over forty transmitters.



Power Corporation of Canada backed Niagara Television's plan for a national service being carried via satellite from a central station to 96 repeaters across Canada.





However, Niagara Television's proposal for a national 97-station satellite-delivered television network suffered hurdles and delays and Power Corporation of Canada backed out in 1969.

Plus, Al Bruner was fired from Niagara Television in 1969.




Despite its lack of success in developing a full-fledged network, CHCH-TV became one of the most prominent syndicators of non-network programming in Canada.

Many entertainment programs made for CHCH-TV are seen across Canada and around the world.





Just one year after his firing from Niagara Television and CHCH-TV in 1969, Al Bruner revived this proposal, with Niagara Television and CHCH-TV not in the bid.

Global Communications is the name for Al Bruner's corporation.



Having won a license for a regional network in Southern Ontario in 1972 or before 1973, the Global Television Network began in 1974.




Initially, the Global Television Network promised local content.

But after three months in business since tis launch in 1974, the Global Television Network suffered a financial crisis.






The Global Television Network, unable to stem a financial crisis, initially attracted potential bidders.

Soon, IWC Communications, held by Allan Slaight, and Global Ventures Western Ltd., co-run by Paul Morton and Izzy Asper, bailed out the Global Television Network.

Izzy Asper also owned CKND-TV in Winnipeg (which already carried some Global programs under a syndication deal).





Global's original model, which comprised locally-made programs, was deemed to be unsustainable by 1974, and it was forced to pick up American imports to fill in the gaps.




Bill Stewart (b. 1926) began serving as Global's program director in 1975.

David Mintz (1920's-2002) became Global's president between 1978 and 1980.




With the efforts made by Izzy Asper, Bill Stewart and David Mintz, the Global Television Network became viable while its viewership grew.

Izzy Asper then acquired controlling interest in the Global Television Network in the mid-1980's or between 1984 and 1986, the first Western-based owner of a major Canadian broadcaster.



Both Paul Morton and Izzy Asper have fought against each other for control of the Global Television Network in 1989, a struggle which was resolved in favor of both Izzy Asper and Canwest.



For its first decade, Global was a regional six-transmitter network covering Southern Ontario.

However, Izzy Asper, after having acquired controlling interest in the Global Television Network, was eager to grow his chain of stations into a third national network.



By launching and purchasing many other stations outside Ontario and Manitoba in the 1980's and the 1990's, Global, run by Izzy Asper's Canwest empire, had seven out of ten Canadian provinces.




Western International Communications (WIC) held three independent stations in Alberta that carried Global programs.





Izzy Asper's Canwest empire took WIC's local television outlets before 2001, which boosted Global's coverage in Western Canada, but also prompted the launch of a second over-the-air service.

Canwest's second over-the-air service, which resulted from its acquisition of the traditional television stations run by WIC, derived its name from the calls of its flagship station CHCH-TV.




MuchMusic (est. 1984) is Canada's answer to MTV.

YTV is Canada's answer to Nickelodeon.






In September 1972, CityTV began its operations from the former Electric Circus nightclub.

Located at 99 Queen Street East in downtown Toronto, the former Canadian branch of the US-based Electric Circus nightclub opened in the late-1960's or before 1969.



Staying true to their downtown roots, CityTV, MuchMusic and CHUM Limited's television division relocated their operations to 299 Queen Street West in the late-1980's or after 1986.





Built in 1913 as the headquarters of the Methodist Church, which, in 1925, joined forces with 2 other denominations to form the United Church, 299 Queen Street West is a major Canadian landmark.

The Ryerson Press had occupied 299 Queen Street West overall since the late-1950's or before 1960.




CityTV's 1978 acquisition by CHUM, which, in 1981, acquired CityTV's majority interest, led to 299 Queen Street West being acquired in the mid-1980's or between 1984 and 1986.

Helping to revitalize 299 Queen Street West as the television headquarters for CHUM Limited and its various outlets like CityTV and MuchMusic was the firm Quadrangle.




While the exterior of 299 Queen Street West has been restored and remains intact, the interior of 299 Queen Street West has been modernized into an innovative media complex.



Designed to have no TV studios, the entire 299 Queen Street West was rigged for video and audio.



Many television productions made by various CHUM assets like CityTV and MuchMusic, all of which emanated from 299 Queen Street West, were presented live on the ground floor or a street level.

Street-level studios are where people in each city's downtown core may look through glass windows to watch either radio or television programs.




CityPulse (now CityNews) is CityTV's highly-acclaimed and award-winning news operation.




Until the late-1980's move to 299, the news anchors on CityPulse sat behind the anchor desk in a dark studio with a television set behind them.

With the move to 299, the anchors on CityPulse started to stand up in (and walk around) the desk-less newsroom studio set featuring various positions.



Among the various positions of the innovative desk-less CityPulse newsroom (while at 299) were the unique glass-etched map of the city, the assignment desk and monitor banks.

Plus, the weather forecast on CityPulse during the 299 era was held in an exterior place.




John Reith, the BBC's first Director-General, developed the eponymous policy called Reithianism.

Reithianism means that, at a time when local radio outlets in the US, Canada and Australia drew large people cheering for their local team, the BBC emphasized service for a national audience.



The BBC Television Service started its regular operations in 1936, just before a wartime closure in the late-1930's or after 1938, only to return a year after WWII's 1945 end.

Alexandra Palace is the base for the first regular television service in the world from the BBC.





During his short-lived, but successful run as the BBC's second post-war television controller, Norman Collins made the first steps for television into becoming a truly mass medium.




Major steps made under Norman Collins as the BBC's television controller were increasing television license numbers and the expansion beyond London into other major cities.

Plus, under Norman Collins, the BBC became one of the first members of the EBU/UER.



Sutton Coldfield opened its transmitting station in 1949 as the first ever television transmitter outside London and the Home Counties.

With the 1949 opening of the Sutton Coldfield transmitter, for the first time, BBC Television became available to viewers outside the South East.




Holme Moss opened its transmitting station in the early-1950's or after 1950, two years after Sutton Coldfield in 1949, bringing BBC Television for the first time to the North.

Kirk O'Shotts, Wenvoe and Divis repsectively opened their transmitters in the rest of the 1950's, all bringing BBC Television for the first time to Scotland, Wales, the West and Northern Ireland.




EBU/UER membership was for broadcasters, otehr than governments; early delegates said that these meetings were cordial and professional and very different from the abrupt tone of its precursors.

August 1950 was when the BBC Television Service aired the first ever outside broadcast all over the English Channel to mark the centenary of the first cross-channel telegraph message.







British Electric Traction (BET), its division Broadcast Relay Services Ltd. (whose trading name was Rediffusion) and Associated Newspapers jointly ran Associated-Rediffusion.

Suffering huge financial losses made by the new ITV system in its initial years, the majority stake in Associated-Rediffusion held by Associated Newspapers was sold to BET and Rediffusion.



William Pye's eponymous company was an trailblazer in British electronics.



Associated Television (ATV) had its distribution unit: the Incorporated Television Company (ITC) or ITC Entertainment.







ITC produced British cult hits that are also popular in the United States and the rest of the world.

Originally used to be a contractor for the United Kingdom's new ITV network, ITP failed to clinch a contract because doing so would give too much control in entertainment to Grade's companies.



However, Associated Broadcasting Development Company (ABDC) suffered insufficient funds.

To fix this problem, ITP merged with Norman Collins' ABDC contractor, which became known as the Associated Broadcasting Company (ABC), and Lew Grade dominated this company.




But the Associated Broadcasting Company's rival already used rights to this name for ABC Weekend Television, so Associated Television was called upon as a substitute.





In 1957, ITC became an ATV division and produced its own programs for ATV, but also for first-run syndication in the United States.





Val Parnell was managing director of both ATV and ITC, with Lew Grade as deputy, until 1962.

The companies being owned by Lew Grade were reorganized in 1966 into the Associated Television Corporation.

In 1978 or after 1977, ATC became the Associated Communications Corporation (ACC).




Structural changes in the late-1960's period meant that ABC Weekend Television had no contract to reapply for; the Northern area would be an all-day operation, as would the Midlands.





Expectedly, ABC Weekend Television should have won the London contract in the weekend, but the strength held by London Weekend Television ruled it out in the late-1960's or before 1969.

LWT's strength over ABC Weekend TV led to the situation, where a successful ITV station could be closed down through no fault of its own in the late-1960's or before 1969.




Solving the problem of ending a successful ITV franchise with no fault of its own in the late-1960's or before 1969, BET and ABPC merged their television interests to form Thames Television.

EMI took over ABPC in 1969 or the late-1960's.





Hugh Carleton Greene was the BBC's Director-General from 1960 or the early-1960's until 1969 or the late-1960's.

During his tenure, Hugh Carleton Greene modernized the BBC to defy stiff competition from ITV.





From 1960 or the early-1960's to 2013 or the mid-2010's, the BBC's main television headquarters had been Television Centre (TVC).

Officially opened on June 29, 1960, the BBC Television Centre has become a British landmark.



London Weekend Television used its equally-famous headquarters based on the South Bank.



Higgs and Hill constructed two iconic and world-famous British television studios: the BBC Television Centre and the South Bank Studios, the latter used by London Weekend Television.



The 1989 Television Without Frontiers directive had elevated European television from national public broadcasting to mixed systems of commercial and public television.

Plus, the 1989 Television Without Frontiers directive paved the way for the emergence of transnational channels distributed through cable and satellite television.




What led to the 1989 Television Without Frontiers directive was the 1984 Green Paper.




Brian Haynes, a former Thanes Television journalist, produced a documentary about Ted Turner and his satellite operations and also how many European countries developed this technology.

Due to the documentary about the emerging satellite television industry, which he produced for Thames Television, Brian Haynes set up his own company called Satellite Television Limited in 1980.



Rupert Murdoch purchased Satellite Television in the mid-1980's or before 1984; under him, Satellite Television became Sky Channel in January 1984.



In 1986, Rupert Murdoch was involed in one of the five bids for the IBA satellite television license.

British Satellite Broadcasting (BSB) won the IBA satellite bid over Rupert Murdoch; his loss was the motivation for Sky Channel's expansion into a mutli-channel satellite television service.



Sky Television launched its operations in February 1989, with the upgraded version of the original Sky Channel being included in its four channels.



Plus, Thames' owner Thorn EMI began Premiere, Music Box and the Children's Channel in 1984.

Julian Mounter, a former British journalist, was the mastermind behind Premiere, Music Box and the Children's Channel.




The British Forces Network (BFN) and the Forces Broadcasting Service (FBS) were former names for BFBS.

September 1975 was when television was added to BFBS, with a station located near Hanover in West Germany.





Chris Howland (1920's-2013) is one of the former BFBS disc jockeys.

Having been an almost unknown name in his native Britain, but a household name in his other country named Germany, Chris Howland was the first disc jockey in the latter nation.

The British programs hosted by Chris Howland were popular among German youths, who could rather listen to British music than the staid contemporary domestic fare.






BBC World Service Television was the television answer to the BBC World Service.

Unlike the BBC World Service on radio, BBC World Service Television was not funded by the British government through a grant-in-aid; it was funded by either subscription or advertisements.

The first foray into global television broadcasting for the BBC, BBC World Service Television offered BBC programs to the world, plus its specially-commissioned World Service News bulletins.



During his reign as the ABC's chairman, Richard Boyer opposed commercialism, which would lead to American dominance, and held up the BBC model to maintain Australia's British heritage.




Rupert Murdoch ran Network Ten's assets in Sydney and Melbourne during the early-to-mid-1980's.

Izzy Asper's Canwest empire took over Network Ten's flagship stations in the 1990's.




Northern Star, which was an offshoot of the Westfield Group, led by Frank Lowy, owned Network Ten during the late-1980's betwwen Rupert Murdoch and Izzy Asper.




In 1989, the regional television industry in Australia changed with the process called aggregation.

What the aggregation process meant is that it provided television viewers all over Australia's regional places with the same choice as their metropolitan counterparts.



Bruce Gordon began serving as the Australasian sales executive for Desilu, which was co-founded by Lucille Ball and Desi Arnaz, in 1962.

Desilu was sold to Gulf and Western in 1966, renaming the studio Paramount Television.



Television Wollongong Transmission, which Rupert Murdoch had held since the 1960's or after 1962, owns WIN-4.




Rupert Murdoch sold Television Wollongong Transmission (rebadged as WIN Television) to Bruce Gordon between 1978 and 1980.

WIN Television began its affiliation with the Nine Network with aggregation in 1989.




Paul Ramsay's Ramcorp purchased Midstate Television in the late-1980's; with its acquisition, Seven Network programming increased in preparation for aggregation.

In addition, Paul Ramsay changed the name from Midstate Television to Prime Television.





Moving down under in 1986, Julian Mounter joined TVNZ as its director-general, whose task was to revitalize this much respected, yet loss-making entity.

Julian Mounter's task was successful, and TVNZ became a highly-profitable public broadcaster.



Galaxy was the first premium television broadcaster in Australia, leading to Foxtel, Austar and Optus.






From 1962 or the early-1960's to 1975 or after 1974, TVNZ was called the New Zealand Broadcasting Corporation (NZBC).




RNZ, TV One and South Pacific Television joined in 1977 to form the similarly-named BCNZ.

By merging TV One and South Pacific Television in 1980, Television New Zealand was formed as the television division of the BCNZ.



TVNZ's decades-long monopoly was broken in November 1989 with TV3.

Positioned as an energetic alternative to TVNZ, TV3 was New Zealand's first privately-held television channel, operating with the US-based NBC network as one of its minority shareholders.





1989 was also the year that a funding agency known as New Zealand On Air was formed through the Broadcasting Act 1989.




Having failed to gain ground against a recently revitalized TVNZ and placed into receivership in May 1990, TV3 continued to broadcast with Westpac as a major creditor.

Izzy Asper's Canwest media empire steadily took over TV3 throughout the 1990's.



Under Canwest, TV3 increased its audience and advertising revenue, leading to significant profits.

Plus, under Izzy Asper's Canwest media empire, TV3 steadily increased its coverage all around New Zealand, adding dozens of transmitters and translators, assisted by New Zealand On Air.



Kevin Weldon and Neil Balnaves respectively guided Hanna-Barbera Australia until the late-1980's or before 1989, when the latter reorganized Hanna-Barbera Australia as Southern Star.

Zoran Janjic (d. 2010's), who came to Australia from his native country (and birthplace) Yugoslavia in 1960 or the early-1960's, was with Hanna-Barbera Australia since its 1972 inception.





Regie Française de Publicite (RFP) lasted from 1969 or the late-1960's to 1993 or the mid-1990's.





Hessischer Rundfunk (HR), Bayerischer Rundfunk (BR) and Südwestrundfunk (SWR) are three main regional public broadcasters in Germany's American zone and part of the ARD consortium.

Before the 1998 merger, the Stuttgart-based component of SWR was Süddeutscher Rundfunk (SDR).





Nordwestdeutscher Rundfunk (NWDR) served West Germany's entire British zone, but also served the German city-state based in an exclave within the Soviet zone until 1954 or the mid-1950's.

The mid-1950's saw NWDR split into two regional broadcasters: Norddeutscher Rundfunk (NDR) and Westdeutscher Rundfunk (WDR), both members of the ARD consortium.





Joining HR, BR and SWR in the ARD consortium in Germany's American zone is Radio Bremen.

Südwestfunk (SWF) served both southern Baden-Württemberg and Rhineland-Palatinate before 1998.





RIAS, founded by American occupational authorities after World War II, earned popularity through its innovative and creative programming; its importance was magnified with the 1948-1949 blockade.

The 1948-1949 blockade turned RIAS into a surrogate service for East Germans, as it broadcast news, commentary and cultural programs unavailable in the controlled East German media.

Having won a huge East German audience, RIAS was the most popular foreign radio station.







In the late-1980's or before 1989, RIAS started its own television service, before which there were no Western television broadcasts targeting the East.

But the November 1989 fall of the infamous wall being erected in 1961, along with the October 1990 German reunification, meant that RIAS-TV was short-lived.



Deutsche Welle took over RIAS-TV's operations in the early-1990's or before 1993.




Nederlandse Omroep Stichting (NOS) manages and leads NPO.

Besides NOS, other famous and iconic Dutch broadcasters in the NPO system include AVRO, TROS, VARA, KRO, NCRV, VPRO, EO, RVU and IKON.





Stichting Ether Reclame (STER) manages advertising on NPO.

Founded in the mid-1960's or before 1966, STER brought advertising to Dutch television.









For its European iteration, BBC World Service Television blended programs from BBC One and BBC Two.

However, unlike its precursor, BBC World Service Television had a schedule pattern, which was more synchronized to CET.




BBC World Service Television's European version offered many first-run programs timeshifted to more suitable times for viewing in CET, and its specially-commissioned World Service News bulletins.




King World, the eponymous television company from Charles King, and after his 1972 death, his son Roger King, is the leading syndicated television programming distributor.





Producciones JES is a now-defunct Colombian television production company, whose name is taken from the initials of its founder Julio Enrique Sánchez Vanegas.

Jorge Barón Televisión, which is another Colombian television production company, is owned by its namesake Jorge Barón, who is Julio Enrique Sánchez Vanegas' personal friend.






The British-based Rediffusion company entered Hong Kong in March 1949 with Radio Rediffusion, a highly-successful wired radio service.

In 1957, after Rediffusion entered Hong Kong in 1949, Rediffusion Television was also born.




Positioned as a subscription cable television outlet in Hong Kong, Rediffusion Television was the first television station in a British Empire colony, but also in a predominantly Chinese city.




Sir Run Run Shaw entered television with TVB in the late-1960's or after 1966.

The first terrestrial television service in Hong Kong, TVB has also historically been regarded as Hong Kong's leading television service.



During its first 6 years, until 1973, TVB was Hong Kong's sole free-to-air television company.

In June 1973, Rediffusion was renamed RTV after it was granted a free-to-air television license, and in November 1973, shifted into a terrestrial one, the second in Hong Kong after TVB.




CTV, having won a license in 1974, after being issued in 1973, began operations in 1975, lasting until 1978.




In 1981, Rediffusion Hong Kong sold 61% of RTV to an Australian consortium; a year later, a Chinese enterprise acquired a stake in RTV, which changed its name to Asia Television (ATV).




Rediffusion Television used its original office at Wan Chai in Hong Kong when it began in 1957.

Nearly 12 years later, in the late-1960's or before 1969, Rediffusion Television made the relocation to Broadcast Drive in Hong Kong's Kowloon Tong area.




Even when its rival TVB made moves, ATV stayed at Broadcast Drive in Hong Kong's Kowloon Tong area until before 2008, when it made the move to Hong Kong's Tai Po Industial Estate.




When it began in the late-1960's or after 1966, TVB originated from its first ever headquarters based at Broadcast Drive in Hong Kong's Kowloon Tong area, and was neighbours with RTV and RTHK.

Having outgrown its former Broadcast Drive headquarters, TVB made the relocation to a former Shaw Movietown complex at Hong Kong's Clear Water Bay area in the late-1980's or before 1989.

TVB moved to its new headquarters at Hong Kong's Tseung Kwan O Industrial Estate after 2002.





RTHK was based at Mercury House in Hong Kong's Central area until 1969 or the late-1960's.




1962 or the early-1960's was when TTV began, followed by CTV in 1969 or the late-1960's and CTS before 1972.



Star TV was a television service bringing English-language programs to the Asia continent.

Hutchinson Whampoa, through its media division HutchVision, owned the Star TV service.





BBC World Service Television was also the name of a 24-hour news, information and current affairs service with minor differences in Asia, serving as a precursor to BBC World.




Radio Television Singapore (RTS), the Singapore Broadcasting Corporation (SBC) and Singapore International Media (SIM) are MediaCorp's precusors.

Television Corporation of Singapore (TCS) is one of the two television divisions that make up the Singapore International Media empire.








Channel 5 started in the mid-1960's or after 1962 as a service in all Singaporean languages.

But the launch of Channel 8, also in the mid-1960's or after 1962, led to a duopoly, meaning that two television channels in Singapore used the split programming strategy.




Advertising in Singaporean television was introduced in the mid-1960's.




1973 or between 1972 and 1974 was when RTS revised two television services in Singapore.

While Channel 5 focused solely on English and Malay-language content outside ETS hours, Channel 8 focused solely on Chinese and Tamil-language content outside ETS.



However, administrative and budgetary constraints prevented RTS' ability to grow, leading to frequent turnover in staff, and a relliance on imported programs, other than domestic productions.

On February 1, 1980, RTS was replaced by SBC, which positioned itself as an autonomous, state-held enterprise similar to the BBC and its neighbours.





January 31, 1984 marked the launch of Singapore's third television channel named Channel 12, whose primary programming was arts, cultural and educational, later adding sports.

In the 1990's, SBC formed Singapore Cable Vision (SCV) to manage pay television.




SCV's minority stake was held by SBC, while its majority stake was held by Singapore International Media.





The first of the three channels from SCV was NewsVision.

NewsVision aired 24-hour news, mainly with CNN International in the United States, as well as some others from Independent Television News, plus SBC's 9 p.m. English-language newscast.



With NewsVision, SBC's local monopoly over television news was broken, and for the first time, the Singaporean public had access to foreign newscasts on local television.




Besides NewsVision, two other SCV channels included MovieVision and VarietyVision.



Relaying HBO, MovieVision carried 30 films every month, initially for 12 hours, aiming to expand its length to 18 in January 1993, and began airing for 24 in the mid-1990's or after 1993.

Meanwhile, VarietyVision aired programming from the Chinese world.




Together, all three SCV channels were available on UHF, which was not ideal given that 80% of the Singaporean population lived in high-rise buildings, affecting signal reception.

In addition, SCV viewers also did not warm up to high subscription costs.






After 14 years, in the mid-1990's or after 1993, SBC was privatized as Singapore International Media.

In the late-1990's or after 1998, the Singapore International Media group was restructured as the Media Corporation of Singapore (MediaCorp); the MediaCorp name became official in 2001.





The Marshall Plan was a success; its namesake George C. Marshall won the Nobel Peace Prize for his successful role in its creation/implemention, which aimed to rebuild Western Europe after WWII.




Fil-Cartoons was in Manila in the Philippines and Wang Film/Cuckoo's Nest was in Taipei, Taiwan.




Let's Go (Pony) features the world-famous hand-clapping rhythmic chant, which has since become a favourite of cheerleaders and football fans around the world.






Hanna-Barbera was among the first ever animation studios to incorporate digital techniques into their pipeline; Scanimate was used to create digital cutout style in an early form.

Likewise, Hanna-Barbera was the first ever animation studio in the United States to enact a computer animation system for digital ink and paint usage.





Marc Revoy led Hanna-Barbera's digital lab from 1980 to the mid-1980's or before 1984.

Under Marc Levoy as its leader, the Hanna-Barbera Animation Laboratory circumvented much of the time-consuming labour of both painting and photographing cels.

The digital ink and paint process, made by Hanna-Barbera, was being used on a third of the animated series, television films and specials from 1984 to 1996.




On the other hand, the Walt Disney Company was an innovator in the entertainment business.



Paul Revere (1730's-1818) is one of the members of the Sons of Liberty.

Having been an American Revolution hero for his midnight ride in April 1775, Paul Revere freed the United States from the British.






Hill & Range was led by Julian Aberbach and Jean Aberbach.

After World War II, Julian Aberbach's younger son Jean Aberbach started working for Max Dreyfus at Chappell & Co. in New York, which is Marilyn Monroe's second hometown.



In the early-1950's, however, when Max Dreyfus tried to take Hill & Range, Jean Aberbach decided to quit Chappell & Co. and joined his son Julian Aberbach's company.




Julian Aberbach and Jean Aberbach then set up an arrangement, in which the publishing rights to Elvis Presley tunes were split between Hill & Range and Elvis Presley and his management.

Freddy Bienstock (who was a cousin of both Julian Aberbach and Jean Aberbach at Hill & Range) was installed as the head of Elvis Presley Music - in effect, a subsidiary of the Hill & Range company.



Belinda Music, which is Hill & Range's British subsidiary, was sold in 1966 to Freddy Bienstock, who renamed it Carlin Music Corporation, after his daughter Caroline.





Plus, Freddy Bienstock was in an investor group taking Chappell & Co. from PolyGram in 1984.

Warner Communications purchased Chappell & Co. from an investor group, which included Freddy Bienstock, in the late-1980's or after 1986.




ATV entered music by taking a 50% stake in Pye Records in the late-1950's.

Pye's other 50% stake was sold to ATV in 1966; also in 1966, ATV acquired a 50% stake in both New World Music and Jubilee Music, both from Chappell & Co.




Northern Songs, formed in the mid-1960's or after 1962 by John Lennon and Paul McCartney of The Beatles, plus Brian Epstein and Dick James, was sold to ATV in 1969 or the late-1960's.

In 1972 or before 1973, ATV Music was formed to manage ATV's music publishing assets.







PAMS (est. 1950's), which William B. Meeks Jr. founded, is one of the best and most successful jingle companies in the world.





Euel Box was a PAMS jingle writer.

Toby Arnold, who worked as a sales manager at PAMS, left to found the eponymous jingle company known as Toby Arnold & Associates in 1973 or between 1972 and 1974.

Dick Starr worked with Toby Arnold & Associates.



Jonathan M. Wolfert started to work for the PAMS firm before 1972, and in 1974, launched his own company.

Mary Lyn Wolfert is Jonathan M. Wolfert's wife.





For a jingle company founded and owned by Jonathan M. Wolfert and his wife Mary Lyn, its name is taken from the initials for "Jon And Mary Lyn."







The original PAMS corporation suspended its operations in 1978 or after 1977.


From 1978 or after 1977 to 1990 or after 1989, many jingles from this original PAMS company were being held under the CPMG/PAMS banner, owned by Ken R. and Ben Freedman.

In 1990 or after 1989, just 12 years after its suspension in 1978 or after 1977, the original PAMS was purchased by JAM Creative Prodcutions (also based in Dallas).



PAMS' 4141 Office Parkway studio, based in the Dallas-Fort Worth Metroplex, is just as famous as its jingles, opened in 1961 or after 1960 or the early-1960's and closed in 1978 or after 1977.




Score Productions (est. 1960's) is Robert A. Israel's own music production company, specializing in background music and themes for television programs.





PAMS, JAM and TM are jingle companies based in the Dallas-Fort Worth Metroplex.

VTS Music (est. 1960's) and VTS Productions (est. 1978) are companies located in Asheville, North Carolina.





HLC/Killer Music (est. 1980's) is one of the most successful jingle houses in the world, whose initials stand for Ron Hicklin and Joe Lubinski.

Michael Sheehy set up HLC/Killer Music's broadcast division.




An Art Deco structure at Los Angeles' major Sunset Boulevard street, built in 1926 as the offices of the Hollywood Chamber of Commerce and later a movie theatre, also housed HLC/Killer Music.

1926, which was when a historic Sunset Boulevard structure housing HLC/Killer Music was built, was also when Los Angeles native and pop culture symbol Marilyn Monroe (1926-1962) was born.



Tuesday Productions (est. 1969), which Tom DiNoto founded, is also based in the Southern California region




Sam Trust worked with the American branch of the British-based ATV Music/Northern Songs empire from 1973 or between 1972 and 1974 to the mid-1980's or between 1984 and 1986.

Len Beadle worked with ATV Music from the 1960's or before 1969 to 1977 or before 1978.



Plus, Len Beadle had the eponymous music publisher called Beadle Music Limited.
















Propaganda Films, co-founded in the 1980's by Steve Golin, has one simple mission: to bring the MTV aesthetic to television commercials.



Before Andrew J. Kuehn's work, film trailers were created by the National Screen Service (NSS).

NSS' work used important scenes and big text, plus music sourced from the studio music archives and narration in a stentorian voice to accompany the text and moving images.

However, the work of Andrew J. Kuehn utilized no text with quick editing and a montage of stills and moving images, using new techniques popular in television being brought to this business.




Roone Arledge single-handedly transformed American television by infusing dramatic story lines, star personalities and vivid graphics presentations into news and sports.




Abbey Road is the address of the world-famous EMI studios in London.

Having been synonymous with The Beatles, Abbey Road, especially its Studio 2 room, was used as the venue for many innovative recording techniques that The Beatles that adopted in the 1960's.





The IBC Recording Studios began when IBC's studios were just for radio production.





Landsdowne Studios, which Joe Meek and Denis Preston co-established, is the first independent music recording studio in London.

Adrian Kerridge joined Joe Meek and Denis Preston at Landsdowne Studios after it was established.


Olympic Studios is as significant as its arch-rival Abbey Road.





Westlake Recording Studios, which Tom Hidley co-established, is an innovative recording studio.

Ever since its founding before 1972, rooms created à la Westlake spread to countless other recording studios and around the world, due to the success of the acoustic design made by Tom Hidley.



Cheiron is a recording studio which recorded many hits during the 1990's teen pop era.





The Record Plant (est. 1960's), which Gary Kellegren and Chris Stone co-established. developed many innovations in the recording artists' workspace.






Sunset Sound, which Tutti Camarata established after Walt Disney declined, has become one of the best recording studios ever.





Angel Recording Studios was incorporated by Meyer De Wolfe's label, owned by his younger brother James De Wolfe, in December 1978.

Housing Angel Recording Studios was a former Congregational chapel in London's Islington area.





JAC Recording, which Charles Leighton founded, is one of the recording studios in Manhattan.





Sigma Sound Studios, which Joseph Tarsia established, is likewise a famous recording studio.



Denham Film Studios, which Alexander Korda built, was akin to the Hollywood studio backlots from 1936 until the 1950's.

From the 1950's, Denham became one of the most important centres for film music.



Beaconsfield Film Studios is also a famous film studio in the United Kingdom.

Cine-Tele Sound (CTS), founded by a consortium that included Johnny Johnston, Peter Kay and John Elliott, is an important centre for film music, based in London's Bayswater district.









The GPO Film Unit (est. 1933) is headed by John Grierson.




During World War II, the Crown Film Unit was the name for the GPO Film Unit, with Muir Mathieson serving as its music director.

Ken Cameron was a sound recordist from the Crown Film Unit for 11 years.



Anvil Films (est. 1950's), which Ken Cameron started, emanated from Beaconsfield Film Studios, with Muir Mathieson as its music conductor, and Ken Cameron as its chief music engineer.




Having begun his film music career as an assistant to Muir Mathieson, who once worked with Marilyn Monroe, Eric Tomlinson joined CTS in the late-1950's.

While at CTS, Eric Tomlinson developed innovative film scoring techniques.




Film music had formerly been recorded directly to thirty-five millimetre film and had been so in the United States since 1953.

But at CTS, magnetic reel-to-reel tape, recorded on its Philips machine, was the format of choice.





In 1966, Anvil Films moved from Beaconsfield to Denham.

With Anvil's 1966 relocation from Beaconsfield to Denham, Eric Tomlinson made his own move from CTS to Denham, where he was appointed chief engineer in 1966.



Known as one of the most important centres for recording film music, Denham played host to Bernard Herrmann, John Barry, Jerry Goldsmith and John Williams, among others.



Just 14 years after its move from Beaconsfield to Denham in 1966, Anvil Films joined Abbey Road to form Anvil-Abbey Road Screen Sound in 1980.

The main reason for Anvil-Abbey Road Screen Sound being formed was that Denham Studios, which housed Anvil, were demolished, leaving Anvil without a scoring stage.




With Anvil-Abbey Road Screen Sound, Abbey Road has become one of the most important centres for film music in the world.

Eric Tomlinson, Alan Snelling and Ken Townsend put Abbey Road on the film scoring map.




The initials for Ampex stand for Alexander M. Poniatoff and excellence.




Magnetophon was made up in the 1930's by engineers of the innovative company AEG, based on the invention made by Fritz Pfleumer.

John T. Mullin modified Magnetophones into the Ampex Model 200A in 1948.



So successful was the Model 200A, modified from AEG's Magnetophon, that Ampex entered television with 2-inch quadruplex videotape.

The first ever practical and commercially successful videotape format, the 2-inch quadruplex videotape format offers better picture quality and longer recording times than kinescope.





Videotape has good picture quality and long times to record/preserve live television broadcasts.

Kinescope is an early method being utilized to record/preserve live telecasts, but having suffered many limitations, like limited picture quality and durability.



U-matic, Betamax, Video Home System (VHS), Betacam and 1-inch Type C are videotape formats that offer better picture quality than 2-inch quad videotape.







Ross S. Snyder contributed to recording techniques, notably multi-track and early stereo recording, the earlier in collaboration with Les Paul.





Les Paul, Bill Putnam and Tom Dowd were recording studio pioneers.



Robert Moog's eponymous company created the first commercial synthesizer in the 1960's.

The Minimoog, designed as a more affordable, portable iteration of the Moog synthesizer, is the first synthesizer sold in retail stores.





Just before Cheiron, top forty hits in core Anglophone countries were frequently created by musicians hailing from core Anglophone nations.





Top forty hits were being made by musicians from non-Anglophone countries who sing in the English language before the Cheiron era as well.

Plus, top forty hits were made in core Anglophone nations, but sung by singers from non-Anglophone nations singing in English, featuring musicians from core Anglophone nations before Cheiron.




Cheiron changed pop music by using singers coming from core Anglophone countries singing songs written/produced by musicians from non-Anglophone nations.

SweMix (1986-1990's) and Sonet (1950's-1990's) created/perfected the Nordik beat sound (blending modern technologies and building inexpensive, small studios with computers and samplers).








Cezame (est. 1975) was co-founded by musicians who worked with the French-based F.R. David.




Endorsed and supported by two of the world-renowned Hollywood stars, Bill Putnam sold his stake in Universal Recording Corporation and moved to Hollywood in 1957.

When he arrived in Hollywood, Bill Putnam acquired a film studio based at 6050 Sunset Boulevard to launch United Recording Corporation in 1957.





In 1961, just 4 years after founding United Recording in 1957, Bill Putnam acquired the neighbouring Western Studios at 6000 Sunset, remodelling and incorporating the building into the complex.




Bill Putnam also took Studio Supply in 1957, becoming the Studio Electronics Corporation (SEC).

The mid-1960's period had SEC being absorbed by United Western, also purchasing additional brands, resulting in SEC becoming United Recording Electronics Industries (UREI).




James Bullough Lansing led Altec Lansing (est. 1920's) and JBL, the latter taking from his initials.

Tom Hidley who was at JBL, had innovated many recording studio design trends, including monitor speakers mounted on soffit and sliding glass doors between live and isolations rooms.




TTG installed one of the first sixteen-track tape recorders.

Prior to TTG, 4-or-8-track recorders were the norm.





Solid State Logic (SSL) has the SL Four-Thousand Series, of which the B Series, introduced between 1975 and 1977, revolutionized the music industry.

The Acusonic Recording Process, which Bruce Swedien pioneered, pairs up microphones together on instruments and vocals.






Gibson has made the Gibson Les Paul, used in genres, including rhythm & blues, soul, rock, etc.

In addition, Gibson created the Gibson SG guitar in 1961 or the early-1960's.




Sequential Circuits (est. 1974), which Dave Smith founded, has been one of the world's best and most innovative synthesizer companies.

In 1977 or before 1978, Dave Smith and John S. Bowen both designed the groundbreaking Sequential Prophet-5 synthesizer, released in 1978 or after 1977.




Tom Oberheim, whose eponymous company he founded in 1969, developed the OB-X.



Yamaha introduced the Yamaha CS-80 in 1977; production ceased in 1980.

Facing the Sequential Prophet-5 and Oberheim OB-X polysynths for the title, the Yamaha CS-80 is the dominant polyphonic synth ever.








Roland Corporation (est. 1972), which Ikutaro Kakehashi founded, is a world-famous music maker.

Under the leadership of Ikutaro Kakehashi, Roland introduced the Roland SH-1000, which was Japan's first compact synth, in 1973 or between 1972 and 1974.

Ace Tone (est. 1960) was also made by Ikutaro Kakehashi, prior to Roland in 1972 or before 1973.




Just 8 years after being founded in 1972 or before 1973, in 1980, Roland introduced the TR-808 drum machine, which was a cornerstone of the electronic and hip-hop genres.




Korg (est. 1962), which Tsutomu Katoh and Tadashi Osanai co-founded, is one of the most successful companies in the world.




Renamed in 1973 or between 1972 and 1974, Korg entered mass-produced synths in 1973 or between 1972 and 1974.




FM synthesis paved the way for three of the best, greatest and most popular digital synthesizers in the 1980's decade: the Yamaha DX7, the Roland D-50 and the Korg M1.







While at 20th Century-Fox, Alfred Newman worked with Marilyn Monroe on a few films.

Lionel Newman was the music director for all Marilyn Monroe films at 20th Century-Fox.



Randy Newman, whose parents are two of Marilyn Monroe's regular music collaborators, was born in Marilyn Monroe's native Los Angeles home and attended Uni like Marilyn Monroe.





David Newman, whose parents are two of Marilyn Monroe's music regulars, was also born in Marilyn Monroe's native Los Angeles home.

Thomas Newman, whose parents include Marilyn Monroe's two regular music collaborators, was also born in Marilyn Monroe's native Los Angeles home.




For years, television stations across the Western Bloc have used high production values and high-end computer graphics.




Before Saul Bass' title sequences in the 1950's, titles were generally static, separate from the film, and were usually projected onto the theatre curtains, only to be raised right before the first scene.

Titles in the pre-Saul Bass era featured cards, ruched satin backgrounds and page turning books.



However, Saul Bass established modern title sequence design as an art form.



Scanimate, which Lee Harrison III created, came before Quantel, SGI, Adobe and NewTek.

What Scanimate means is that it had the ability to create animations in real time, which was one of the major advantages this system had over film-based animation and computer animation.




Image West, Dolphin Productions and the Computer Image Corporation (CIC) were some companies which used the Scanimate process, developed by CIC's Lee Harrison III.

Lee Harrison III earned a national Emmy Award for developing Scanimate in 1972 or before 1973.




Founded in 1973, Quantel has been a pioneer in modernizing motion graphics with its digital artwork.



Chryon (est. 1966), which Francis Mechner and Eugene Leonard co-founded, is also an innovator in broadcast graphics creation.








The Quantel Paintbox, introduced in 1981, changed the way television graphics are being made.

Using its tablet and its pressure-sensitive pen, the Quantel Paintbox has been the most-widely known Quantel product and the worldwide industry standard graphics kit.

Plus, the Quantel Paintbox spawned a number of products from Quantel, like the Quantel Harry.




In some ways, the Quantel Harry did for video editors what the Quantel Paintbox had done for graphic designers, giving them a tool for moving their trade forward by leaps and bounds.

Both the Quantel Paintbox and the Quantel Harry begat both the Quantel Henry and the Quantel HAL.





The Quantel Henry is the first digital multilayer compositing system, which doubles as the worldwide industry standard for television commercials.

Plus, the Quantel HAL is the first video graphics and compositing centre.




Slides were made using card, Letraset and spray mount before Quantel; animated sequences were also made using film-based cel animation or video-based Scanimate, also before Quantel.

Quantel's innovative workstations changed the way film and television graphics are being made.



In the 1980's, Ampex developed a digital video effects system which mimicked expensive, film-based special effects: Ampex Digital Optics or Ampex ADO, used by television networks and producers.





Abekas (est. 1980's), which Junaid Sheikh and Phil Bennett co-founded, is one of the post-production pioneers.

Some of the Abekas products include the Abekas A-62 and the Abekas A-84.




Likewise, during the early-to-mid-1980's, computer animation was produced with minicomputers, but shifted to cheaper desktops with 3D graphics capabilities during the late-1980's.





The NYIT Computer Graphics Lab, which was founded by Alexander Schure in 1974, has innovated many features in computer graphics.

Ed Catmull, Alvy Ray Smith, Jim Clark and Jim Blinn are some original members of the CGL team.




Robert Abel and Con Pederson co-founded Robert Abel & Associates before 1972.

During its long run, Robert Abel & Associates had created some of the most advanced and impressive computer-animated effects, like full ray-traced renders and fluid animation.




In addition, Robert Abel & Associates had some innovative effects, like creative slit-scan and backlit animation.

Moving to raster graphics in the 1980's, Robert Abel & Associates used software being developed by young individuals.






Wavefront (est. 1984) is one of the projects being made by people from Robert Abel & Associates.

The Advanced Visualizer (TAV) is Wavefront's flagship product.




Mathematical Applications Group, Inc. (MAGI) and Digital Images are some early computer animation companies based in New York.




Triple-I used early CGI work through the Motion Pictures Product Group, which Gary Demos and John Whitney Jr. founded in 1974.

Digital Productions, which Gary Demos and John Whitney Jr. co-founded after leaving Triple-I, was as innovative as Triple-I's Motion Pictures Product Group.



Omnibus (est. 1972) was co-led by Clifford J. Brown and John C. Pennie.

The Toronto office of the Omnibus Computer Graphics division featured Kim Davidson and Greg Hermanovic.



Evans & Sutherland (est. 1960's) is a pioneer in 3D computer animation and computer graphics.

In 1969, Evans & Sutherland introduced the Line Drawing System-1, the first graphics device with a graphical processing unit, which is shortened to LDS-1.

After LDS-1's 1969 debut, in 1973 or between 1972 and 1974, Evans & Sutherland also debuted the Shaded Picture System, the first commercial product producing real-time shaded 3D graphics.






DEC's PDP-11, considered by some to be the most popular minicomputer, has innovative features; its VAX-11 is equally-innovative.

Cray Research (1972-1996), which was founded by its namesake (1925-1996), known as the Thomas Edison of the supercomputing industry, developed its products.



The Cray-1 supercomputer was announced in 1975.




Foonly (defunct since 1989) developed its first and most famous machine called the F1.

Ridge (1980-1990), established by six founders, five of them hailing from Hewlett-Packard, made its Thirty Two system.




Synthavision, which is MAGI's in-house software program, is one of the first to utilize a ray-tracing approach, but also a pioneer in putting hi-res computer graphics directly to film.

Mixing computer and existing film technology, some of the notable MAGI/Synthavision equipment included Celco film recorders.




Alias and Softimage were former major forces in high-end 3D computer graphics.




Charles Csuri is also a pioneer in computer animation.

Having taught at the Ohio State University (OSU) for over forty years, Charles Csuri also established some graphics research centres there, like the Computer Graphics Research Group (CGRG).

Robert Cranston Kanuth is an investor.




In 1981, both Charles Csuri and Robert Cranston Kanuth formed their own company to commercially exploit CGI technology from the Computer Graphics Research Group on the OSU campus.





Pacific Data Images (PDI) was founded in 1980 by Carl Rosendahl.

Richard Chuang, Carl Rosendahl and Glenn Entis turned PDI into a major force in computer graphics.



As opposed to film output done at all early computer graphics studios active in the 1980's, Pacific Data Images focused on direct-to-video production; it modified the interface to a Sony BVH machine.

Having outlived all the other computer graphics studios active in the early-1980's, Pacific Data Images became successful, never getting into debt by purchasing expensive hardware.

While other studios acquired or leased supercomputers, Pacific Data Images bought cheaper hardware, treating it as a commodity which could be replaced, enabling lower operating costs.



Softimage|3D was released in 1989 as the Softimage Image Environment for SGI workstations.




AutoCAD, which is Autodesk's flagship product, is one of the first CAD programs to run on a personal computer.

Prior to AutoCAD, most CAD programs ran on mainframe computers or minicomputers.





Discreet Logic develops/distributes open-platform digital imaging processing software.




The Video Paint Brush Company (VPB) was set up in 1986 by Jean-Marc Le Pechoux.

Zareh Nalbandian and Chris Godfrey acquired VPB in the early-1990's or after 1990, and changed its name to Animal Logic.






Eddie is Animal Logic's image compositor, which enables image dissolves, overlays, resizing and morphing techniques.

Prior to Eddie, film and video animators utilized a multitude of computers and programs to create countless special effects; this was time-consuming and expansive.




Richard Szalwinski founded Discreet Logic to re-distribute Animal Logic's own Eddie application.

Softimage took Eddie from Discreet in the early-1990's or before 1993, becoming Softimage|Eddie.



Gary Tregaskis created Discreet Logic's own Flame, one of the first software-only image compositing products, in the early-1990's or before 1993.

Flint, also by Discreet Logic, is similar to Flame.



Inferno joins Flame and Flint, all from Discreet Logic.




Microsoft took Softimage in the mid-1990's or after 1993, not long after Softimage went public in the early-1990's or before 1993.



Responding to Microsoft taking over Softimage in the mid-1990's or after 1993, SGI also moved on to acquire Wavefront in the mid-1990's or before 1996.

Both SGI and Wavefront merged with Alias (also in the mid-1990's or before 1996) to form one single company called Alias|Wavefront.




Pixar RenderMan, also known as RenderMan, is an Academy Award-winning 3D rendering software being produced by Pixar Animation Studios.






Thomson Digital Image (TDI), whose primary product is Explore, serves as Thomson-CSF's computer graphics division.

Sogitec is Dasault's computer graphics division.



Ex Machina (1989-1990's) was formed when TDI's production division merged with Sogitec.

As for TDI Explore, it was sold in 1993 to Wavefront, which became Alias|Wavefront.






New York Production and Design (NYPD) is a post-production and visual effects botique founded in Sydney, Australia, later moving to Toronto, Canada.

eyeon Software is the current name for NYPD.






With Microsoft's acquisition in the mid-1990's, Softimage's first Windows port was in 1996.

Plus, Softimage's mid-1990's sale to Microsoft brought about the intention to introduce high-end 3D animation software to its Windows NT platform.



Avid took Softimage from Microsoft in 1998, and a decade later, in 2008, Autodesk took Softimage.




In the late-1980's or after 1986, Robert Abel & Associates ended after a merger with Omnibus.





Both Robert Abel & Associates and Omnibus merged with Digital Productions, all of which lost their operations.





In the aftermath of the merger, Michael Wahrman and Brad deGraf formed their own 3D computer graphics firm.




Cubicomp, which was one of the first 3D animation systems on a personal computer, produced its own PictureMaker machine.

Having been a high-tech 3D animation system, Cubicomp was sold to Ampex in 1986.




Adobe (est. 1980's), which John Warnock and Charles Geschke co-founded, is likewise a computer software empire.

Photoshop, After Effects, Premiere and Premiere Pro are some Adobe products.





Elastic Reality, Illusion, Matador and T-Morph are the other software applications, all sold to Avid.

Intelligent Light (est. 1984), whose focus is to solve engineering visualization problems, also formerly developed software for rendering and animation.



The Video Toaster is NewTek's most famous product.

Mixing special effects in television post-production, the Video Toaster, just for the Commodore Amiga computer until the mid-1990's or after 1993, made a desktop into a Hollywood SFX studio.




LightWave 3D, which derives its name from both Intelligent Light and Wavefront, was likewise used exclusively for the Commodore Amiga computer until the mid-1990's or after 1993.

Since the Video Toaster 2.0, frequent LightWave 3D features are motion blur, lens flare and others.



In addition, LightWave is also used for Windows, Macintosh, SGI and DEC Alpha computers.

The same core group of engineers who created LightWave 3D also created Modo from Luxology.




Aegis Development (1984-1989), which was a former computer software company located in Santa Monica, California, developed two products merging to form LightWave 3D in 1990.

VideoScape 3D and Modeler are Aegis Development's products forming LightWave 3D.



Sonix, besides VideoScape 3D and Modeler, is the other Aegis product.


3D Studio was made in 1990 or after 1989 by Gary Yost and published by Autodesk, and rewritten for Windows NT and renamed 3D Studio MAX.

The first release under the new name 3D Studio MAX came in 1996 or before 1997.




Maya was the codename for Alias|Wavefront's IRIX-based products; it became a standalone product in 1998 or after 1997 and was sold to Autodesk in 2005.



Vertigo, a high-end 3D computer graphics system created in Vancouver in the early-1980's, was sold to Cubicomp/Ampex in 1990.


The Bosch FGS Four-Thousand machine was one of the first 3D video effects systems.





Some other 3D rendering and animation software for the Commodore Amiga, besides LightWave 3D, include Traces, which led to Blender, and Cinema 4D.

Deluxe Paint, Scala, Imagine, Sculpt 3D and Reflections are some other software for the Commodore Amiga.



Just prior to the Quantel Cypher and the Chyron Infinit! workstations, character generators (CG) were being described as old-fashioned.



In television's infancy, text superimposed over a picture disappeared, either because the colour of the letters was too similar to the underlying picture or because the detail underwhelmed the letters.

During the 1980's, the method of character generators was to add an edge to the letters, either a drop shadow or a border, using contrasting colours.



Utilizing both the Quantel Cypher and Chyron Infinit! workstations, character generators made some improvements, notably by adding a bar behind letters, either opaque or semi-transparent.




The Moving Picture Company (MPC), which Mike Luckwell established, is one of the world's most successful post-production companies.




Electric Image (est. 1980), which Paul Docherty co-founded, was one of the most innovative high-end computer graphics firms in Britain.

Dean Street and Lexington Street are the bases for Electric Image.




From its launch, Electric Image developed its own real-time animation and rendering techniques.





Electric Image then licensed, developed and used software gained from Robert Abel & Associates.

Through software from Robert Abel & Associates, Electric Image developed the Digital Optical Raster Imaging System.



In the early-1990's, Electric Image started its shift from Robert Abel & Associates software towards commercial software using TDI Explore.




Digital Pictures, which Chris Briscoe and Paul Brown co-founded, is Electric Image's rival.



Molinare (est. 1973) has been a pioneer in the post-production industry and has become the largest independent post-production house in the UK.



R/GA (est. 1977), which the Greenberg brothers founded, is also one of the pioneers in the motion graphics design industry.

Kyle Cooper worked at R/GA until the 1990's.




The NBC peacock, which John J. Graham and Herb Lubalin co-created in the 1950's decade, has since evolved into different forms.

Chermayeff and Geismar's 1986 version of the NBC peacock is the most famous of all forms.




William Golden's CBS eye, made in the 1950's, remains constant.



Doug Towey is one of the first graphic designers to work in the 3D CGI field.

As the creative director for CBS Sports since 1981, Doug Towey took responsibility for developing its promotional campaigns, but also its on-air look: graphics, animation, music and scenic design.

In addition, Doug Towey worked with ABC Sports, notably serving as associate director from 1975 to 1978 and participating in the first network sports on-air promotional unit there.





John Ridgway's professional career in Arizona; in 1978, he moved to Los Angeles.

Novocom/GRFX (est. 1981), which John Ridgway founded, uses a style described as being slick and modern.



Billy Pittard's professional career began at WNGE-TV (now WKRN), where, as its own art director, he played a role in developing digital video tools and did pioneering work with them.

In 1984, Billy Pittard moved to Los Angeles, six years after John Ridgway did the same in 1978.



Using the techniques that he used while he was in Nashville, Billy Pittard played a role in modernizing KNXT's own graphics production from traditional artwork shot on film to digital.

With his work in modernizing KNXT's graphics production from traditional artwork on film to digital, Billy Pittard co-founded his own motion graphics firm in 1986.




Pittard Sullivan has been a trailblazer in motion graphics, like Novocom/GRFX.







In the 1980's, the on-air look for SuperstationWTBS heavily used state-of-the-art Quantel Paintbox graphics, with slick animation made by a team of in-house graphic designers.

The on-air look for WTBS in the 1980's, reliant on Quantel Paintbox graphics, was developed even further, leading to a high-end motion graphics design firm called Television by Design (TVbD).




Leading a team of in-house graphic designers who started out with Turner Broadcasting System and moved on to form TVbD was a person known by his nickname jcbD.



Melanie Goux Jay Antzakas and Jay Cordova, besides jcbD, are some other TVbD founders.

While jcbD left TVbD to start the eponymous design firm, others stayed with TVbD.




The early works of both TVbD and jcbD were produced using the Quantel Paintbox workstation, the Ampex ADO system and the Abekas A-62 digital disc recorder.

Beginning in the 1990's, the works made by both TVbD and jcbD were being rendered with SGI and Alias|Wavefront technology.



Crawford DESIGNefx, based in Atlanta, which also housed both TVbD and jcbD, is also a high-end motion graphics design firm like Novocom/GRFX.



Maria LoConte and Patrice Goldman are namesakes of a 1990's motion graphics design firm, which utilized its slick and modern look, like Novocom/GRFX and Pittard Sullivan.



Flying Foto Factory (FFF) has specialized in 2D and 3D animation since its inception in 1984.

When it started, Flying Foto Factory invested in an Oxberry animation stand being linked to an early personal computer, motion control system and thirty-five millimetre film camera.

In the 1990's, Flying Foto Factory shifted towards software using Alias|Wavefront/TDI Explore.





Click 3X (est. 1993), which Peter Corbett and Phil Price co-founded, is a motion graphics innovator.

Western Images and Radium, both companies which Jonathan Keeton had founded, are trailblazers in high-end visual effects.









Having studied at both Hornsey Art School and the Royal College of Art from 1948 until 1954, John Sewell was recruited by the BBC in 1954 to build its own graphic arts section.

Bernard Lodge, Alan Jeapes and Charles McGhie brought innovations to broadcast motion graphics.





Colin Cheesman, who was Bernard Lodge's colleague, was the BBC's graphics design head.

In 1977, both Bernard Lodge and Colin Cheesman left the BBC fo form the eponymous studio.



Lodge-Cheesman was one of the first ever independent motion graphics design firms in the UK.

Plus, Lodge-Cheesman served as a role model for the other BBC graphic designers who left to join the independent creative design sector in the 1980's and the 1990's.




Bill Kennard worked at the BBC's graphic arts section before leaving the UK in the 1950's.




Graham McCallum, John Kennedy and Paul D'Auria are graphic designers coming from the BBC who formed what was called MKD in 1986.

With MKD's success, Graham McCallum formed Kemistry in 1997 or between 1996 and 1998.




Marc Caplan, hailing from South Africa, moved to the UK between 1978 and 1980.

Bandwidth, which Marc Caplan co-founded, has become one of the most successful high-end motion graphics design firms in the world.


XYZAP (est. 1980's) is Zap Productions' former computer animation division.



Through his move down under, Bill Kennard was the ABC's graphics design head until 1974.

Stafford Garner and Stewart MacLennan, both being former Australian documentary makers from the ABC, co-founded the eponymous motion graphics studio in the 1980's.

Garner MacLennan Design (GMD) is also a successful high-end motion graphics design firm.





Velvet mediendesign, which Matthias Zentner founded, is one of the best high-end motion graphics design firms in the world as well.





Critica, which Xavier Oon started, is also a high-end motion graphics design firm in both Asia and the world.

Mojo, which Josef Lee began, is likewise a high-end motion graphics design firm in both Asia and the world.



Producciones JES, whose name is based on Julio Enrique Sánchez Vanegas' initials, also ventured into computer animation.

Having launched its operations in the late-1980's era, some of the software for Producciones JES' own computer graphics division include Cubicomp PictureMaker and Softimage 3D.



During this late-1980's period, Producciones JES' own computer graphics division utilized Cubicomp PictureMaker, which, in the early-1990's, was replaced by Softimage.





Steve Bristow, hailing from Australia, moved to Malaysia in 1990 or after 1989, leading the animation department of the TV3 subsidiary Animation and Post Production Techniques (APT).





Before John Sewell was hired in 1954, the BBC used no graphic designers, but signwriters making title sequences on card, which were then superimposed over the opening shots.

With John Sewell, the influence of the BBC's graphic arts section started to make an impact, with fresh ideas and the curiosity to explore television's possibilities.




Saul Bass is a major influence on the motion graphics design work of both Bernard Lodge and Martin Lambie-Nairn.









Digital Juice is a company that David Hebel founded.

By 1997, Dimension Technologies moved from the Amiga and towards Windows and Macintosh.




The first ever non-Amiga product for Dimension Technologies was Digital Juice for PowerPoint, which paved the way for the eponymous firm.




Envato, which Jun Rung, Collis Ta'eed and Cyan Ta'eed co-founded, is based in Australia, and features many marketplaces.

VideoHive and AudioJungle are some Envato marketplaces.





Speciallizing in producing movie theatre snipes and policy trailers in movie theatres, Cinema Concepts transformed the way film snipes and policy trailers are being made.




James A. Pike founded/headed the eponymous company.

Some James A. Pike sons include Travis and Adam, the latter being a music composer.





When it was founded, Cinema Concepts' early work sampled various stock motion graphics from the CASCOM Select Effects library, produced with an Oxberry animation stand.

Music was also provided through stock labels for Cinema Concepts' entire existence.






Beginning in the late-1980's or the early-1990's, Cinema Concepts' work was rendered with SGI and Alias|Wavefront/TDI Explore technology with animation by Flying Foto Factory.



Likewise, Pike Productions offered music through stock labels, but also specialized in original music compositions.




The Get Ready campaign is an evolution of the Are You Ready? tagline being used by CBS during the television season ending in 1989.





Michael Mischler and George Schweitzer are individuals who played a role in developing both the Get Ready campaigns and the Are You Ready? tagline for CBS.




Independent Network News was a television newscast produced by Tribune Broadcasting's New York station WPIX and distributed by Tribune's syndication division from 1980 to 1990.




Now That's What I Call Music! (or Now!) is a series of CD albums using modern, contemporary songs from pop singers made across the core Anglosphere.




Ronald Lauder and Mark Palmer formed CME in the early-1990's.

With his European experience as US Ambassador to Austria and his Eastern European heritage via his Hungarian parents, Ronald Lauder put Western values on the map of the Eastern Bloc.




The BBC won the Queen's Award on numerous occasions for its worldwide achievements.

Large foreign sales by ITC during the 1960's and beyond led to ACC winning the Queen's Award for Export on numerous occasions.




Quantel won the Queen's Award on numerous occasions for its innovative software being utilized on motion pictures and television.

EMI won the Queen's Award on numerous occasions for its work in the music industry.






In 1972 or before 1973, Ikegami introduced the HL-33, the first ever compact hand-held colour video camera for the electronic news gathering business.



Television stations in the Western Bloc utilize a modern and contemporary look/feel, with a loose and energetic presentation, modern graphics and modern production techniques.

Plus, television outlets in some neutral nations use the same values as in the Western Bloc.




Simply put, television outlets in the Western Bloc have high production values, as have many others in neutral nations.



Until aggregation in 1989, while Australia's metropolitan-based television assets used a modern and contemporary look/feel, its regional assets looked like being stranded in the past.

The 1989 launch of the aggregation process had made regional television in Australia utilize similar presentation to the metropolitan counterparts.





During the Cold War, television broadcasters behind the Iron Curtain looked like being stranded in the ancient past, with Chyrons and slides invading the screens.

With the end of the Cold War, television broadcasters located behind the Iron Curtain started to have a more contemporary feel as opposed to the strictly autocratic style they used before.




Television channels behind the Iron Curtain after this Cold War utilize younger and sexier personalities using modern and casual clothes, more modern graphics and a looser, more energetic presentation.

Some of the other television elements behind the Iron Curtain in the post-Cold War era include modern production techniques eventually used and more field reports with visible anchors/staff.






Plus, the influx of the high-end 3D computer graphics formula for television stations behind the Iron Curtain came in the early-1990's during this post-Cold War era.






Many television broadcasters located behind the Iron Curtain in this post-Cold War era spiffed up their presentation to be on par with their Western counterparts.

Spiffing up television presentation for stations behind the Iron Curtain in the period after the Cold War reminds people of Australia's regional television industry in the post-aggregation era.




Huge changes for television behind the Iron Curtain in the post-Cold War period have made production values become more in line with Western broadcasters and more appealing to younger viewers.




Meanwhile, during the Cold War, television outlets across Yugoslavia looked like being stranded in the past, with Chyrons and slides invading the screens.

Following the Yugoslav Wars, television assets in Yugoslavia began using a more contemporary feel as opposed to the autocratic style used before.





Yugoslav television has younger and sexier personalities who use modern and casual clothes, more modern graphics and a looser, more energetic presentation in an era after the Yugoslav Wars.

Some other elements for Yugoslav television in the period after the Yugoslav Wars include modern production techniques eventually used and more field reports with visible anchors/staff.




Plus, the influx of the high-end 3D computer graphics formula for Yugoslav television was after the Yugoslav Wars.




Many of the Yugoslav television broadcasters in the period after the Yugoslav Wars spiffed up their presentation to be on par with their Western counterparts.

Spiffing up television presentation in this era after the Yugoslav Wars reminds people of Australia's regional television industry in the post-aggregation era.




Huge changes/improvements for Yugoslav television after the Yugoslav Wars made production values become more in line with Western broadcasters and more appealing to younger viewers.




During the pre-EDSA era, Filipino television broadcasters looked like being stranded in the past, with Chyrons and slides invading the screens.

With the EDSA Revolution, Filipino television broadcasters began using a more contemporary feel as opposed to the autocratic style used before.




Filipino television broadcasters in the post-EDSA era use younger and sexier personalities donning modern and casual clothes, more modern graphics and a looser, more energetic presentation.

Some of the other elements for many Filipino television broadcasters in the post-EDSA era include modern production techniques growingly used and more field reports with visible anchors/staff.



In addition, the influx of the high-end 3D computer graphics formula for television broadcasters in the Philippines in this post-EDSA era came in the late-1980's.




Many Filipino television outlets in the post-EDSA period spiffed up their presentation to be on par with their First World counterparts.

Spiffing up Filipino television presentation in the post-EDSA era reminds people of Australia's regional television industry in the post-aggregation era.




Huge changes for Filipino television in the post-EDSA period made production values become more in line with Western broadcasters and more appealing to younger viewers.




During the Cold War period, television commercials seen across the Eastern Bloc have low production values; many of them were shot on video, especially during the 1980's, while others were on film.

But in the post-Cold War era, television commercials seen across the Eastern Bloc started to have high production values; many of them being shot on film in Western quality looked like US ones.




Changes for advertising across the Eastern Bloc in the post-Cold War era have made production values become more in line with commercials in the Western world.






News music utilizes the rhythm of a teletype machine, Morse code or ticker tape, along with two of the loudest instrumental groups in the Western orchestra: brass and percussion.

In short, news music uses the teletype rhythm, plus the clarion call of lively, piercing tones.




Just before both the Eyewitness News and Action News formats, jaunty marches are the most misused music compositions used in both newsreels and the early stage of television news.

With both the Eyewitness News and Action News formats, news music has a more modern sound.



The practice of using music sourced from films as news themes was introduced by Eyewitness News creator Al Primo.





In addition, jaunty marches are the most misused music compositions ever utilized in both the sports segment of the newsreel industry and sports television's early stage.

Likewise, with Roone Arledge's sports television projects, sports music has a more modern sound.






Some influences for modern news music since the advent of the Eyewitness News, Action News and NewsCentre formats include John Barry, Lalo Schifrin and John Williams.




An action-adventure cue from the James Bond series by John Barry is used for Al Primo's Eyewitness News format by Group W/non-Group W stations, fittingly using the teletype rhythm.

The Tar Sequence, a music cue coming from Cool Hand Luke by Lalo Schifrin, is used for Al Primo's Eyewitness News format for ABC/non-ABC stations, fittingly using the teletype rhythm as well.





Dawn Raid on Fort Knox, a music cue from the James Bond film Goldfinger by John Barry, is being utilized as a news theme, fittingly using the teletype rhythm.







The Mission is an orchestral suite composed by world-famous Hollywood film music composer John Williams as a television news music package for NBC News.

Having consisted of four movements, John Williams' work in The Mission, an orchestral news music package commissioned for NBC News, changed the news music sound.







Frank Gari's music work in the 1990's was made using the Korg M1 and the Kurzweil instrument.



Notable influences for dramatic sports television music include Emerson, Lake & Palmer, The Alan Parsons Project and Toto.



Emerson, Lake & Palmer's adaptation of the iconic and famous Aaron Copland cue Fanfare for the Common Man was used as music for both sports and news.

The Ace of Swords, a cue from The Alan Parsons Project, was also used as news music.






From the 1930's to the 1950's, Muir Mathieson worked with the London Symphony Orchestra.

In the late-1960's or before 1969, four-time Academy Award winner André Previn came to the London Symphony Orchestra as its principal conductor.

Both Muir Mathieson and André Previn put the London Symphony Orchestra on the film music map.





Muir Mathieson did his own arrangement of the Suite from Henry V, which was composed by William Walton, with André Previn as its conductor, in the 1960's.






Jaws (1975), which Steven Spielberg masterminded, is the film that launched the summer blockbuster concept, and is the blueprint for many blockbusters.





The two-note ostinato representing the shark, composed for Jaws (1975) by John Williams, is a notable portion of the film's soundtrack.





Star Wars (1977), which George Lucas masterminded, is the film that solidfied the modern blockbuster film model.



Luke Skywalker, Han Solo and Princess Lela are the main characters in the first trilogy of the Star Wars franchise.

C-3PO, R2-D2, Obi-Wan Kenobi and Darth Vader are the other characters in the Star Wars franchise.





The London Symphony Orchestra performed the music score for the first two trilogies of the Star Wars film series from 1977 to 2005 overall.

What began the London Symphony Orchestra's relationship with Star Wars is the earlier's then-primary director André Previn, who, in 1977, asked his friend and colleague John Williams for help.




Recorded at Anvil Studio in Denham under the performance of the London Symphony Orchestra, John Williams' score for the first Star Wars film (1977) was recorded by Eric Tomlinson.

Besides John Williams and others, Herbert W. Spencer, Alexander Courage, Arthur Morton and Angela Morley did the orchestration for John Williams' score for the first Star Wars film (1977).




John Williams' score for the first Star Wars film (1977) revived the symphonic film music tradition.

Meco's disco version of the Star Wars theme, composed by John Williams, is also a successful tune.






Stephen King's 1990's film version stars Morgan Freeman, born a year before Marilyn Monroe's 12th birthday, in which the latter is one of the poster girls.



Thomas Newman, born in Marilyn Monroe's hometown, and whose parents include Marilyn Monroe's music regulars, did the score for Stephen King's 1990's film version, featuring Marilyn Monroe.


Lucky Star is Madonna's first top five hit, and its accompanying music video features her fashion and style, which became the trend among the young generation of the time.

Material Girl, which Nile Rodgers produced, is Madonna's other worldwide hit.





The music video for Madonna's Matertial Girl pays tribute to Marilyn Monroe's Diamonds Are a Girl's Best Friend performance in Gentlemen Prefer Blondes, earning heavy rotation on MTV.





Respect, which was originally performed by Otis Redding, was popularized by Aretha Franklin as her signature tune, doubling as a anthem for girls/women.




How Will I Know is Whitney Houston's second chart-topping hit, which is accompanied by a colourful music video being directed by Brian Grant and choreographed by Arlene Phillips.

The music video for How Will I Know was Whitney Houston's first to receive heavy rotation on MTV, which gave her exposure to teenagers and made her the first black woman to do so.






Vision of Love (1990) is Mariah Carey's first ever single, which was recorded for her self-titled debut album (1990).

Having been Mariah Carey's first ever single, Vision of Love (1990) is the blueprint for future female singers.



Anytime You Had a Friend has its music video, which features Mariah Carey in a straightened hairstyle for the first time.



Whitney Houston's soulful version of the 1974 Dolly Parton tune I Will Always Love You has achieved international success, but it is also a cultural phenomenon.



Both Marilyn Monroe and Mariah Carey utilize moles/beauty marks under their cheekbones; they also have their given names begin with the letters M, A, R and I.

Plus, the surnames of both Marilyn Monroe and Mariah Carey use R as the third-last letter.




The music video for Mariah Carey's 1998 cover version of the 1980's tune I Still Believe, for whose original version she sings background vocals, is inspired by Marilyn Monroe's 1954 USO tour.

Years later, Mariah Carey made a surprise appearance in the musical iteration of the 1950's Marilyn Monroe film Some Like It Hot, which she joined in November 2022 as a co-producer.



Plus, Mariah Carey has Marilyn Monroe's piano, but also has her daughter being named after Marilyn Monroe.






MGMM, the most successful music video company of the 1980's, produced some of the best and most innovative, groundbreaking, and now classic works ever made in the music video industry.






Just before Lin Bolen's NBC daytime work from 1972 to between 1975 and 1977, game shows were hosted by staid and stuffy personalities, monotonous formats and dull clothes.

But during Lin Bolen's NBC daytime work from 1972 to between 1975 and 1977, game shows were hosted by younger and sexier personalities, flashier formats and current wardrobes.




Some elements first used at game shows during Lin Bolen's daytime work at NBC, most notably neon lights, young and sexy hosts and an open look with a less claustrophobic feel, are still intact.





Of all the game shows commissioned by Lin Bolen at NBC, the most successful is Wheel of Fortune.

Launched in 1975 or after 1974 as a replacement of the original Jeopardy! iteration, Wheel of Fortune earned huge success in first-run syndication, like Jeopardy! has.











Monday Night Football was one of Roone Arledge's most famous creations.

Throughout its run, Monday Night Football has usually provided entertainment as sports.



In addition to the extra cameras, Monday Night Football has pioneered technological innovations, like enhanced slow motion replays and computer graphics.





Since the NFL season that ended with Super Bowl VI (1972), Frank Gifford was the voice of Monday Night Football, lasting until the 1997 season ending with Super Bowl XXXII (1998).

Frank Gifford, Howard Cosell and Don Meredith formed Monday Night Football's classic trio.




Known by his nickname "Dandy," Don Meredith infused Monday Night Football with humour for 12 seasons and served as Howard Cosell's comic foil.

The first run for Don Meredith on Monday Night Football ended in the 1973 NFL season ending with Super Bowl VIII (1974).





Alex Karras worked for Monday Night Football; his run started in the 1974 NFL season ending with Super Bowl IX (1975) and ended in a season ending with Super Bowl XI (1977).

Don Meredith's second tenure in Monday Night Football's broadcast booth began in the 1977 season ending with Super Bowl XII and ended in the 1984 season.



O.J. Simpson replaced Howard Cosell on Monday Night Football for the 1984 season.

Al Michaels assumed Frank Gifford's place as Monday Night Football's play-by-play announcer in the 1986 season, while Frank Gifford was relegated to analyst.


Pat Summerall and John Madden were a legendary NFL broadcasting duo from 1981 to 2001.




Hedy Lammar and George Antheil co-invented frequency-hopping spread spectrum technology, which paved the way for Wi-Fi, Bluetooth and other wireless communications.




Doctor Who is a science fiction television series which has usually become a significant portion of pop culture in the UK.






Emeril Live, hosted by its namesake Emeril Lagasse, is Food Network's flagship series.

The famous catchphrase for Emeril Lagasse is "Bam!"
 





Kitchen Stadium is the setting for Iron Chef, and the Gourmet Academy organizes the venue.

Takeshi Kaga acts as the chairman of the Gourmet Academy in Kitchen Stadium, known as Chairman Kaga.




Chen Kenichi and Hiroyuki Sakai are the longest-serving of all the Iron Chefs.

Komei Nakamura, Masaharu Morimoto and Masahiko Kobe are the most recent Iron Chefs, the latter being the youngest.





Michiba is the first ever Iron Chef Japanese.

Komei Nakamura, endorsed by Michiba, was the second Iron Chef Japanese in March 1996.




Masaharu Morimoto, coming from Hollywood star Robert de Niro's Japanese restaurant Nobu in New York, was the third Iron Chef Japanese in 1998, but also the most recent overall.



Chen Kenichi is "the Sezchuan Sage," Hiroyuki Sakai as "the Delacroix of French cuisine," Masahiko Kobe "the Prince of Pasta," and Masaharu Morimoto as the neo-Japanese leader, all on Iron Chef.

Toshiro Kandagawa positions himself as a recurring villain on Iron Chef, described as "the Don of the Kansai."




Having been a fierce enemy of the Gourmet Academy, Toshiro Kandagawa's role is the same as a pro wrestling heel, an aggressive persona for the Iron Chefs to contend with.





Kenji Fukui and Dr. Yukio Hattori are the primary announcers on Iron Chef, with Shinchiro Otha as its floor reporter.

One or two guest announcers (who are also judges) also made frequent appearances on Iron Chef.



Shinchiro Otha is the Iron Chef floor reporter, known for his rapid-fire reporting style.




Each Iron Chef battle lasts 60 minutes to tackle the day's theme ingredient and prepare artistic dishes.

In case of overtime when total points in the scores are tied, a battle lasts 30 minutes.



Most Iron Chef episodes start with Chairman Kaga's words "If memory serves me right...", taken from Arthur Rimbaud.

Plus, Chairman Kaga starts each Iron Chef cooking time with "Allez cuisine!", followed by the gong.





In Iron Chef's original US-dubbed iteration, a specially-made prologue begins with Brillat-Savaran's quotation "Tell me what you eat, and I'll tell you what you are."

Brillat-Savaran's quotation in the prologue used for Iron Chef's US dub leads to Fukui's narration.







Also in Iron Chef's original US dub, Fukui narrates a specially-made pre-tasting review.

For this pre-tasting review specially-made for Iron Chef's original US-dubbed iteration, a footage from Chairman Kaga's introduction of the opponent is used.

Plus, a slow-motion shot of the Iron Chef being selected by the opponent is used during the pre-tasting review on Iron Chef's US dub.





In addition, a slow-motion shot of the theme ingredient being unveiled by Chairman Kaga is also used during the pre-tasting review on Iron Chef's US-dubbed version.

The presentation of dishes by both the Iron Chef and the opponent are also used during this pre-tasting review on Iron Chef's US dub.



Shinchiro Otha's famous quotation is "Fukui-san?", which is said several times per episode, when he interrupts Fukui's commentary with a report from the field.





During Iron Chef's first two years starting in 1993, one celebrity guest is in the commentary booth and three judges are on the tasting panel.

Each and every battle on Iron Chef starts with Fukui introducing one guest, plus Dr. Yukio Hattori and Chairman Kaga during its first two years starting in 1993.





In the mid-1990's or before 1996, Kitchen Stadium underwent some major changes.

Among the major changes that affect Kitchen Stadium on Iron Chef are the addition of the 30-minute overtime battles and the addition of a fourth judge, paving the way for the scoring system.



With Kitchen Stadium completing major upgrades, two guests are in the booth, with four judges on the tasting panel, both on Iron Chef.

Plus, with Kitchen Stadium's upgrades, after the gong signalling the beginning of each and every battle held on Iron Chef, Fukui introduces two guests and Dr. Yukio Hattori.

In addition, with Kitchen Stadium completing major changes, each and every battle on Iron Chef starts with Chairman Kaga walking to the ingredient stand amid applause to introduce the visiting chef.



The tasting panel during Iron Chef's first two years consists of three separate tables, but with Kitchen Stadium's upgrades, one single table is used with four chairs on this panel.



Several events precluded Michiba's 1996 retirement:



Michiba suffered an illness that left him briefly hospitalized, interrupting his Iron Chef tenure.

Afterwards, Michiba started getting tired from the stress of appearing on Iron Chef and running three Japanese restaurants.

Plus, Kitchen Stadium's upgrades led to the overtime battles on Iron Chef, the first of which Michiba won.



In the final round of the second Mr. Iron Chef Tournament, which is also his last one, Michiba won the title over Chen Kenichi with beef and retired from Kitchen Stadium in January 1996.



The King of Iron Chefs Tournament serves as the grand finale of the original Iron Chef series, which Hiroyuki Sakai won over his best friend Chen Kenichi.



Whilst a success in Japan, Iron Chef became a sleeper hit in the United States in the late-1990's or after 1998, when it was picked up by cable's Food Network and dubbed into English.

For Iron Chef's original US dubbed version, the cooking competition was given a campy charm, which evoked English-dubbed Chinese kung fu films.

In fact, Iron Chef's original US dub makes references to Western popular culture.





When Chairman Kaga speaks on-screen for Iron Chef's original US-dubbed iteration, his words are in English subtitles, but the actor's real voice is heard in Japanese.

The segments being used to introduce the opposing chefs on Iron Chef are being spoken by Chairman Kaga in Japanese, both in its original version and its original pre-2001 US dub.






For its original pre-2001 US dub, Chairman Kaga's introduction of the opposing chefs on Iron Chef is likewise subtitled in English, but the actor's real voice is heard in Japanese.

Iron Chef's post-2001 dub has Chairman Kaga's introduction of the opposing chefs spoken in English.





At the end of the visitor's profile at the start of each Iron Chef episode (before the title sequence), the Chairman urges him/her/them to do his/her/their best, accompanied by a slow-motion shot.




Bill Bickard does the voice for Kenji Fukui, Scott Morris for Dr. Yukio Hattori and Jeff Manning for Shinchiro Otha in Iron Chef's original US-dubbed version.

Kent Frick and Duncan Hamilton voice Chairman Kaga in Iron Chef's post-2001 US dub.



Repeated quotes for Iron Chef include:



  • Kenji Fukui: Five years ago/nearly a deacde ago, a man's fantasy became reality in a form never seen before: Kitchen Stadium, a giant cooking arena.

  • The motivation for spending his fortune to create Kitchen Stadium was to encounter new original cuisines which could be called true artistic creations. 

  • To realize his dream, he secretly started choosing the top chefs of various styles of cooking, and he named his men, the Iron Chefs, the invincible men of culinary skills. Iron Chef Japanese is [name]. Iron Chef French is Hiroyuki Sakai. Iron Chef Chinese is Chen Kenichi. And Masahiko Kobe is Iron Chef Italian. 

  • Kitchen Stadium is the arena where Iron Chefs await the battles of master chefs from around the world. Both the Iron Chef and opponent have one hour to tackle the theme ingredient of the day. Using all these senses, skills, creativity, they're to prepare artistic dishes never tasted before. 

  • And if ever a visitor wins over the Iron Chef, he or she will gain the people's ovation and fame forever. Every batttle, reputations are on the line in Kitchen Stadium where master chefs pit their artistic creations against each other. What inspiration does today's visitor bring? And how will the Iron Chef fight back? The heat will be on!

  • Chairman Kaga: Watashi no kioku na tashikanaraba... (subtitled or dubbed by Kent Frick in the post-2001 era): If memory serves me right... 

  • Chairman Kaga: If my memory serves me correctly... (dubbed by Duncan Hamilton post-2001)

  • Kenji Fukui: Ascending into Kitchen Stadium/Making their ascent into Kitchen Stadium, the nation's culinary leaders: your Iron Chefs! Iron Chef Chinese Chen Kenichi, Iron Chef French Hiroyuki Sakai, and Iron Chef Japanese [name]. Here they stand: the invincible men of culinary skills!

  • Chairman Kaga: Kyo no tema wa, koro des! (subtitle: We unveil the ingredient!)

  • Chairman Kaga: Kyo no tema wa... (subtitle: Today's theme is...)

  • Kenji Fukui: We are set -- let's get it on!/Let's go for it!

  • Chairman Kaga: Allez cuisine!

  • Kenji Fukui: Bang a gong, we are on!/Opening gong.

  • Kenji Fukui: And now, let's introduce our guests for today's battle. First...

  • Kenji Fukui: And our commentator, Dr. Yukio Hattori.

  • Dr. Yukio Hattori: Always a pleasure.

  • Shinchiro Otha: Fukui-san? Kenji Fukui: Yes.

  • Kenji Fukui: FLAME-OLAAH!

  • Kenji Fukui: And now, a minute to go; the final 60 seconds.

  • Kenji Fukui: And that's it! The cooking's done. The [ingredient] battle is O-VAH!

  • Kenji Fukui: [visiting chef/Iron Chef] is offering (number) dishes. First...

  • Kenji Fukui: And now, the moment of truth...tasting and judgment. On the panel today are...

  • Kenji Fukui: First, the dishes of [visiting chef].

  • Kenji Fukui: And now up, the dishes of Iron Chef [name].

  • Kenji Fukui: Who takes it? Whose cuisine reigns surpreme?

  • Kenji Fukui: It's the Iron Chef! [name] has done it!/wins it!

  • Kenji Fukui: Alright, let's check the scores/Alright, the scores.




Backdraft's soundtrack are used for most of the original score for Iron Chef in its original Japanese and pre-2001/post-2001 US dubs.

For its original Japanese and pre-2001 US-dubbed iterations, besides Backdraft, music cues from other Western sources are used, notably Glory and Dragon: the Bruce Lee Story.




Show Me Your Firetruck (from Backdraft) is used as the theme tune for Iron Chef, but is also used for post-match interviews and the ending credits.

If an Iron Chef episode uses no post-match interviews, the end credits begin after victory by either the visitor or the Iron Chef.



At the end of the opponent's profile at the start of each Iron Chef battle (before the opening sequence), Show Me Your Firetruck's opening is heard as the Chairman urges him/her/them to do best.



Fighting 17th (also from Backdraft) is used, both in the prologue and the pre-tasting battle review, seen exclusively in Iron Chef's original US dubbed version.

The Arsonist's Waltz (also from Backdraft) is heard over a quote "Tell me what you eat, and I'll tell you what you are" by Brillat-Savaran, also seen exclusively in Iron Chef's original US-dubbed version.



Charging Fort Wagner (from Glory) is used when the Iron Chefs are summoned into Kitchen Stadium, both in its original Japanese version and its original pre-2001 US dub. 


Backdraft's sixth track is used to introduce the visiting chef to Kitchen Stadium in Iron Chef, plus the unveiling of the theme ingredient.

You Go, We Go (also from Backdraft) is used as the Iron Chef's profile cue, plus the tale of the tape.




Track 8 of the Backdraft soundtrack is used as the dish description cue, looped and repeated, plus the victory cue used when the Chairman declares the winner of the battle for Iron Chef.

Brothers (also from Backdraft) is used during segments, in which Chairman Kaga described the day's theme ingredient on Iron Chef after unveiling the theme ingredient and before the tale of the tape.



If an Iron Chef episode does not use Chairman Kaga's theme ingredient description, the tale of the tape begins after Chairman Kaga unveils the theme.



Plus, the gong portion used in Aaron Copland's Fanfare for the Common Man is used, when the gong marks the start and end of the hour-long battle in the original Iron Chef series.



The gong in Requiem (from Akira) is used after the commercial break before the dishes are presented again and before judgment on Iron Chef's original US-dubbed version.

With the gong in Requiem from Akira, both the Iron Chef and visitor are pictured facing each other.


A cue from Dragon: the Bruce Lee Story is utilized when the members of the week's tasting panel are introduced on Iron Chef, both in its original Japanese version and its pre-2001 US dub.






Michael Nyman's music cues are used to introduce the opposing chefs on Iron Chef (both in its original Japanese version and its original pre-2001 US dub).


Lady in the Red Hat is used for the verdict on Iron Chef.


Plus, Yoko Kanno's music cues are also used on Iron Chef, including Brain Powerd and the Nobunaga's Ambition series (in its original Japanese version and its pre-2001/post-2001 US dubs).



For Iron Chef's post-2001 US dubbed version, Track 5 of the Backdraft soundtrack replaces Fanfare for the Common Man for the opening gong.



Cues from Romance of the Three Kingdoms V by Takayuki Hattori are on Iron Chef during Chairman Kaga's intro of the opposing chefs (in its Japanese version and its pre-2001/post-2001 US dubs).






Hollywood in Vienna is an annual film music gala honouring music composers whose work has left a lasting mark on film music, held at the Vienna Concert Hall.

The Max Steiner Film Music Achievement Award is given at the annual Hollywood in Vienna gala.

Driving the vision for the annual Hollywood in Vienna gala was Sandra Tomek.




Since its inception, Hollywood in Vienna has honoured many composers, including Max Steiner, Erich Wolfgang Korngold, Arnold Schoenberg and others.

Plus, the Hollywood in Vienna gala commemorates composers who emigrated from Vienna in the 20th century to establish the classic Hollywood sound.




John Barry earned the first Max Steiner Film Music Achievement Award in 2009, while Howard Shore earned the second Max Steiner Film Music Achievement Award in 2010.




Alan Silvestri earned the third Max Steiner Film Music Achievement Award and Lalo Schifrin won the fourth Max Steiner Film Music Achievement Award, both in the early-2010's period.

James Horner, Randy Newman, James Newton Howard and Alexandre Desplat respectively earned the Max Steiner Film Music Achievement Awards in the mid-2010's period.

Plus, Danny Elfman, Hans Zimmer and Gabriel Yared respectively earned the Max Steiner Film Music Achievement Awards in the late-2010's.



The most recent Max Steiner Film Music Achievement Award, originally to be presented in 2020, but delayed to 2022 due to the COVID-19 pandemic, went to Alan Menken. 





Douglas Edwards with the News was the first ever television program to utilize videotape.

Arthur Godfrey's own television program was the first non-news program ever to use videotape.




January 1957 was when Truth or Consequences, which Ralph Edwards created, was the first television program to be aired in all time zones in the United States from a prerecorded videotape.



The Edsel Show (1957) is the earliest surviving videotape recording in existence.

NBC's Washington headquarters, based on Nebraska Avenue, was dedicated in the late-1950's with the earliest surviving colour videotape recording in existence.



Bud Yorkin's live television special was produced in the late-1950's at NBC Colour City Studios.

Having been technically innovative, Bud Yorkin's own project, which was in the late-1950's, is the first major network television program recorded on videotape in colour.




Wardour Street in London served as the home base for Meyer De Wolfe's label for years.

After many years at Wardour Street, Meyer De Wolfe's label moved to Capper Street circa 1997/1998.

25 West 45th Street, which was the base of The New Yorker from the 1930's to the 1990's, was also the base for Corelli-Jacobs, Inc.





Initially, Meyer De Wolfe and others offered sheet music, which comprised their original music cues to accompany silent films, in collaboration with other musicians from the orchestras of London.

Sheet music being offered by Meyer De Wolfe and others was played live in theatres by musicians.




With the debut of talkies in the late-1920's or after 1926, Meyer De Wolfe's company started providing instrumental and vocal music cues that were pre-recorded.

Pre-recorded music cues written/arranged by Meyer De Wolfe were made using the sound-on-disc and sound-on-film techniques, both synchronized with the nitrate film reel.


Meyer De Wolfe's innovation marked the beginning of the modern stock music industry.



However, this nilrate film reel was flammable if improperty stored, which proved to be the cause of an explosion in the basement of the Wardour Street office of Meyer De Wolfe's own label.

By countering this explosion and countering any future firework, much of the music being stored from Meyer De Wolfe's label was copied onto magnetic reel-to-reel tape.





Copying the music being stored from Meyer De Wolfe's own label onto reel-to-reel tape guaranteed the preserving longevity of the music and ensured that they would be used later for other productions.

In fact, as technologies changed, many of the music cues from Meyer De Wolfe's own music label have persisted, transferring to LP in 1962 or the early-1960's, CD between 1984 and 1986, etc.





Meyer De Wolfe's son James De Wolfe was enlisted in the RAF in 1942 during WWII.

For WWII, Meyer De Wolfe's son James De Wolfe became part of the renowned Dutch Squadron - a fighter squadron having successful operations, most notably the D-Day mission.




Bravery and resilience marking WWII was embodied by Meyer De Wolfe's son James De Wolfe.





At the start of the post-WWII era, James De Wolfe moved back to his father Meyer De Wolfe's own company, infusing fresh energy into the music publishing business.

During the 1950's, James De Wolfe expanded his father Meyer De Wolfe's company beyond British borders.





In the 1950's, Meyer De Wolfe began a relationship with Corelli-Jacobs, Inc.

The expansion of Meyer De Wolfe's own music label to the Americas resulted from this relationship between his son James De Wolfe and Corelli-Jacobs, Inc.




Rouge is one of the sub-labels of Meyer De Wolfe's own company, starting in 1975 or after 1974.

Hudson, Sylvester, Solid State, Commercial Breaks, Widescreen, Bite Hard, 20th Century Archive and Sound Effects, besides Rouge, are the other sub-labels of Meyer De Wolfe's own company.







Both a theatre ticket agency and a music publisher, Keith Prowse decided to spin off in the 1950's to concentrate on its earlier output.






Keith Prowse Music Publishing was sold to Associated-Rediffusion in the mid-1950's or after 1954.

Associated-Rediffusion acquired Peter Maurice Music in the late-1950's or before 1960, and merged it with Keith Prowse Music Publishing to form Keith-Prowse-Maurice (KPM).




In 1966, in the wake of the British Invasion that The Beatles have launched, KPM pioneered a hippier music sound as well, with its 1000 Series.

Driving the vision for KPM's 1000 Series were James Phillips' sons Robin Phillips and Peter Phillips.




Joining Adrian Kerridge, who assisted Joe Meek at Landsdowne Studios, Robin Phillips' contemporary mindset steered KPM to work with musicians au fait with the current fads in pop music.

Alan Hawkshaw and Brian Bennett, both hailing from The Shadows, along with Manfred Mann's Dave Richmond, are just some of the well-known musicians recruited by KPM under Robin Phillips.



Themes International (est. 1973), which Alan Parker founded, was sold to KPM/EMI in the 1980's.



Roy Berry's eponymous stock music label, founded in partnership with Campbell-Connelly, Inc. in the mid-1950's or after 1954, is best known for its iconic Conroy sub-label.

KPM/EMI purchased Berry Music from Campbell-Connelly, Inc. in 1973 or between 1972 and 1974.




Mood Music is Francis, Day & Hunter's stock music library.

Harmonic Mood Music is Charles Brull's stock music library.





EMI Photoplay Library (1957-1972), which Philip Green founded, is one of EMI's forays into the stock music world before it purchased KPM in 1969.




Langlois Filmusic (1949-1960's), which its nakesake Cyril Langlois founded, together with both Jack Shaindlin and Robert McBride, is one of the first stock music labels in the United States.

Cinemusic (est. 1960's) is Jack Shaindlin's own stock music label, becoming Langlois Filmusic's new owner; in the 1980's, KPM/EMI acquired Cinemusic.




Sam Fox Film Rights, Inc., which had already sold out folios of sheet music for silent movies, began to release recorded music in 1930.

Ultra Music Service (UMS), OK and PM are labels co-run by William Loose and Emil Cadkin.




Blue River Music (est. 1950's) is Harry Bluestone's own stock music label.

Just before Blue River Music, Harry Bluestone and Emil Cadkin co-held their own stock music label, known as C & B Music Library.

Harrose Music is the eponymous stock music label led by Harry Lubin.


Denmark Street was the base for KPM/EMI, Themes and Berry Music for years until the late-1980's.




In 1977, Robin Phillips took many of his KPM composers with him to start his own label run by ATV Music/Northern Songs, with whom Sam Trust worked for its US branch.

Bruton Street served as the chief base for the eponymous music label that was more experimental and electronic than Robin Phillips' other label KPM.




Regency Line was another stock music label from ATV Music/Northern Songs, with whom Sam Trust worked for its US branch.




Zomba purchased Bruton from Michael Jackson in the mid-1980's or between 1984 and 1986.




Sonoton (est. 1960's), which Gerhard Narholz founded, introduced stock music to Germany.

Earning its reputation on par with British stock labels like De Wolfe and KPM, Sonoton has many new features in stock music, including short-length tags and underscores.




Music House (est. 1986) earns its reputation on par with De Wolfe and KPM.

In 1997, Robin Phillips sold his Music House label, which he began in 1986, to KPM/EMI, which he formerly managed from 1966 to 1977, becoming its sister label.








Boosey & Hawkes, Chappell, JW, Ring Musik, Bosworth and Carlin entered stock music with their reputations on par with De Wolfe and KPM.

In 1986, Boosey & Hawkes' stock music division was renamed Cavendish Music.



Music for Television (Mutel) was founded by David Chudnow.



Zomba purchased Chappell's stock music division in the late-1980's or before 1989.

Nick Farries (b. 1953) headed the stock music divisions of both Chappell and Carlin.






John Parry, from Chappell, founded the eponymous music label in 1974.

Chris Stone, who ran a stock music consultancy label in Toronto, was Parry Music's co-founder.





Amphonic Music, which Syd Dale founded, features many other KPM composers besides its founder.



Len Beadle, who got into the stock music industry through both Bruton and Regency Line, also has his own publishing company enter stock music with B.M.L. Production Music Library.

Focus Music (est. 1980's) and Connect Music (est. 1990's) are stock music companies run by both Paul Greedus and Barry Blue.





Tele Music (est. 1966), which Roger Tokarz founded, is one of the stock music pioneers in France.

Image Music Library (est. 1986), also known as Image Library, run by Fable Music, is one of the stock music leaders in Australia.




Hi-Q is a stock music brand/label produced and distributed by Capitol Records.

Many tracks in Capitol's Hi-Q stock music label are licensed from Sam Fox, KPM, Charles Brull Ltd., EMI Photoplay Library, UMS, C & B Music Library, Mutel and others.



William Loose and John Seely, who were architects of the Hi-Q stock music brand/label from Capitol Records, were replaced by Ole Georg and Ib Glindemann in the 1960's.




Capitol Production Music is the name for Capitol's Hi-Q label under Ole Georg.

Media Music and Media Music: The Professional are sub-labels being included in Capitol's stock music division, both created during Ole Georg's tenure.

Ole Georg Music (OGM) is the current name for Capitol Production Music.



Studio G (est. 1966), which John Gale founded, is also a pioneer in the stock music business.

UBM Records (est. 1960's) is the name for Uwe Buschkoetter's music label.





KPM and Bruton were respectively held by EMI and ATV Music; both of them were represented in the United States by Emil Ascher, Inc., which, in the 1980's, made this relationship an unhappy one.

So, other than setting up two separate companies, KPM and Bruton decided to jointly begin Associated Production Music (APM) to represent their labels.






The Music People Ltd. (1974-2010's), which John Parry and Chris Stone co-founded, is once the most successful stock music distributor in Canada until APM came along.

Morning Music, which Stompin' Tom Connors founded, was a rival of the The Music People Ltd.




In the late-1990's era, Carlin took the Blue River catalogue, renamed the cues being co-written by Emil Cadkin and Harry Bluestone, and rereleased them as part of their Archive Series.

Plus, Carlin Music acquired Harry Lubin's Harrose label in 2005.








Abaco Music (est. 1990's) is Promusic's own stock music label; its debut ended Promusic's exclusive strategy to distribute foreign stock labels in the United States during its initial years.

Power House is a stock music label which Michael Redman founded.



Sound Ideas and Westar Music, both run by Brian Niemens, are royalty-free stock music labels.

The Music Bakery, which Jack Walenmeier founded, is likewise a royalty-free stock music label.




Freeplay Music is also a stock music label.


Major Records and Manhattan Production Music are stock music labels based in New York.






Doug Wood did the music for Studio G with the Doug Wood Band or the Doug Wood Group.

Omnimusic is a stock music label which Doug Wood began, and which his other stock label Studio G formerly distributed in Britain.

Studio G also distributed Parry, Abaco, Power House and Justement, besides Omnimusic, in the UK.



HLC/Killer, Tuesday, PMW, BRG and Soundtrack entered stock music.

Network Music, Killer Tracks, the Canary Collection and Aircraft Music Library are the names of the stock music labels from jingle companies.



While at ATV Music/Northern Songs' US branch, Sam Trust played a role in developing Bruton, which later became the basis, with KPM/EMI, for the formation of APM.





Sam Trust also created Killer Tracks, in partnership with HLC/Killer, in 1989.

From its inception in 1989 to June 1997, Killer Tracks was managed by Sam Trust.




Gary Gross (b. 1950's) replaced Sam Trust in Killer Tracks in June 1997.




In the 1990's, Bertelsmann Music Group (BMG) took over Killer Tracks.

Atmosphere Music Library (est. 1981), which John Lee founded, is one of the most cutting-edge stock music labels ever, which was sold to BMG in the 1990's.



Match Music (est. 1980's), which Steve Martin founded, was sold to BMG in 1997.




RCA Media (est. 1980's) is a joint venture between RCA and Cezame, the latter being co-owned by musicians who worked with the French-based F.R. David.

Koka Media is the current name for RCA Media after RCA sold its stake to Cezame.



In 1996, BMG, which purchased RCA's music outlets in the 1980's, purchased a 50% stake in both Cezame and Koka Media, the latter being formerly known as RCA Media.





FirstCom (est. 1980), which Jim Long co-founded, is also a household name in stock music.

Using music composers hailing from TM Productions and VTS Music, the earlier jingle house at whom Jim Long worked, FirstCom is also a stock music innovator.



OneMusic, which Jim Long founded,







Megatrax (est. 1990's), which Ron Mendelsohn and John Carlo Dwyer co-founded, is a stock music company based in Hollywood.



Edwin Cox was a music producer at Boosey & Hawkes from the late-1990's until 2002.

West One Music (est. 2002), which Richard Harvey, Tony Prior and Edwin Cox founded, is one of the most successful music companies in the world.







The Music People Ltd. distributed Chappell Recorded Music Library and Parry Music, but also other labels, like KPM, Bruton, Sonoton, Cavendish, Major Records, MPM, Studio G and Omni.




Airforce Broadcast Services (defunct 1990's) is a former Canadian stock music label.

Chappell and Carlin both distributed Airforce Broadcast Services in the United Kingdom.





SmartSound combines the catalogues sourced from Sound Ideas, Westar, The Music Bakery and Killer Tracks.




Andy Mark had been a co-founder of the PMA since its inception in 1997; his legacy has persisted and grown through the eponymous awards: the Mark Awards.

Some other PMA founders, besides Andy Mark, include Michael Dowdle, Dain Blair, Randy Wachtler, Ron Mendelsohn, Norman Chesky, Joseph Saba and Ivy Tombak.




Before the KPM 1000 Series, the typical stock music styles were jaunty orchestral or traditional jazz.

Since the KPM 1000 Series, from the mid-1960's until the early-1980's, the typical styles used in stock music were top forty fare à la funk, laid-back fare à la Henry Mancini and electronica.

In addition, production music composers created rip-off iterations of songs in the mainstream top forty charts à la funk and Hollywood-like film scores used in low-budget films and television.



Plus, funk-based stock music tunes are also sampled by rhythm & blues/soul and hip-hop artists.



Energy, composed for Network Music by Craig Palmer, gave new definition to the network television sound; in fact, it reshaped stock music's sound in the 1980's and beyond.



John Facenda is the primary narrator for NFL Films from 1966 to his 1984 death.




Before both NFL Films and Sam Spence, the march-like sound was in sports film soundtracks.

Through both NFL Films and Sam Spence, the Hollywood-like orchestral sound is used in sports film soundtracks.





John Philip Sousa influences the march-like music sound in sports film soundtracks prior to both NFL Films and Sam Spence.

Many of the world-renowned Hollywood film music composers are influences for the Hollywood-like orchestral sound in sports film soundtracks, through both NFL Films and Sam Spence.





In his music work with NFL Films, Sam Spence's influence comes from many Hollywood film music composers.

Sam Spence not only used the Hollywood-like orchestral sound for NFL Films, but also explored and garnered inspiration from various other music genres.




David Robidoux and Tom Hedden are the main composers for NFL Films.

Film composers, like John Williams, Alan Silvestri and Hans Zimmer, plus rock musicians, like Led Zeppelin, Def Leppard and The Police, influence David Robidioux's NFL Films work.





Munich, Germany is the adopted base for Sam Spence and his music work with NFL Films.

London's world-famous EMI-owned Abbey Road Studios is one of the bases for the music work being made by both David Robidoux and Tom Hedden for NFL Films during the 1990's.

In 2001, NFL Films built its in-house orchestral room, based upon Abbey Road's Studio Two design.





Phil Spieller (b. 1937) is the music director for NFL Films from the late-1960's or before 1969 to 1984.

As the music director for NFL Films, Phil Spieller chose music for and mixed many films in his career.






John Facenda's iconic narration and Sam Spence's orchestral music are some of the key elements in the distinctive style of the movies depicting pro football highlights being made by NFL Films.


The Mark Awards, named after Andy Mark, are honours by the PMA.



Gerhard Narholz won the first Hall of Fame Mark Award from the PMA for his efforts in creating stock music's innovations through Sonoton on its 50th anniversary in the mid-2010's or after 2014.

Peter Cox received the second Hall of Fame Mark Award from the PMA for his efforts in pushing stock music's boundaries through KPM/EMI and West One in the mid-2010's or before 2017.






Romano di Bari won the third PMA Hall of Fame Mark Award for his efforts in putting stock music on Italy's map through Flippermusic in 2017.

Both Jim Long and Sam Trust won PMA Hall of Fame Mark Awards respectively in the late-2010's for their work in enhancing stock music in North America through APM, Killer Tracks and FirstCom.



Doug Wood earned the sixth PMA Hall of Fame Mark Award in 2021 for his work in enhancing stock music in North America through Omnimusic, run by KPM/EMI.




The man who worked with F.R. David won the seventh PMA Hall of Fame Mark Award in 2022 for his work in stock music in France through both Cezame and Koka.



Cassie Lord earned the eighth PMA Hall of Fame Mark Award in the mid-2020's or before 2025 for her work in stock music.

Andy Mark, the namesake of the Mark Awards, earned the ninth PMA Hall of Fame Mark Award in the mid-2020's or before 2025 for his work in stock music.


Jonny Trunk runs the eponymous music label, which specializes in stock music and other genres.




In-flight entertainment (IFE) means entertainment offered to aircraft passengers during a flight.




TWA is the first commercial airline to use feature-length film entertainment on a regular basis.

By Love Possessed (1961) is the first film regularly seen on flights, and Come September (1961) is the first film seen on transcontinental and intercontinental flights.




System safety is one major obstacle in creating an in-flight entertainment system; with the sometimes miles of wiring involved, voltage leaks and arcing become a problem.

This IFE system safety obstacle is not just a theorical concern, but also the cause of a crash involving Swissair Flight 111, held on September 2, 1998.



With the Swissair Flight 111 crash, taken place on September 2, 1998, this IFE system made changes leading to it being isolated from the main systems of the aircraft to fix issues.




Evening sign-offs and morning sign-ons have been landmarks of the television industry for years.

Television stations begin and end their broadcast activities with a look at the program line-up, a station ID, a prayer, scenic views, news/weather, a clock ID, technical information or an anthem.



During sign-offs, people at home on TV who were not being able to go to bed are invited to tune in to alternate services hosted by their sisters/affiliates for music, news or chat through the night.



Some of the test cards include the SMPTE colour bars (NTSC), the circle pattern (PAL/SECAM), the Telefunken PuBK (PAL) and the EBU colour bars.





Both CityTV and MuchMusic use a profound influence on the television industry, both in Canada and around the world.